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    RodeoHouston 2019

    Carlos Santana masterfully works his black magic at stellar RodeoHouston debut

    Johnston Farrow
    Johnston Farrow
    Mar 14, 2019 | 12:00 am
    Santana RodeoHouston 2019
    He was especially smooth on hits like "Smooth."
    Photo by Jacob Power

    It's hard to say what makes a man a legend — until you see him at work.

    Santana proved why he has been lauded as one of the best performers of the last half-century, drawing on old and new hits to give the 74,161 in attendance a reason to dance in the aisles in what was hands-down one of the best performances at RodeoHouston 2019.

    Carlos Santana made his name as the ringleader of a group of talented players that emphasized psychedelic rock meshed seamlessly with broad strokes of Latin and African rhythms, American blues, and jazz. He gained fame during the turbulent late '60s and early '70s as an artist that could bring together fans of all backgrounds, appearing at the most famous and infamous festivals in the history of modern music. That includes landmark sets at the original Woodstock (where he apparently dropped acid before getting on stage) and at the Altamont Speedway Free Festival.

    But his second act came in the late '90s and early aughts when he successfully brought his eclectic vision to new audiences by teaming up with the most notable pop stars of the day, producing his biggest hits in his career, albeit in more diluted versions of his high energy, early heyday.

    So would the 71-year-old performer rely on the songs more familiar to modern audiences or would he bring back the groove of earlier tunes beloved by Santana die-hards? Thankfully, the answer proved to be both.

    Getting a late start after 9 pm, Santana emerged on stage with a nine-piece backing band and leaned into his back catalogue, a video of that Woodstock '69 show playing overhead as he kicked into the three-song mini-suite from his self-titled debut: the hard-charging "Soul Sacrifice," followed by the African rhythms of "Jingo," and the timeless "Evil Ways," which segued into "A Love Supreme" from 1973 album Love Devotion Surrender.

    The crowd gave their biggest approval of the early evening for Santana's most recognizable pre-1999 hit, "Black Magic Woman/Gypsy Queen" from the 1970 masterpiece Abraxas, a breathtaking display of guitar heroics. The just as great "Oy Como Va" from the same album followed suit, it's contagious bongo-led Latin shuffle reaching the press box on the eighth story of NRG.

    Santana's band kept the energy high, with two vocalists, two guitarists, a bass player, keyboard player, and three percussionists, highlighted by his wife and Lenny Kravitz drummer Cindi Blackman Santana, the heat rising in NRG thanks to the extreme tightness of the group as a unit. Of course, the band leader had plenty of time in the spotlight, and Santana displayed a tremendous touch on his PRS guitar, a virtuosity that moved millions of albums and took home countless awards.

    The night then shifted toward the pop hits of later years, nearly all of them Grammy winners. These included the easy listening Michelle Branch duet "Game of Love" from 2001's Shaman, the Wyclef Jean-produced "Maria Maria" and "Corazon Espinado" from mega-selling, award-winning 1999 LP Supernatural. The set then shifted back in time to 1971's “Toussaint L’Overture,” Santana showcasing the best guitar chops of the evening, including an amazing segment of the classic Beatles tune "While My Guitar Gently Weeps."

    His work with the Isley Brothers on 2017's Power of Peace also got two songs on the setlist, bringing some welcome funk to the proceedings with "Are You Ready" and set closer, "Love, Peace, Happiness." It would be a mistake not to mention the inescapable behemoth pop hit, "Smooth," which was named the second biggest song of the 20th century by Billboard magazine, cementing Santana's legacy as one of the best living performers. No doubt, the legend was nothing but smooth and radiated it throughout the show.

    Cheekily ending the show with a "Deep in the Heart of Texas" riff, Santana and his band humbly walked off-stage to a huge ovation, slowly making their way through the dirt into the inner bowels of NRG Stadium, no SUV needed.

    RodeoHouston 2019 may have the most diverse lineup of any previous edition, but only one show can rightfully claim it brought as many diverse sounds together as wonderfully as Santana did. The NRG stage had the perfect performer to grace its star-shaped stature on Wednesday night.

    Setlist
    “Soul Sacrifice”
    “Jingo”
    “Evil Ways"/"A Love Supreme”
    “Black Magic Woman"/"Gypsy Queen”
    “Oye Como Va”
    “Game of Love”
    “Do You Remember Me (Mona Lisa)”
    “Maria Maria”
    “Foo Foo”
    “Corazon Espinado”
    “Toussaint L’Overture”
    “Are You Ready People”
    “Smooth"
    “Love, Peace, Happiness”

    The 71-year-old Santana brought his groove to NRG for his rodeo debut.

    Santana RodeoHouston 2019
    Photo by Jacob Power
    The 71-year-old Santana brought his groove to NRG for his rodeo debut.
    concertsrodeoreviewsmusic
    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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