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    RodeoHouston 2019

    Carlos Santana masterfully works his black magic at stellar RodeoHouston debut

    Johnston Farrow
    Johnston Farrow
    Mar 14, 2019 | 12:00 am
    Santana RodeoHouston 2019
    He was especially smooth on hits like "Smooth."
    Photo by Jacob Power

    It's hard to say what makes a man a legend — until you see him at work.

    Santana proved why he has been lauded as one of the best performers of the last half-century, drawing on old and new hits to give the 74,161 in attendance a reason to dance in the aisles in what was hands-down one of the best performances at RodeoHouston 2019.

    Carlos Santana made his name as the ringleader of a group of talented players that emphasized psychedelic rock meshed seamlessly with broad strokes of Latin and African rhythms, American blues, and jazz. He gained fame during the turbulent late '60s and early '70s as an artist that could bring together fans of all backgrounds, appearing at the most famous and infamous festivals in the history of modern music. That includes landmark sets at the original Woodstock (where he apparently dropped acid before getting on stage) and at the Altamont Speedway Free Festival.

    But his second act came in the late '90s and early aughts when he successfully brought his eclectic vision to new audiences by teaming up with the most notable pop stars of the day, producing his biggest hits in his career, albeit in more diluted versions of his high energy, early heyday.

    So would the 71-year-old performer rely on the songs more familiar to modern audiences or would he bring back the groove of earlier tunes beloved by Santana die-hards? Thankfully, the answer proved to be both.

    Getting a late start after 9 pm, Santana emerged on stage with a nine-piece backing band and leaned into his back catalogue, a video of that Woodstock '69 show playing overhead as he kicked into the three-song mini-suite from his self-titled debut: the hard-charging "Soul Sacrifice," followed by the African rhythms of "Jingo," and the timeless "Evil Ways," which segued into "A Love Supreme" from 1973 album Love Devotion Surrender.

    The crowd gave their biggest approval of the early evening for Santana's most recognizable pre-1999 hit, "Black Magic Woman/Gypsy Queen" from the 1970 masterpiece Abraxas, a breathtaking display of guitar heroics. The just as great "Oy Como Va" from the same album followed suit, it's contagious bongo-led Latin shuffle reaching the press box on the eighth story of NRG.

    Santana's band kept the energy high, with two vocalists, two guitarists, a bass player, keyboard player, and three percussionists, highlighted by his wife and Lenny Kravitz drummer Cindi Blackman Santana, the heat rising in NRG thanks to the extreme tightness of the group as a unit. Of course, the band leader had plenty of time in the spotlight, and Santana displayed a tremendous touch on his PRS guitar, a virtuosity that moved millions of albums and took home countless awards.

    The night then shifted toward the pop hits of later years, nearly all of them Grammy winners. These included the easy listening Michelle Branch duet "Game of Love" from 2001's Shaman, the Wyclef Jean-produced "Maria Maria" and "Corazon Espinado" from mega-selling, award-winning 1999 LP Supernatural. The set then shifted back in time to 1971's “Toussaint L’Overture,” Santana showcasing the best guitar chops of the evening, including an amazing segment of the classic Beatles tune "While My Guitar Gently Weeps."

    His work with the Isley Brothers on 2017's Power of Peace also got two songs on the setlist, bringing some welcome funk to the proceedings with "Are You Ready" and set closer, "Love, Peace, Happiness." It would be a mistake not to mention the inescapable behemoth pop hit, "Smooth," which was named the second biggest song of the 20th century by Billboard magazine, cementing Santana's legacy as one of the best living performers. No doubt, the legend was nothing but smooth and radiated it throughout the show.

    Cheekily ending the show with a "Deep in the Heart of Texas" riff, Santana and his band humbly walked off-stage to a huge ovation, slowly making their way through the dirt into the inner bowels of NRG Stadium, no SUV needed.

    RodeoHouston 2019 may have the most diverse lineup of any previous edition, but only one show can rightfully claim it brought as many diverse sounds together as wonderfully as Santana did. The NRG stage had the perfect performer to grace its star-shaped stature on Wednesday night.

    Setlist
    “Soul Sacrifice”
    “Jingo”
    “Evil Ways"/"A Love Supreme”
    “Black Magic Woman"/"Gypsy Queen”
    “Oye Como Va”
    “Game of Love”
    “Do You Remember Me (Mona Lisa)”
    “Maria Maria”
    “Foo Foo”
    “Corazon Espinado”
    “Toussaint L’Overture”
    “Are You Ready People”
    “Smooth"
    “Love, Peace, Happiness”

    The 71-year-old Santana brought his groove to NRG for his rodeo debut.

    Santana RodeoHouston 2019
    Photo by Jacob Power
    The 71-year-old Santana brought his groove to NRG for his rodeo debut.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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