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    Sizing up American Idol's Season 12 finalists: It's a man's world no longer — Girl Power Rules!

    Tara Seetharam
    Mar 13, 2013 | 1:38 pm

    Thanks to Nicki Minaj and a strangely alluring creature named Zoanette Johnson , American Idol’s Season 12 may be its most polarizing one since Adam Lambert rocked the stage four years ago.

    Personally, I’m pro-Minaj — the first judge to match Simon Cowell’s eye for that elusive ratio of raw talent to commerciality—and anti-Johnson, which made the former fawning over the latter (since cut) all the more irritating. But that’s par for the course for a judging panel that, for the most part, finally shows some fierce identity and discretion. Between Keith Urban’s sick ear and Minaj’s generally on-point critiques, there’s enough good on the new panel to outweigh the bad (I’m looking at you, Randy Jackson’s vocabulary and Mariah Carey’s favorite assets).

    Between Keith Urban’s sick ear and Minaj’s generally on-point critiques, there’s enough good on the new panel to outweigh the bad.

    Of course, if the stellar Season 11 and its worthless judges taught us anything, it’s that the strength of an Idol season is based almost solely on its contestants. This season’s recently revealed Top 10 is a mixed bag, with its talent skewing heavily in the girls’ favor.

    Let’s size up the finalists who will sing for your votes tonight (7 p.m., Channel 26), tackling the first ever “Music of the Idols” theme night:

    1. Lazaro Arbos, 21 (Naples, Fla.)

    It’s rare that backstories have a consistently palpable effect on contestants, but Arbos’ does; every ounce of built up frustration from his stutter seems to ooze out of his performances, giving them a texture and vulnerability that’s hard to deny.

    But if you take a step back from that initial reaction, Arbos’ lack of experience is overwhelming. He’s a few years of vocal training and exposure away from firmly standing on his feet as an artist. Right now, as evidenced by his shaky rendition of “Bridge Over Troubled Water” on the Top 10 reveal show, it looks like the competition might simply swallow him whole.

    2. Janelle Arthur, 23 (Oliver Springs, Tenn.)

    I’m not entirely sure who Season 12’s twangiest finalist wants to be as an artist, seeing as she covered both Lady Antebellum’s dreadfully boring “Just a Kiss” (-2 points) and Dierks Bentley’s gracefully patriotic “Home” (+1 point). Based on her lack of vision, I would’ve swapped her out for the more intriguing Breanna Steer, but it’s not hard to understand Arthur's appeal: Between her adorable and undeniably southern personality and her unique (to the competition) voice, she’s at least a memorable contender.

    3. Curtis Finch Jr., 24 (St. Louis)

    Yo, judges – here's your homework assignment for tonight’s show: Watch Joshua Ledet’s Season 11 performances. Take a moment to worship and reflect. Study his blend of massive talent and restraint, passion and control.

    Then you may proceed with judging Finch, whose enormous talent needs some serious reigning in, and whose persona needs a giant dose of humility if he wants to make it past April Fools Day. If you still feel the need to stand up for spectacles like his overwrought rendition of R. Kelly’s “I Believe I Can Fly,” I have no words.

    4. Candice Glover, 23 (St. Helena Island, S.C.)

    Hands down the best technical singer in the competition, Glover has delivered nothing but immaculate — if not a tad too mature for her age — performances, including last week’s polished “Ordinary People.” I’m enamored by her sheer talent, but I fear she’s in danger of getting edged out Melinda Doolittle-style by contestants whose personalities shine through a little brighter.

    5. Kree Harrison, 22 (Nashville)

    In contrast to Glover, Harrison sings with my favorite kind of imperfection — the kind that bleeds authenticity and unbridled emotion. There’s always a light under the part country, part soul, part blues singer’s performances, a wisdom that comes from truly absorbing life’s ups and downs. I worried for a while that her personality veered on the heavy, defeated side (see: Elyse Testone), but she nipped that in the bud with one hilarious, off-the-cuff quip to Minaj – her “wife.”

    6. Amber Holcomb, 18 (Houston)

    What up, H-Town? I’m thrilled that Holcomb’s representing this city, with her breezy confidence — she flew through Whitney Houston’s “I Believe In You And Me” with the ease of a seasoned pro — and organic tone / vibrato combo that recalls the R&B singers of the '90s. If Holcomb can push the boundaries of her comfort zone, despite no encouragement from the judges to do so, Mayor Parker might be making top three homecoming parade plans come May.

    7. Paul Jolley, 22 (Palmersville, Tenn.)

    There’s not much to say about the guy who wants to be the male version of pop-country artist Taylor Swift, but who sings with about 95 percent less believability. As Urban astutely pointed out, Jolley’s affected theatrics often detract from his connection to the song and to the audience. Plus, there’s an air of desperation to him that ultimately undermines his confidence. Unless he very quickly learns to keep this all in check, he’ll be among the first to exit stage right.

    8. Angie Miller, 18 (Beverly, Mass.)

    I’d say that if anyone has a shot at breaking the “White Guy With Guitar” (WGWG) stranglehold over the Idol crown, it’s Miller – but alas, there is no WGWG this year. Was it a producer-driven omission? Will it succeed at generating a female winner? Who knows.

    Here’s what I do know: Miller is the first girl in years to possess what made the previous WGWGs –specifically Phillip Phillips, David Cook and Kris Allen-- magnetic to the public. She’s imaginative, relevant, widely appealing and humble. She also sounds unlike any female contestant we’ve had on Idol in 12 seasons, from the Hayley Williams quiver in her voice to her purely pop-rock repertoire of songs. Miller’s Idol journey will be an interesting one to watch, indeed.

    9. Burnell Taylor, 19 (New Orleans)

    I dig Taylor's firm self-belief and nuanced voice, but I sometimes find it hard to connect the dots between his retro style and the modern music industry, which, ironically, has been kind to throwback artists these past few years. An injection of ingenuity and energy might give him that extra push in the competition, as will dropping the awkward hand gestures.

    10. Devin Velez, 18 (Chicago)

    The quietly confident dark horse of the competition, Velez is the only guy to crack my commitment to the girls this year. I cringed when Minaj told him to stick to the “Spanish thing” and continue to split his songs into two languages; Velez needs to switch things up every week in order to keep the audience on its toes, as he rightly did last week with Israel Houghton’s soulful “The Power of One.” I suspect he's more versatile than anyone’s giving him credit for, and I’m excited to see what he cooks up over the next few weeks.

    Tune in tonight to see the Top 10 battle it out for the first time on the big stage in the two-hour episode, followed by a special sing-off for the eleventh spot on the Idols Live tour. (Yeah, I’m as unimpressed as you are.)

    Get more of Tara Seetharam's pop culture musings on her website www.taraseetharam.com and follow her on Twitter @TaraAshley

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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