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    Welcome To The Thunderdome

    A sneak peek at Spacetaker's sure-to-be-buzzed-over Mad Max gala

    Nancy Wozny
    Mar 17, 2010 | 10:58 pm
    • "Thunderdome" for the gala being fashioned by metal artist Geoffrey Mann
      Photo by Robert Marchand
    • Catalina Molnari performing with Travesty Dance Group at 2009 Spacetaker SynergyGala
      Photo by Anthony Rathbun
    • David Brown and Jenni Rebecca Stephenson at the Synergy Gala Kickoff at WadeWilson Art
      Photo by Kim Coffman
    • BooTown performing at 2009 Spacetaker Synergy Gala
      Photo by Anthony Rathbun
    • Psophonia Dance Company’s "TREAD," which will be performed at Apocalypto
    • Aaron Ray Hermes of Audio Telepathy and Sahira performing at 2009 SpacetakerSynergy Gala
      Photo by Anthony Rathbun
    • Guests at the 2009 Synergy Gala, including artist Michael Meazell, Daniel Kayneand Heather Wagner of Juice Consulting
      Photo by Anthony Rathbun
    • "Parallel Universes," a Spacetaker exhibition at Winter Street Studios
      Photo by Jason Armstrong
    • Hello Lucky participating in Spacetaker’s Winter Holiday Art Market
      Photo by DABFOTO
    • Misha Penton and friend at Spacetaker’s "Cultured Cocktails" at Boheme
    • Aurora Picture joined Spacetaker for "Kid’s Art Adventures" before a screeningof the Best of the N.Y. Children’s Film Festival at Spacetaker
      Photo by Camilo Gonzalez
    • Patrick Medrano and Wade Wilson at 2009 Spacetaker Synergy Gala
      Photo by Anthony Rathbun
    • Graffiti workshop with Gonzo247 at Spacetaker
      Photo by Jeremy Keas

    Spacetaker, you had us on your wacky save-the-date announcement. Houston's art crowd is down with the Apocalypto gala set for Saturday at Winter Street Studios.

    Right now, Spacetaker executive director Jenni Rebecca Stephenson has bigger decisions than what she's going to wear.

    After Stephenson donned a gopher get-up for the Be the Ball Caddyshack-themed Fresh Arts/Glasstire gala, people expect a lot from the energetic maven. "I'm focused on getting our thunderdome installed," Stephenson tells CultureMap. "Really, I am. Metal artist Geoffrey Mann is making our VIP room."

    "With the economy in free fall, changes at Spacetaker, and a climate of political mayhem, the theme seemed perfect," Stephenson continues.

    Spacetaker galas are arts extravaganzas, and with a Mad Max theme, expect some serious weirdness. "We are all about commissioning new work and showcasing Houston's artists at our galas," she says. The Mad Max theme was inspired by the 002's Alex Rosa.

    Founded in 2001 by the charismatic photographer David A. Brown, Spacetaker has always held hipster status among the arteratti. The heavily-tattooed and better-haired-than-Rick- Perry renegade has moved on to become director of communications and special projects at University of Houston's Cynthia Woods Mitchell Center for the Arts.

    Brown will continue to serve on the board. "Never has Spacetaker's mission been more succinct," says Brown, who will be honored at the gala. "We have a clear and transparent mission, to serve artists." Brown's FotoFest show, "Trying to Find my Way," is now at Darke Gallery

    In keeping with the all-about-art vibe, the evening boasts a list of Houston's must-see performers, including Psophonia Dance Company doing a Winter Street-specific dance, the long form improv wonks known as Scatter, Amy Ell's second and racier dance company Vaultease (think burlesque meets aerial dance plus pole), Divisi Strings' riff on Tina Turner's Mad Max theme song, and the hard to define honky tonkers Robert Ellis and The Boys.

    "We are rebranding the gala as a showcase," Stephenson says.

    Rebranding Spacetaker

    It's no wonder that it's an art-filled gala as supporting artists define Spacetaker's mission. And it all happens at the Artist Resource Center (ARC). "It's somewhere between a clubhouse and a sanctuary," Brown says.

    After unveiling a handy new Web site in October, they are focused on five main projects: Culture Guide, professional development workshops, an artists registry, Speakeasy talks that combine visual, literary and performing artists and a Winter Holiday Market (WHAM).

    The new system allows artists to update their own events and pages. Although Spacetaker is a membership organization, you do not be need to be a member to update your events.

    Spacetaker gets it name from a proposed art exhibit originally conceived by Brown, Will Bentson and Paul Kremer for a 1999 Project Row Houses show. It never materialized, but the name stuck.

    So when Brown first launched his Web site, featuring a calendar with up-to-the-minute news on Houston's burgeoning art scene and a house for artists' portfolios, he was all set. After years of being the slickest calendar and artists registry in town, it was time to expand and refocus toward giving tools artists need to survive.

    Last year, they offered 24 workshops covering everything from financial literacy, copyright laws and the ever-popular marketing for artists. "Our goal is to provide artists with actionable items, a game plan and a check list specific to each art form," Stephenson says. "Most workshops are too generic and overwhelming. We try to be practical and on the ground."

    Speakeasies combine artists talking about their work and some good beer. Mixing genres is also a great way for artists to get out of their own genre caves and get to know each other.

    "It's an exchange, not a lecture," Stephenson says. "There's zero intimidation. We aim for a warm, friendly vibe where people can come and go, enjoy some conversation and a drink."

    A curated calendar still comes out, helping us figure out where to go when and why. It all circles back to art.

    Signs of expansion are everywhere, and this fall they partner with Fresh Arts in presenting their first Sugar Land arts festival. Plans are also under way for more exhibitions in the ARC and partnerships with like-minded organizations.

    "We look forward to working with Houston Arts Alliance to provide a comprehensive list of art spaces," Stephenson says.

    Because Spacetaker was started by an artist, things are a little zanier and more artful than the usual arts institution. Stephenson, a singer/actor who has been frequently seen on Houston stages, is planning an Apocalypto of artful proportions.

    The question remains: Will art action heros Brown and Stephenson be dressed as Mel and Tina?

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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