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    Major arts figure in Houston retires, leaving a billion dollar museum legacy

    Tyler Rudick
    Mar 19, 2013 | 5:09 pm

    Longtime associate director Gwendolyn Goffe has revealed that she will be retiring from her 25-year tenure at the Museum of Fine Arts, Houston at the end June.

    Goffe came to the museum in 1988 after serving as a director of finance at the Corcoran Gallery and College of Art in Washington, DC. In the decades that followed, she would help grow an endowment of $98 million to more than $1 billion, making the MFAH one of the richest art institutions in the world.

    “As Peter Marzio's longtime trusted deputy, Gwen has very simply made it possible for the Museum to realize its ambitions."

    After years of successfully steering the museum from behind the scenes, Goffe suddenly found herself in the public spotlight when the board of trustees appointed her interim director in 2011 following the death of MFAH director Peter Marzio.

    “I know that everyone at the MFAH, and countless others who have worked with Gwen over the past two-and-a-half decades, will join me in thanking her for her extraordinary contributions,” director Gary Tinterow, who started at the museum in early 2012, said in a statement.

    “As Peter Marzio’s longtime trusted deputy, and as an invaluable advisor and resource to me following my arrival, Gwen has very simply made it possible for the museum to realize its ambitions: through her business leadership, her sound counsel and her civic standing.”

    After she formally leaves her post this summer, Goffe will remain with the museum as a consultant to help oversee the MFAH's campus expansion projects, including a new contemporary art gallery designed by award-winning architect Steven Holl.

    “I treasure my years at the museum and having worked with some of the most talented professionals anywhere in the world," she noted in a statement. "Thank you to one and all for the opportunity to be a part of the history of such a great institution.”

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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