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    Miley Cyrus Acts Up

    Miley Cyrus lets it all hang out in humpin' good concert — and she can sing, too!

    Jayme Lamm
    Jayme lamm
    Mar 17, 2014 | 12:21 am

    Miley Cyrus is a lot of things, but a stranger to jaw-dropping performances is certainly not one of them. Starting off Sunday night's show at the Toyota Center, holding her beloved crotch beneath her bedazzled uni, she told the crowd, "I'ma do my thing," as she high-fived her tiny dancer.

    Each prop, set and costume change was much more provocative and interesting than the previous one as Miley continued to push the envelope with her adoring crowd and critics everywhere.

    If you think it couldn't get any weirder or equally awesome during one show, think again. This is Miley Cyrus after all.

    "I told you what kinda show you're at — you're at a mother f@cking party," she said before taking a swig of her Ozarka water and spitting it into a (welcoming) fan's mouths.

    Then she laid down on a larger-than-king-size bed with at least 10 other backup dancers frolicking around like free spirits, spread eagle for fans and cameras to get a close up of her goods — yet her voice was not unrattled in the slightest.

    As quickly as she disappeared off stage in red shiny cowboy boots, she returned in a bedazzled leather bikini accompanied by leather chaps as she humped a 20-foot inflatable wolf. If you think it couldn't get any weirder or equally awesome during one show, think again. This is Miley Cyrus after all.

    This is how you put on a show. Miley pulled out all the stops in Houston on her Bangerz Tour, tongue hanging out in between breaths, humping everything in sight and playing along with the crowd.

    Upping the ante

    The show continued to up the ante as the big screen behind the stage showed an animated Miley-like character with face paint riding a jet-ski as she went for a quick wardrobe change between songs.

    "Y'all gotta prove to me why Houston is the best place in Texas — I gotta know where the sluttiest place is because that's where I want to be," she screamed to the crowd. "San Antonio had girls kissing girls — remember, the dirtier the better — there's never enough tongue at a Miley Cyrus concert," she said, baiting the crowd. Fans got a chance to make out on the big screen above the stage, where girls kissed girls and guys kissed guys on camera — all to the crowd's (and Miley's) delight.

    "This is the kiss cam - don't leave me f*cking hanging," she teased.

    Miley's final "slutty" assessment of the H-Town crowd: "You might be tied with San Antonio because y'all are really slutty!"

    In yet another wardrobe change, Cyrus surprised fans in the middle of the arena by singing a few songs on a smaller and more intimate stage, this time all rhinestoned out wearing her own face screen-printed onto an oversized night shirt with her strategically-placed bedazzled mouth over her lady parts.

    She took a minute to make an Instagram video — something she's become known for during this tour. She took it all in as screaming fans threw dollar bills, watches, bras and condoms on stage at the pop icon.

    Serious love

    Showing Texas some serious love, Miley took a moment to sing a few of Dolly Parton's songs, including "Love is like a Butterfly," noting it's a much darker song than most think. (Parton is Miley's godmother.)

    "I know y'all won't mind me doing Dolly tunes tonight, we're in Texas!," she exclaimed.

    There aren't many performers who can go from belting out "Jolene" to twerking in a matter of seconds, but count Billy Ray's daughter as one of the few.

    With hundreds of foam fingers waving in the audience, Miley broke into a Bob Dylan cover ("It Ain't Me Babe"), followed by a beautiful and artful rendition of Coldplay's "The Scientist." Hey, nobody said it was easy, but she sure as hell made it sound easy. Cue the goosebumps, fans.

    There aren't many performers who can go from belting out "Jolene" to twerking in a matter of seconds, but count Billy Ray's daughter as one of the few.

    The only universal theme I can gather from the entire show is this: to blow your effing mind the whole time. Performing for almost two hours and ending the show with two encores, including her big hits "We Can't Stop" and "Wrecking Ball," Miley showed with ease why her shows are selling out, and gave fans their money's worth.

    In perhaps the most bizarre moment of the night, Miley jumped on a hot dog and began soaring over the crowd. "My weiner goes up as long as you guys make some noise," she said before disappearing behind the clouds, before her first encore.

    I wish I could make this up, but that's just so Miley. So wildly and beautifully unpredictable with the vocals to back up every inch of it.

    And in true blow-your-mind fashion, she finished out the one of the longest concerts I've ever attended with "Party in the USA," doning hillbilly teeth to flash a big smile to all her crazed fans.

    "It's my mouth, I can say what I want to," she shouted — and she certainly proved that.

    Miley Cyrus is a lot of things, but stranger to jaw-dropping performances is certainly not one of them.

    Miley Cyrus concert Toyota Center March 2014
    Photo by Lynn Lane
    Miley Cyrus is a lot of things, but stranger to jaw-dropping performances is certainly not one of them.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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