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    RodeoHouston 2019

    Carlos Santana masterfully works his black magic at stellar RodeoHouston debut

    Johnston Farrow
    Johnston Farrow
    Mar 14, 2019 | 12:00 am
    Santana RodeoHouston 2019
    He was especially smooth on hits like "Smooth."
    Photo by Jacob Power

    It's hard to say what makes a man a legend — until you see him at work.

    Santana proved why he has been lauded as one of the best performers of the last half-century, drawing on old and new hits to give the 74,161 in attendance a reason to dance in the aisles in what was hands-down one of the best performances at RodeoHouston 2019.

    Carlos Santana made his name as the ringleader of a group of talented players that emphasized psychedelic rock meshed seamlessly with broad strokes of Latin and African rhythms, American blues, and jazz. He gained fame during the turbulent late '60s and early '70s as an artist that could bring together fans of all backgrounds, appearing at the most famous and infamous festivals in the history of modern music. That includes landmark sets at the original Woodstock (where he apparently dropped acid before getting on stage) and at the Altamont Speedway Free Festival.

    But his second act came in the late '90s and early aughts when he successfully brought his eclectic vision to new audiences by teaming up with the most notable pop stars of the day, producing his biggest hits in his career, albeit in more diluted versions of his high energy, early heyday.

    So would the 71-year-old performer rely on the songs more familiar to modern audiences or would he bring back the groove of earlier tunes beloved by Santana die-hards? Thankfully, the answer proved to be both.

    Getting a late start after 9 pm, Santana emerged on stage with a nine-piece backing band and leaned into his back catalogue, a video of that Woodstock '69 show playing overhead as he kicked into the three-song mini-suite from his self-titled debut: the hard-charging "Soul Sacrifice," followed by the African rhythms of "Jingo," and the timeless "Evil Ways," which segued into "A Love Supreme" from 1973 album Love Devotion Surrender.

    The crowd gave their biggest approval of the early evening for Santana's most recognizable pre-1999 hit, "Black Magic Woman/Gypsy Queen" from the 1970 masterpiece Abraxas, a breathtaking display of guitar heroics. The just as great "Oy Como Va" from the same album followed suit, it's contagious bongo-led Latin shuffle reaching the press box on the eighth story of NRG.

    Santana's band kept the energy high, with two vocalists, two guitarists, a bass player, keyboard player, and three percussionists, highlighted by his wife and Lenny Kravitz drummer Cindi Blackman Santana, the heat rising in NRG thanks to the extreme tightness of the group as a unit. Of course, the band leader had plenty of time in the spotlight, and Santana displayed a tremendous touch on his PRS guitar, a virtuosity that moved millions of albums and took home countless awards.

    The night then shifted toward the pop hits of later years, nearly all of them Grammy winners. These included the easy listening Michelle Branch duet "Game of Love" from 2001's Shaman, the Wyclef Jean-produced "Maria Maria" and "Corazon Espinado" from mega-selling, award-winning 1999 LP Supernatural. The set then shifted back in time to 1971's “Toussaint L’Overture,” Santana showcasing the best guitar chops of the evening, including an amazing segment of the classic Beatles tune "While My Guitar Gently Weeps."

    His work with the Isley Brothers on 2017's Power of Peace also got two songs on the setlist, bringing some welcome funk to the proceedings with "Are You Ready" and set closer, "Love, Peace, Happiness." It would be a mistake not to mention the inescapable behemoth pop hit, "Smooth," which was named the second biggest song of the 20th century by Billboard magazine, cementing Santana's legacy as one of the best living performers. No doubt, the legend was nothing but smooth and radiated it throughout the show.

    Cheekily ending the show with a "Deep in the Heart of Texas" riff, Santana and his band humbly walked off-stage to a huge ovation, slowly making their way through the dirt into the inner bowels of NRG Stadium, no SUV needed.

    RodeoHouston 2019 may have the most diverse lineup of any previous edition, but only one show can rightfully claim it brought as many diverse sounds together as wonderfully as Santana did. The NRG stage had the perfect performer to grace its star-shaped stature on Wednesday night.

    Setlist
    “Soul Sacrifice”
    “Jingo”
    “Evil Ways"/"A Love Supreme”
    “Black Magic Woman"/"Gypsy Queen”
    “Oye Como Va”
    “Game of Love”
    “Do You Remember Me (Mona Lisa)”
    “Maria Maria”
    “Foo Foo”
    “Corazon Espinado”
    “Toussaint L’Overture”
    “Are You Ready People”
    “Smooth"
    “Love, Peace, Happiness”

    The 71-year-old Santana brought his groove to NRG for his rodeo debut.

    Santana RodeoHouston 2019
    Photo by Jacob Power
    The 71-year-old Santana brought his groove to NRG for his rodeo debut.
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    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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