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    Willie at RodeoHouston

    Life of the Rodeo: Willie Nelson keeps the music alive in legendary performance

    Tarra Gaines
    Mar 18, 2017 | 11:42 pm

    Willie Nelson didn’t have time for idle concert chit chat during his Saturday night appearance at the Houston Livestock Show and Rodeo. With over 20 songs of life, death and love to sing, it was no wonder the 83-year-old, once red-headed now beautifully grey-headed stranger, never stopped for some mindless banter with the sold-out crowd of 75,008. But who needs the requisite reminder of how many times he’s stood on that rodeo stage (10) or his status as a Texas legend and national treasure (that pretty much goes without saying). He’s Willie Nelson live in Houston and still delivering so much life to the music he makes.

    In prime Willie-ness, jeans, red bandana wrapped around his forehead and braids down to his beloved Trigger, Nelson took the stage and jumped right into his classic “Whiskey River.” Whiskey became something of a minor theme of the evening, with a set that also included “Beer for My Horses.” But then drinking, loving, losing and just living life as best as possible are the subjects of so many of his own great songs as well as some of the other classics he sang during the evening.

    With only a few pauses to thank the crowd, Nelson and his band kept the musical stories flowing from one song to the next almost as if he was reading us chapters in the book of his and all of our lives. His voice might have grown rough but wise with eight decades of living and singing, but he can still add his unique interpretation in each song to gift us a rich, true story.

    From his own 1980 hit “Angel Flying Too Close to the Ground,” about the complexities of love found and then lost when set free, to the Cajun-fun concentrate in Hank Williams’s "Jambalaya (On the Bayou)," Nelson showed us all how to spin a good musical yarn.

    The classics kept coming with little introduction except the odd tributary nod to the song’s writer or co-writer. He took us “On the Road Again,” confessed we were “Always on My Mind” and, with some laced irony for the venue, warned all the mothers in the rodeo crowd: "Mammas Don't Let Your Babies Grow Up to Be Cowboys.”

    Humor and, perhaps not so incidentally, death were also themes of the evening but with Nelson those subjects are never too far apart. Yes, he included a lovely rendition of “Will the Circle Be Unbroken” that transformed into “I’ll Fly Away” but he balanced those gospel odes with “Roll Me Up and Smoke Me When I Die” and, towards the end of the set, one of his newest songs “Still Not Dead Again Today.”

    Whether this was Nelson's last Houston rodeo or just his latest, with more appearances awaiting us in the coming years, no one in NRG Stadium will likely forget this concert even when they, too, reach 83 years young.

    Set List:
    Whiskey River
    
Still Is Still Moving to Me
    Beer for My Horses
    Good Hearted Woman
    
Mamas Don't Let Your Babies Grow Up to Be Cowboys
    
Angel Flying Too Close to the Ground 

    On the Road Again
    
Always on My Mind 

    Down Yonder
    
Georgia on My Mind
    
It's All Going to Pot 

    Roll Me Up and Smoke Me When I Die 

    Jambalaya (On the Bayou)
    
Hey Good Lookin'

    Move It On Over

    Will the Circle Be Unbroken
    
I'll Fly Away 

    I Saw the Light 

    Still Not Dead Again Today 

    Shoeshine Man 


    With only a few pauses to thank the crowd, Nelson and his band kept the musical stories flowing from one song to the next almost as if he was reading us chapters in the book of his and all of our lives.

    Willie Nelson at RodeoHouston 2017
    RodeoHouston courtesy photo
    With only a few pauses to thank the crowd, Nelson and his band kept the musical stories flowing from one song to the next almost as if he was reading us chapters in the book of his and all of our lives.
    houston-rodeo
    news/entertainment

    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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