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    Miley Cyrus Acts Up

    Miley Cyrus lets it all hang out in humpin' good concert — and she can sing, too!

    Jayme Lamm
    Jayme lamm
    Mar 17, 2014 | 12:21 am

    Miley Cyrus is a lot of things, but a stranger to jaw-dropping performances is certainly not one of them. Starting off Sunday night's show at the Toyota Center, holding her beloved crotch beneath her bedazzled uni, she told the crowd, "I'ma do my thing," as she high-fived her tiny dancer.

    Each prop, set and costume change was much more provocative and interesting than the previous one as Miley continued to push the envelope with her adoring crowd and critics everywhere.

    If you think it couldn't get any weirder or equally awesome during one show, think again. This is Miley Cyrus after all.

    "I told you what kinda show you're at — you're at a mother f@cking party," she said before taking a swig of her Ozarka water and spitting it into a (welcoming) fan's mouths.

    Then she laid down on a larger-than-king-size bed with at least 10 other backup dancers frolicking around like free spirits, spread eagle for fans and cameras to get a close up of her goods — yet her voice was not unrattled in the slightest.

    As quickly as she disappeared off stage in red shiny cowboy boots, she returned in a bedazzled leather bikini accompanied by leather chaps as she humped a 20-foot inflatable wolf. If you think it couldn't get any weirder or equally awesome during one show, think again. This is Miley Cyrus after all.

    This is how you put on a show. Miley pulled out all the stops in Houston on her Bangerz Tour, tongue hanging out in between breaths, humping everything in sight and playing along with the crowd.

    Upping the ante

    The show continued to up the ante as the big screen behind the stage showed an animated Miley-like character with face paint riding a jet-ski as she went for a quick wardrobe change between songs.

    "Y'all gotta prove to me why Houston is the best place in Texas — I gotta know where the sluttiest place is because that's where I want to be," she screamed to the crowd. "San Antonio had girls kissing girls — remember, the dirtier the better — there's never enough tongue at a Miley Cyrus concert," she said, baiting the crowd. Fans got a chance to make out on the big screen above the stage, where girls kissed girls and guys kissed guys on camera — all to the crowd's (and Miley's) delight.

    "This is the kiss cam - don't leave me f*cking hanging," she teased.

    Miley's final "slutty" assessment of the H-Town crowd: "You might be tied with San Antonio because y'all are really slutty!"

    In yet another wardrobe change, Cyrus surprised fans in the middle of the arena by singing a few songs on a smaller and more intimate stage, this time all rhinestoned out wearing her own face screen-printed onto an oversized night shirt with her strategically-placed bedazzled mouth over her lady parts.

    She took a minute to make an Instagram video — something she's become known for during this tour. She took it all in as screaming fans threw dollar bills, watches, bras and condoms on stage at the pop icon.

    Serious love

    Showing Texas some serious love, Miley took a moment to sing a few of Dolly Parton's songs, including "Love is like a Butterfly," noting it's a much darker song than most think. (Parton is Miley's godmother.)

    "I know y'all won't mind me doing Dolly tunes tonight, we're in Texas!," she exclaimed.

    There aren't many performers who can go from belting out "Jolene" to twerking in a matter of seconds, but count Billy Ray's daughter as one of the few.

    With hundreds of foam fingers waving in the audience, Miley broke into a Bob Dylan cover ("It Ain't Me Babe"), followed by a beautiful and artful rendition of Coldplay's "The Scientist." Hey, nobody said it was easy, but she sure as hell made it sound easy. Cue the goosebumps, fans.

    There aren't many performers who can go from belting out "Jolene" to twerking in a matter of seconds, but count Billy Ray's daughter as one of the few.

    The only universal theme I can gather from the entire show is this: to blow your effing mind the whole time. Performing for almost two hours and ending the show with two encores, including her big hits "We Can't Stop" and "Wrecking Ball," Miley showed with ease why her shows are selling out, and gave fans their money's worth.

    In perhaps the most bizarre moment of the night, Miley jumped on a hot dog and began soaring over the crowd. "My weiner goes up as long as you guys make some noise," she said before disappearing behind the clouds, before her first encore.

    I wish I could make this up, but that's just so Miley. So wildly and beautifully unpredictable with the vocals to back up every inch of it.

    And in true blow-your-mind fashion, she finished out the one of the longest concerts I've ever attended with "Party in the USA," doning hillbilly teeth to flash a big smile to all her crazed fans.

    "It's my mouth, I can say what I want to," she shouted — and she certainly proved that.

    Miley Cyrus is a lot of things, but stranger to jaw-dropping performances is certainly not one of them.

    Miley Cyrus concert Toyota Center March 2014
    Photo by Lynn Lane
    Miley Cyrus is a lot of things, but stranger to jaw-dropping performances is certainly not one of them.
    unspecified
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
    news/entertainment

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