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    Live Music Now

    Houston musicians play a different tune amid sudden venue closures

    Johnston Farrow
    Johnston Farrow
    Mar 17, 2020 | 2:35 pm

    Just over a week ago, a co-worker joked amidst growing concerns around the spread of COVID 19 — aka coronavirus — if all shows are cancelled, what will you write about?

    That joke isn't funny anymore.

    Friday, March 6, is a day that many will remember forever. As an abundance of caution, Austin mayor, Steve Adler, shut down South By Southwest, one of the largest music and multimedia gatherings in the country —despite not having a confirmed case of the virus in the city. It left many in the city to wonder, would our biggest music event of the year, RodeoHouston, be next?

    Buoyed by Bayou City grit and determination, RodeoHouston soldiered on. Event organizers released a statement that since it didn’t draw nearly as many international guests, that RodeoHouston would continue while working hand-in-hand with local city health officials in addition to instituting widespread sanitation measures throughout the rodeo grounds.

    Then, it happened. Houston Mayor Sylvester Turner and Harris County Judge Lina Hidalgo made the announcement on Wednesday, March 11, at a noon press conference making an emergency health declaration, effectively shutting down RodeoHouston for the first time in 87 years. To add to the sober moment, Turner noted that someone that tested positive for the virus had attended cook-off the previous Friday.

    As CultureMap reported, the projected economic reach of RodeoHouston was around $391 million in 2019. It was inevitable the other cowboy boot would drop on the rest of the Houston live music scene. Other venues started to close down operations across the local entertainment industry with concert cancellations falling like autumn leaves in a brisk wind.

    That didn’t stop The Continental Club from hosting one last party. Local DJ Disko Cowboy performed at the aptly named Doomsday Disco, which, in hindsight, might not have been the best idea ahead of the self-quarantine measures encouraged by governmental agencies only days later.

    Unfortunately, what the RodeoHouston closure could not do, the U.S., Texas, and Houston governments did. To put it bluntly, every venue is effectively shut down. With President Trump asking people to limit gatherings to 10 people to slow the spread of COVID-19, there simply is no wiggle room for event spaces to do legitimate business.

    But art finds a way in the darkest days. Artists need an outlet to create and perform, and many local acts swiftly stepped up to the plate to replace lost income or simply show solidarity with all those effected by the financial and cultural fallout in Houston.

    Indie surf rock and aquatic-themed Swimwear Department announced a “quarantine livestream” concert on March 14 evening via YouTube, in what seems now like a prescient move. World renowned bands are now following suit. Coldplay and John Legend performed via social media channels on March 16 and March 17.

    Keith Urban, who was supposed to take the stage at NRG Stadium on March 16, instead livestreamed a performance featuring his wife, Nicole Kidman, on Instagram, a small condolence to fans who had purchased tickets to the Houston show.

    Local synth pop duo Space Kiddettes, who have always had a strong online presence, announced they would perform online throughout the week in various ways, including their LiveStream events on Mondays, featuring music, chats with fans, and jams with invited virtual guests. Thursdays will feature a hybrid musical workout called Blood, Sweat, and Tears to promote physical and mental health. As a forecast of what’s likely to come, their cancelled March 26 Abundantly Queer live show at Pearl Bar will be streamed virtually with viewers asked to donate via Venmo with proceeds going directly to Pearl staff. Check out their Instagram and Facebook feeds for more.

    Closures be damned, Irish rock act Blaggards planned to virtually celebrate St. Patrick’s Day in self-quarantine style from their Facebook channel at 4 pm. They requested viewers donate to the Houston Food Bank.

    Even as bands adapt to the new reality, the biggest question right now is how will the Houston music scene recover from this unprecedented shuttering? Not only are venues losing thousands in revenue, but staff and vendors are out of work with no end to the mass closure in sight. Local musicians are out of paid gigs at their usual Houston spots and touring acts postponed any travel until later this year at the earliest.

    It's not a debate that music will live on in some incarnation and concerts in Houston will return. The unknown answer is when will that be and how the local landscape will look when it does.

    White Oak Music Hall is one of many venues shutting down shows for the next few weeks.

    White Oak Music Hall Opening, 8/16
    Photo by Julian Bajsel
    White Oak Music Hall is one of many venues shutting down shows for the next few weeks.
    columnnightlifeconcertsmusic
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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