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    Best Houston Movie Theaters

    The best movie theaters in Houston: Lavish amenities now abound at cinema complexes

    Clifford Pugh
    Mar 15, 2016 | 11:31 am

    A night at the movies has gotten more special since a number of Houston cinema complexes have added plush seats, ability to pick where you want to sit and upscale food and drinks. Sure, it might make for a pricey evening, but at least it's first class all the way. Here's our pick of the best theaters in Houston to watch a first-run movie:

    iPic Houston

    The newest Houston cinema complex, located at River Oaks District, has been called the "Air Emirates of movie theaters" because of its plush and pricey surroundings. Its eight theaters offer a luxury experience with two options — Premium (spacious leather seats) and Premium Plus (deluxe leather seats that recline electronically, complimentary pillows and soft blankets, a storage area for shoes and handbags, free popcorn and a rotating table for food and drink served by black-clad Ninja waiters).

    Ticket prices can vary from $16 to $44, but discounted tickets are available for Sapphire members who pay an annual $29 fee.

    Sundance Cinemas

    Robert Redford's dream movie complex is now owned by Carmike Cinemas, which kept the name and same film-going attitude. Sundance Cinemas, located in Bayou Place in downtown Houston, continues to offer online ticket sales, the opportunity to pick your seat in advance, and a large lobby bar with extensive food offerings in addition to traditional popcorn and a soda. Movie offerings are a mix of blockbusters and independent films. And best of all, there are no commercials before a movie begins.

    Landmark River Oaks

    The Landmark River Oaks Theatres, which shows art house and independent films exclusively, has a magnificent first-floor theater that has the feel of an elegant, old-time movie palace with a big screen, art deco friezes on each side of the screen and lots of seats. Look online or call to make sure that the movie you're seeing is there and not on one of the two second-floor screens, carved out of the balcony, that are cramped with less-than-optimal acoustics. A full-service upstairs bar provides a range of liquid options.

    Alamo Drafthouse Vintage Park

    The Austin-based chain really loves movies, which is evident at the Vintage Park location, with seven screens showing new releases, independent films, and repertory programming with state-of-the-art sound and projection, including two auditoriums equipped with 35mm projector systems. Online reserved seating, a multi-course menu featuring such items asa "Royale with Cheese" Burger and warm chocolate chip cookies, and a strict"no texting, no talking" cell phone policy make the moviegoing experience civilized.

    Also, patrons must be 18 years or older or be accompanied by a parent for most films. But the theater offers a weekly Baby Day, for regular shows that start before 2 pm on Tuesdays, and infants are allowed in for free.

    Movie fans also have kind words about the other Houston-area Alamo Drafthouse Mason Park location in Katy.

    Studio Movie Grill CityCentre

    The multi-screen complex in popular CityCentre offers first-run movies with the latest digital and sound projection, online reserved seating, a full bar, featuring more than 60 premium spirits, signature cocktails and local microbrews, and in-theater dining, where you press the call button at your seat and a server will arrive to take your order.

    In early May, Studio Movie Grill will open a 12-auditorium theater with more than 1,200 luxury seats in Pearland at the Shops at Boulder Creek. The new theater complex will feature luxury, custom recliners with built-in tabletops and "push for service" call buttons, as well as Christie DLP powered projectors with Q-SYS sound systems to every screen plus Dolby 3D.

    AMC Fountains 18

    The Stafford multiplex is getting high marks from moviegoers since undergoing a recent remodel that includes plush reclining leather seats, a bar called MacGuffins (named for a cinema phrase coined by Alfred Hitchcock) featuring beer, wine and cocktails that can be consumed in the theaters, an expanded food menu and a self-serve soda fountain, which seems appropriate at a cinema located in the Fountains.

    Santikos AVX West Houston

    The theater complex with 22 screens is actually located in Richmond, but some film fans say it's worth the drive for the enhanced movie-going experience, which includes six screens with wall-to-wall and floor-to-ceiling screens, Sony 4K digital projection and Dolby Atmos sound in all screens along with stadium seating with reclining seats, D-Box premium motion controlled seats in some theaters, reserved seating and in-theater dining. There's even a bowling alley in the complex for those who want to hit the lanes before of after a movie.

    The San Antonio-based theater operator also operates the Santikos Silverado IMAX in Tomball, which offers many of the same features as the Richmond complex.

    For art house movies, in addition to the Sundance Cinemas and River Oaks Theatre, the following options offer the best in independent film:

    Museum of Fine Arts, Houston

    Brown Auditorium Theater at the Museum of Fine Arts, Houston shows an extensive mix of classic, art, independent and foreign films in one of the best theater spaces in town, although they don't allow popcorn or drinks.

    Aurora Picture Show

    The non-profit media arts center presents artist-made, non-commercial films and videos in its Rice/Kirby headquarters as well as collaborative partnerships and site-specific events in unique settings and alternative art spaces around Houston.

    14 Pews

    Film lover Cressandra Thibodeaux has transformed the former site of the Aurora Picture Show into a performing arts space and movie theater showing independent documentaries and little-known feature films that might not otherwise be viewed in Houston.

    The new iPic Theaters at River Oaks District offer spacious reclining seats and numerous dining options

    News, Shelby, IPic Theaters, Oct. 2015
    Photo by Shelby Hodge
    The new iPic Theaters at River Oaks District offer spacious reclining seats and numerous dining options
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    Movie Review

    Spielberg-inspired movie The End of Oak Street is a dino-snore

    Alex Bentley
    Aug 13, 2026 | 2:00 pm
    Ewan McGregor and Anne Hathaway in The End of Oak Street
    Photo by Daniel McFadden
    Ewan McGregor and Anne Hathaway in The End of Oak Street.

    Steven Spielberg is the iconic director of the last 50 years, so it’s no surprise that many other filmmakers have borrowed from his classic films. But most of the time those come in the form of references or homages, not straight up theft, which is what it feels like watching The End of Oak Street play out in front of your eyes.

    Set in the early 1980s in an idyllic suburban neighborhood of an unnamed city, Denise (Anne Hathaway) and Greg (Ewan McGregor) are parents to two teenagers, Audrey (Maisy Stella) and Brian (Christian Convery). They’re also possibly heading toward divorce, as Audrey is secretly writing a novel with a thinly-veiled plot about their life, and Brian is cagey about having to earn extra money with a pizza delivery job.

    That all gets put on the backburner when a mysterious event takes their entire neighborhood back to the time of dinosaurs. Armed with little more than a shotgun and sledgehammer, Audrey and Brian do their best to keep the family safe in their house. But the longer the ordeal goes on, circumstances force them out onto the streets and into the increasing danger that’s all around them.

    Written and directed by David Robert Mitchell, the film tries immensely hard to be like the Spielberg movies its filmmaker clearly adores, but fails at almost every turn. It never earns the broken family in ‘80s suburbia vibes that were prevalent in E.T., going all in right away in the opening scene with a neighborhood block party that feels forced. Other elements like a bully who has it out for Brian, the family dog that disappears, and an angry neighbor come across as the tropes they are and not as organic parts of the plot.

    When it finally gets to its dinosaur sequences, they pale in comparison to those found in Jurassic Park. The strange manner in which the dinosaurs appear is a big part of that, but the action involving them forgoes ominous moments that could build tension for those that play up gore in an unexpected way for a PG-13 movie. Many of the attacks have so little emotional meaning that they come off as comical, which is entertaining but in a hollow way.

    As if those weren’t enough, Mitchell — perhaps at the behest of producer J.J. Abrams (who made his own Spielbergian film, Super 8) — tries to honor Spielberg in other ways. Just like in Jaws, he employs the use of a split diopter lens, which keeps characters in both the foreground and background in focus. But instead of using it judiciously, it’s brought out in three separate scenes, including a laughable one with the four family members where it turns into overkill.

    Hathaway, coming off of a role in The Odyssey that could earn her an Oscar nomination, is the best part of this film. But even her evident skills are dragged down by the ridiculousness of the story, which requires hysterics that even she can’t sell. McGregor can normally be counted on for a good performance, but he gives several line readings with strange cadences that make his already-underwritten character come off worse. Stella and Convery are okay, but their roles are unmemorable overall.

    Mitchell and his team can never settle on exactly what type of film they were trying to make, and so even though The End of Oak Street has a few moments that work, they’re surrounded by many others that don’t. In trying to emulate Spielberg — there’s even a blatant Back to the Future (produced by Spielberg) rip-off towards the end — all Mitchell has done is show how difficult it is to be the master.

    ---

    The End of Oak Street opens in theaters on August 14.

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