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    Top Chef episode 3 recap

    Top Chef recap: Local Asian food stars shine in a consummately Houston episode

    Eric Sandler
    Mar 18, 2022 | 9:11 am
    Chef Kiran Verma is this week's local guest judge.
    Chef Kiran Verma is this week's local guest judge.
    Photo by David Moir Bravo

    It took three episodes, but Top Chef finally feels grounded in Houston. In Season 19's strongest episode to date, the show on the city’s vibrant Asian community with a night market-inspired Elimination Challenge.

    Instead of participating in a Quickfire Challenge, the cheftestants sampled food prepared by ten Houston chefs representing Vietnamese, Chinese, Japanese, Indian, and Filipino cuisines. Then they had to create their own dishes for a night market attended by 100 Houstonians. It's the first individual elimination challenge of the season, and the absence of a Quickfire means no one has immunity from being sent home.

    Let’s break down the show from a Houston perspective by highlighting the local people and places who appeared in the episode. Then we’ll check in on the progress of local cheftestant Evelyn Garcia and keep track of the overall competition.

    Featured Houstonians
    As always, the episode’s quick pace doesn’t give much time to identify the local chefs who participated in the night market. Let’s give them their due.

    • Vietnamese: Trong Nguyen (Crawfish & Noodles) and Christine Ha (The Blind Goat, Xin Chao)
    • Indian: Kiran Verma (Kiran’s) and Kaiser Lashkari (Himalaya)
    • Japanese: Naoki Yoshida (Shun Japanese Kitchen) and Manabu Horiuchi (Kata Robata)
    • Chinese: Cori Xiong (Mala Sichuan Bistro) and Elaine Won (Dumpling Haus)
    • Filipino: Gabe Medina (7000 Islands, Click Virtual Food Hall) and Andrew Musico (The Fattest Cow)

    After being properly inspired, the contestants shop at local grocery stores for ingredients specific to their cuisines: 99 Ranch Market, Hong Kong Food Market, Viet Hoa, Seiwa Market, and Subhlaxmi Grocers. We get a few amusing moments as the visitors look a little overwhelmed by the unfamiliar ingredients, but the more knowledgable contestants help their peers find everything they need to create their dishes.

    Chef Verma returns to judge the elimination challenge, which takes place on the rooftop Skylawn at Post Houston. Anyone who’s dined at Kiran’s will recognize her friendly demeanor, but she doesn’t spare the contestants from criticism — calling out chef Buddha Lo for disregarding her advice not to fry his puff pastry samosa.

    The Houston chefs return to evaluate how the cheftestants faired interpreting their dishes. For example, Kaiser Lashkari praises chef Luke Kolpin’s corn and crab samosa. Ha and her husband John Suh approve of chef Evelyn’s Vietnamese-style chicken salad.

    Food-obsessed Houstonians will enjoy scanning the night market attendees for familiar faces. Yes, that’s Saint Arnold chief marketing officer Lennie Ambrose complimenting the texture of one dish, and Houston Life co-host Courtey Zavala taking a big bite of a dish in a quick shot. Chronicle food editor Greg Morago is in the background of a couple of the judges’ conversations, and CultureMap readers will spot this author in a blink-and-you’ll-miss-it moment.

    The Skylawn provides an appropriately dramatic setting. Filmed on a warm September night, the venue looks lush and inviting, and cameras capture plenty of views of downtown’s dramatic skyline.

    How did Evelyn Garcia do
    Speaking of chef Evelyn, she had her strongest performance of the season. Her gasped “I know all these people” helps establish the credibility of the night market participants. During their trip to Viet Hoa, she helps chef Jackson Kalb find the right spices for the pho dipping broth he’s making for his Vietnamese spring rolls.

    During the elimination challenge, the judges enjoy her Vietnamese-style cold chicken salad with a Latin-inspired avocado crema as much as Ha and Suh do. She earns a place in the top three and narrowly misses her first Elimination Challenge victory.

    Who wins
    Chef Jae Jung takes the prize with her Sichuan noodles seasoned with Chinese sausage, an elaborate mix of spices, and Korean melon. Chef Jackson’s spring roll with pho dipping sauce rounds out the top three.

    Who loses
    Poor Sam Kang. The chef forgets to pack up his boiled potatoes before the allotted preparation time expires. Forced to pivot, he grills his remaining potatoes to order, but the judges find his attempt at an Indian curry to be undercooked and bland. Time to pack your knives.

    Who exceeded expectations
    Despite his Noma pedigree, chef Luke Kolpin has struggled in the first two episodes, but he finally shines this week. His corn and crab samosa earns praise from two tough critics: Kaiser Lashkari and Top Chef host Padma Lakshmi. Hopefully, it’s a sign that chef Luke has found his footing.

    Chef Kiran Verma is this week's local guest judge.

    Top Chef Houston episode 3
    Photo by David Moir/Bravo
    Chef Kiran Verma is this week's local guest judge.
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    Movie Review

    Anne Hathaway's busy 2026 continues with meta-thriller Verity

    Alex Bentley
    Oct 2, 2026 | 3:00 pm
    Anne Hathaway in Verity
    Photo by Alisha Wetherill
    Anne Hathaway in Verity.

    Anne Hathaway has been inescapable for movie fans in 2026, starring in no fewer than five different movies across multiple genres, including Mother Mary, The Devil Wears Prada 2, The Odyssey, and The End of Oak Street. The actor (who’s pregnant and about to take a well-earned break) is wrapping up her supremely busy year with the psychological thriller, Verity.

    Hathaway plays the title character, Verity Crawford, a hugely successful author who writes beach read thrillers, often from the perspective of the villain. An unpublicized car accident renders her immobile and mute, and her husband, Jeremy (Josh Hartnett), and agents make the decision to recruit someone to ghostwrite her next book in order to continue her legacy.

    The person hired for the job is Lowen Ashleigh (Dakota Johnson), an aspiring author whose books mostly get ignored. She’s eager to take on the project, but the reality of Verity’s situation throws her for a loop. When she discovers a secret file that seems to be Verity admitting to some very bad things, Lowen starts to spin even more, imagining situations that may not actually be happening.

    Directed by Michael Showalter and adapted by Nick Antosca from the book by Colleen Hoover, the film initially has a nice rhythm to it, setting up the three main characters well and building up tension. Though current day Verity can’t speak or move, the film gets to the heart of her through old interviews Lowen watches to get to know her mind better. Using that footage and other small moments at the house, a type of rivalry develops between the two characters.

    Strangely, though, Showalter and Antosca fail to capitalize on the early momentum. The story stagnates about halfway through the movie and never delivers on what it seems to be promising. Whether they’re too true to Hoover’s original story or change things too much is difficult to tell for those who haven’t read the book, but either way, the result is a big tease with not much in the way of a payoff.

    What’s most disappointing about the film is its inability to decide on a tone. There are some points where it feels like over-the-top, campy fun, and others where it seems like the filmmakers are going for a straight-up horror vibe. The down-the-middle approach that they land on serves neither the story nor the characters well. Moments that should be full of suspense or could get laughs often fall flat because of the indecisiveness of the filmmakers.

    Due to her character’s affliction, Hathaway is reduced to a supporting role in the film, but she gets by on presence alone and still has a few scenes where she demonstrates her star power. Johnson delivers a good performance despite her typical lack of emotion. Like many of her roles, it’s her body that seems to get more attention than her acting. Hartnett is on a roll thanks to recent roles in Oppenheimer and Trap, and he puts in solid work here, as well.

    Verity has the bones of a tense thriller, but it’s filled in with a bunch of questionable story beats that don’t prove as satisfying as the premise. The meta-plot of the authors of thrillers becoming involved in a thriller themselves should have been juicy and full of great twists, but ultimately it’s as catatonic as Verity herself.

    ---

    Verity is now playing in theaters.

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