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    Awards Season

    CultureMap film critic's guide to the 8 Best Picture Oscar nominees of 2021

    Alex Bentley
    Mar 15, 2021 | 1:31 pm
    Gary Oldman and Amanda Seyfried in Mank
    David Fincher's Mank was nominated for 10 awards, the most of any film at the 2021 Academy Awards, although six Best Picture nominees earned six nominations each.
    Photo courtesy of Netflix

    At long last in this extended 2020/2021 movie awards season, the nominations for 2021 Academy Awards have been announced, with eight films garnering nominations for Best Picture. But are all of them deserving?

    Take a look back at what CultureMap's film critic, Alex Bentley, had to say about each of the nominees when they were originally released. Unfortunately, we still have a while before we find out the winners, as the Oscars won't be handed out until April 25.

    The Father
    This film about an aging man with dementia, starring Anthony Hopkins and Olivia Colman, earned six overall nominations, including nods for both actors. The film, which was nominated for best screenplay by writers Florian Zeller and Christopher Hampton, impressed with its storytelling by showing events through the lead character's addled state of mind, as scenes seem to move in one direction before veering off in entirely unexpected ways. Combined with the two strong performances, the film's power is easy to understand.

    Judas and the Black Messiah
    Also nabbing six nominations, including surprise competing Best Supporting Actor nominations for Daniel Kaluuya and LaKeith Stanfield, this film was a mixed bag that felt like it was stuck between two missions. Writer/director Shaka King, who was nominated for Best Screenplay with co-writer Will Berson, clearly wanted to put a spotlight on Fred Hampton and the Chicago Black Panther Party and what they were trying to accomplish. But the main character of the film is informant Bill O’Neal, and that imbalance leaves the story of Hampton and his journey without much heft to it. Both Kaluuya and Stanfield are as compelling as they’ve been in their previous roles, but they can't save the movie overall.

    Mank
    Leading the way with 10 nominations is usually a strong indicator that a film is a favorite at the Oscars, but that might not be the case for Mank. The detail David Fincher, who was nominated for Best Director, and his team put into the film is fantastic, from the sets to the costumes to the overall style, and the film is appropriately nominated for Production Design, Costume Design, and Cinematography. The film does drag in certain sections, but the intrigue of the story, Fincher’s talent, and great performances by Gary Oldman and Amanda Seyfried, who were both nominated, always gets things back on track.

    Minari
    Another film with six nominations, Minari is a small film with big dreams, specifically the American Dream. Following a Korean family trying to make it as farmers in 1980s Arkansas, the film derives most of its drama from the family’s changing dynamics. Although not all that much happens plot-wise, writer/director Lee Isaac Chung (who earned nominations for both skills) keeps things moving by focusing on the characters. Nominated actors Steven Yeun and Yuh-Jung Youn lead the way in telling a story that is universal despite the film mostly being in Korean with subtitles.

    Nomadland
    The favorite to win despite getting "only" six nominations, Nomadland is a desolate and beautiful journey into a world with which many people may be unfamiliar. Led by two-time Oscar winner and now six-time nominee Frances McDormand, who utterly inhabits her role, the film is free-flowing, with little structure as it follows lead character Fern along her ever-winding path. Writer/director Chloé Zhao, nominated in both categories, lets many modern-day real-life nomads tell their own stories, and each one is both unique and relatable.

    Promising Young Woman
    My personal No. 1 movie of the year, Promising Young Woman earned five nominations, including one for star Carey Mulligan and two for Emerald Fennell for both writing and directing. The film, which is about a woman going on a personal mission against would-be rapists, has so many layers to it that every scene makes an impact. Fennell’s dialogue includes numerous lines that hit hard, going right at the culture that permits bad behavior by men. And Mulligan is, quite simply, astonishing in her role, controlling every moment with a low and intimidating voice, as well as a demeanor that shows you do not want to mess with her.

    Sound of Metal
    This innovative film, which earned six nominations, lets audiences take a deep dive into the experience of going deaf. The film is a major achievement in sound design, for which it is rightly nominated, as the sound fades out, distorts, or disappears completely depending on the state of the lead character at different points in the film, giving true insight into what he is going through. Both star Riz Ahmed and Deaf actor Paul Raci, each of whom is nominated, give standout performances, doing much to try to destigmatize deafness as the story gently but firmly pushes the belief that being deaf is not a disability.

    The Trial of the Chicago 7
    Six must be a lucky number at this year's Oscars, as this film written and directed by Aaron Sorkin also got that exact number of nominations. The film is an actors' showcase, with Sacha Baron Cohen, previously best known for Borat, earning a Best Supporting Actor nomination for his magnetic performance as Abbie Hoffman. Sorkin, who's nominated for Best Original Screenplay, masterfully lays out the film so that even if all of the particulars are not immediately understandable, the feelings of injustice and anger come through loud and clear.

    movies
    news/entertainment

    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

    music
    news/entertainment
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