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    Live Music Now

    These are the top 6 concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Mar 20, 2019 | 9:25 am

    RodeoHouston hangover is in full effect. Not many big name acts are clamoring to play the city's largest venues knowing full well that many casual fans will be staying home for a bit to rest and recover from the biggest music event of the year.

    Then again, with the Deer Park smoke plume hanging above our heads, maybe it's better we don't poison the opinions of any major act on the city, especially if we'd like to see them again.

    Thankfully, a handful of mid-sized shows will ease the comedown from those lofty heights achieved over the last three weeks.

    CultureMap's biggest, best, and most noteworthy shows are as follows:

    CultureMap show of the week: A Bowie Celebration at Heights Theater
    David Bowie's passing left a huge hole in music. One of the most storied and influential artists of all time has been sorely missed, but a group of musicians that made up his backing bands carry his vision on with A Bowie Celebration — A David Bowie Alumni Tour.

    Mike Garson, Earl Slick, Gerry Leonard, and Carmine Rojas all played with Bowie at some point in his career, and they'll be joined by several guest musicians, including Corey Glover, singer with Living Colour. Relive the magic of Bowie's major hits in what will be as close as many of us will get to seeing the legend in person.

    A Bowie Celebration is at Heights Theater, located at 339 W. 19th St., on Wednesday, March 20. Tickets start at $32 plus a $7 service charge. Doors open at 7 pm.

    Amos Lee at Revention
    Philadelphia singer-songwriter Amos Lee hit No. 1 on the Billboard Top 200 with Mission Bell in 2011 behind the strength of his song "Windows Are Rolled Down," but he's been recording and performing professionally since 2004. Tabbed by Rolling Stone early on as an artist to watch, Amos incorporates rock, soul, jazz, and folk music into his songs. He's toured with some major acts, including Norah Jones, Bob Dylan, Elvis Costello, and Paul Simon. He's on tour behind the acclaimed 2018 album My New Moon.

    Amos Lee headlines Revention Music Center, located at 520 Texas Ave., on Wednesday, March 20. Ethan Gruska opens. Tickets start at $15 plus fees. Doors open at 6:30 pm.

    CultureMap recommends: Tiësto
    Make no mistake, Dutch DJ and producer Tiësto is one of the biggest names in the EDM world, making RodeoHouston star Zedd look like Harry Potter to his Dumbledore. The 50-year-old is considered by many to be the Godfather of EDM, rising to fame in the late '90s, when electronic music moved from the clubs to warehouse raves and festivals, eventually garnering mainstream acceptance.

    He won Grammys, he played opening ceremonies of the Olympics, and performs at the biggest nightclubs in the world, including as a resident in Las Vegas. In other words, if you like anything that resembles a beat, dish out the cash to see this guy in action behind the 1s and 2s.

    Tiesto is at Spire Nightclub, located at 1720 Main St., on Friday, March 22. Justin Caruso opens. Tickets start at $70 plus $10.91 fees. Doors open at 10 pm. He is also at Clé on Saturday, March 23. Tickets start at $80.91 plus fees. Doors open at 2 pm.

    Mudhoney at WOMH
    Seattle act Mudhoney gained a brief burst of notoriety in the early '90s. They were major influences on an up-and-coming act named Nirvana. When Kurt Cobain and co. hit the big time, the band was offered a major label contract. Unfortunately, their brand of grunge was a little too arty, and they didn't make much of an impact other than on the alternative charts.

    Still, they were the first band to reach a wider audience with the cooler-than-thou Sub Pop label, which opened the door to other grunge acts to get signed, making them an extremely important band in the annals of music history. They are touring behind last year's Digital Garbage.

    Mudhoney plays White Oak Music Hall, located at 2915 N. Main St., on Friday, March 22. Cherubs and Frog Hair open. Tickets start at $27 plus fees. Doors open at 8 pm.

    Lords of Acid at Scout Bar
    Holy crap, Lords of Acid scared the bejesus out of suburban parents when they came out in the early '90s. The industrial/electronic act was always provocative, overtly sexual, fetishistic, and generally embraced all forms of hedonism. In other words, if you're an out and proud conservative, you might want to avoid this show. But if you're into songs with titles like "Sex Cam Girl," "Drink My Honey," and "Spank My Booty," you'll find some guilty pleasure in seeing this over-the-top, never boring Belgian band.

    Lords of Acid will wreck Scout Bar, located at 18307 Egret Bay Blvd., on Friday, March 22. Orgy, Genitorturers, Little Miss Nasty, Gabriel & the Apocalypse open. Tickets start at $26 plus fees. Doors start at 7 pm.

    Taking Back Sunday at HOB
    When did Houston become the emo city? Recent appearances by a number of emo-rock bands such as Panic! at the Disco and Cursive had all of us busting out our mascara and Hot Topic tees. Many of these acts are back in a big way, including New York band Taking Back Sunday.

    The group is making a two-night stop at the House of Blues, showcasing their new greatest hits package, Twenty, 20 years after they started playing together. Expect to hear plenty of their biggest tunes, including "MakeDamnSure" and "Cute with the 'E'." (Now, where did our wallet chain go?)

    Taking Back Sunday is at House of Blues, located at 1204 Caroline St., on Monday, March 25, and Tuesday, March 26. Frank Iero opens. Tickets start at $35 plus fees. Doors open at 7 pm.

    Singer-songwriter Amos Lee is at Revention Music Center on Wednesday, March 20.

    Amos Lee
    Photo by Danny Bollinger
    Singer-songwriter Amos Lee is at Revention Music Center on Wednesday, March 20.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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