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    Sizing up American Idol's Season 12 finalists: It's a man's world no longer — Girl Power Rules!

    Tara Seetharam
    Mar 13, 2013 | 1:38 pm

    Thanks to Nicki Minaj and a strangely alluring creature named Zoanette Johnson , American Idol’s Season 12 may be its most polarizing one since Adam Lambert rocked the stage four years ago.

    Personally, I’m pro-Minaj — the first judge to match Simon Cowell’s eye for that elusive ratio of raw talent to commerciality—and anti-Johnson, which made the former fawning over the latter (since cut) all the more irritating. But that’s par for the course for a judging panel that, for the most part, finally shows some fierce identity and discretion. Between Keith Urban’s sick ear and Minaj’s generally on-point critiques, there’s enough good on the new panel to outweigh the bad (I’m looking at you, Randy Jackson’s vocabulary and Mariah Carey’s favorite assets).

    Between Keith Urban’s sick ear and Minaj’s generally on-point critiques, there’s enough good on the new panel to outweigh the bad.

    Of course, if the stellar Season 11 and its worthless judges taught us anything, it’s that the strength of an Idol season is based almost solely on its contestants. This season’s recently revealed Top 10 is a mixed bag, with its talent skewing heavily in the girls’ favor.

    Let’s size up the finalists who will sing for your votes tonight (7 p.m., Channel 26), tackling the first ever “Music of the Idols” theme night:

    1. Lazaro Arbos, 21 (Naples, Fla.)

    It’s rare that backstories have a consistently palpable effect on contestants, but Arbos’ does; every ounce of built up frustration from his stutter seems to ooze out of his performances, giving them a texture and vulnerability that’s hard to deny.

    But if you take a step back from that initial reaction, Arbos’ lack of experience is overwhelming. He’s a few years of vocal training and exposure away from firmly standing on his feet as an artist. Right now, as evidenced by his shaky rendition of “Bridge Over Troubled Water” on the Top 10 reveal show, it looks like the competition might simply swallow him whole.

    2. Janelle Arthur, 23 (Oliver Springs, Tenn.)

    I’m not entirely sure who Season 12’s twangiest finalist wants to be as an artist, seeing as she covered both Lady Antebellum’s dreadfully boring “Just a Kiss” (-2 points) and Dierks Bentley’s gracefully patriotic “Home” (+1 point). Based on her lack of vision, I would’ve swapped her out for the more intriguing Breanna Steer, but it’s not hard to understand Arthur's appeal: Between her adorable and undeniably southern personality and her unique (to the competition) voice, she’s at least a memorable contender.

    3. Curtis Finch Jr., 24 (St. Louis)

    Yo, judges – here's your homework assignment for tonight’s show: Watch Joshua Ledet’s Season 11 performances. Take a moment to worship and reflect. Study his blend of massive talent and restraint, passion and control.

    Then you may proceed with judging Finch, whose enormous talent needs some serious reigning in, and whose persona needs a giant dose of humility if he wants to make it past April Fools Day. If you still feel the need to stand up for spectacles like his overwrought rendition of R. Kelly’s “I Believe I Can Fly,” I have no words.

    4. Candice Glover, 23 (St. Helena Island, S.C.)

    Hands down the best technical singer in the competition, Glover has delivered nothing but immaculate — if not a tad too mature for her age — performances, including last week’s polished “Ordinary People.” I’m enamored by her sheer talent, but I fear she’s in danger of getting edged out Melinda Doolittle-style by contestants whose personalities shine through a little brighter.

    5. Kree Harrison, 22 (Nashville)

    In contrast to Glover, Harrison sings with my favorite kind of imperfection — the kind that bleeds authenticity and unbridled emotion. There’s always a light under the part country, part soul, part blues singer’s performances, a wisdom that comes from truly absorbing life’s ups and downs. I worried for a while that her personality veered on the heavy, defeated side (see: Elyse Testone), but she nipped that in the bud with one hilarious, off-the-cuff quip to Minaj – her “wife.”

    6. Amber Holcomb, 18 (Houston)

    What up, H-Town? I’m thrilled that Holcomb’s representing this city, with her breezy confidence — she flew through Whitney Houston’s “I Believe In You And Me” with the ease of a seasoned pro — and organic tone / vibrato combo that recalls the R&B singers of the '90s. If Holcomb can push the boundaries of her comfort zone, despite no encouragement from the judges to do so, Mayor Parker might be making top three homecoming parade plans come May.

    7. Paul Jolley, 22 (Palmersville, Tenn.)

    There’s not much to say about the guy who wants to be the male version of pop-country artist Taylor Swift, but who sings with about 95 percent less believability. As Urban astutely pointed out, Jolley’s affected theatrics often detract from his connection to the song and to the audience. Plus, there’s an air of desperation to him that ultimately undermines his confidence. Unless he very quickly learns to keep this all in check, he’ll be among the first to exit stage right.

    8. Angie Miller, 18 (Beverly, Mass.)

    I’d say that if anyone has a shot at breaking the “White Guy With Guitar” (WGWG) stranglehold over the Idol crown, it’s Miller – but alas, there is no WGWG this year. Was it a producer-driven omission? Will it succeed at generating a female winner? Who knows.

    Here’s what I do know: Miller is the first girl in years to possess what made the previous WGWGs –specifically Phillip Phillips, David Cook and Kris Allen-- magnetic to the public. She’s imaginative, relevant, widely appealing and humble. She also sounds unlike any female contestant we’ve had on Idol in 12 seasons, from the Hayley Williams quiver in her voice to her purely pop-rock repertoire of songs. Miller’s Idol journey will be an interesting one to watch, indeed.

    9. Burnell Taylor, 19 (New Orleans)

    I dig Taylor's firm self-belief and nuanced voice, but I sometimes find it hard to connect the dots between his retro style and the modern music industry, which, ironically, has been kind to throwback artists these past few years. An injection of ingenuity and energy might give him that extra push in the competition, as will dropping the awkward hand gestures.

    10. Devin Velez, 18 (Chicago)

    The quietly confident dark horse of the competition, Velez is the only guy to crack my commitment to the girls this year. I cringed when Minaj told him to stick to the “Spanish thing” and continue to split his songs into two languages; Velez needs to switch things up every week in order to keep the audience on its toes, as he rightly did last week with Israel Houghton’s soulful “The Power of One.” I suspect he's more versatile than anyone’s giving him credit for, and I’m excited to see what he cooks up over the next few weeks.

    Tune in tonight to see the Top 10 battle it out for the first time on the big stage in the two-hour episode, followed by a special sing-off for the eleventh spot on the Idols Live tour. (Yeah, I’m as unimpressed as you are.)

    Get more of Tara Seetharam's pop culture musings on her website www.taraseetharam.com and follow her on Twitter @TaraAshley

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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