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    RodeoHouston 2019

    Zac Brown Band scorches RodeoHouston with hot hits and cool covers

    Radu Bondar
    Mar 12, 2019 | 12:30 am
    Zac Brown Band RodeoHouston 2019
    The band scorched with a Metallica cover of "Enter Sandman."
    Photo courtesy of RodeoHouston

    While many country acts feel like an appropriate billing to follow livestock festivities at the rodeo, few outfits truly feel at home the way eight-time rodeo alums Zac Brown Band did Monday, March 11.

    Instead of leaping onto the energy set up by rodeo announcers and pre-show warmup pyrotechnics, the band took a measured beat of silence before opening on the soft, acoustic strumming of the single “Knee Deep” around 9:03 pm.

    Zac Brown Band has been a staple of the Houston Livestock and Rodeo headlining rotation, having missed only one year (2016) out of the last nine. Brown himself was engaged with the audience intimately from the first song, immediately addressing the crowd with warm remarks about the band's fondness for the event.

    One thing was clear as soon as the show started, Zac Brown is a man for country and non-country fans.

    The group did a stellar job of occupying every inch of the sonic spectrum without sounding too busy or on top of one another. Brown introduced the crowd to one of the band’s new singles, “Someone I Used to Know,” after only two songs into the set. The sweltering, almost EDM-inspired violin harmony landed well with the early spring break crowd. (Note to fans: This may be a preview of the kind of energy the groups purportedly “genre-less” next album may hold.)

    After a few songs on the well-orchestrated setlist, Brown strapped on an electric guitar and dedicated the next song to Greg Allman before diving into the late songwriter’s epic “Whipping Post,” which featured Brown and fellow guitarist Coy Bowles trading off inspired solos during the distended cover that clocked in around seven minutes.

    The band made good use of the stage despite not moving much in the beginning, stepping out and exploring its limits around the 25-minute mark. As if they hadn't impressed enough, at some point halfway through the set, they jumped into a rendition of “The Devil Went Down to Georgia” that Old Scratch himself would have found difficult to keep up with. The group roared through an even faster-than-usual version of this tune, one filled with teases of AC/DC’s “Thunderstruck” and impressive solos from every member involved.

    Then the act effortlessly segued from the spitfire energy of the “Devil” into ballads like “Colder Weather,” which brought out the phone lights in droves.

    The mix of covers and fan favorites made the eight-piece outfit shine like very few can in such an environment, whether it was by gripping listeners’ hearts with the familiar jingle of “Toes,” or by jumping into the Eagles’ “Take it to the Limit” for only a few bars.

    A cover of Metallica’s “Enter Sandman” served only to showcase the virtuoso greatness of fiddler Jimmy De Martini (who took over for Kirk Hammett sweeping guitar solos).

    Brown ended the performance with a crowd pleaser in “Chicken Fried” that had 69,570 people in attendance singing along. He thanked every member of his band individually before cooly hopping on the bed of a Ford pickup and being whisked away — amidst roars of approval from the enamored, devoted fans.

    Set List
    “Knee Deep”
    “Keep Me in Mind”
    “Someone I Used to Know”
    “As She’s Walking Away”
    “Whipping Post”
    “Homegrown”
    “Devil Went Down to Georgia”
    “Colder Weather”
    “Take it to the Limit” (Eagles)
    “Toes”
    “Enter Sandman” (Metallica)
    “Beautiful Drug”
    “Chicken Fried”

    This was the eighth RodeoHouston appearance by Zac Brown Band.

    Zac Brown Band RodeoHouston 2019
    Photo by Jacob Power
    This was the eighth RodeoHouston appearance by Zac Brown Band.
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    series/rodeohouston-2019
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    RodeoHouston 2019

    'King of country' George Strait shatters NRG Stadium record with star-studded show

    Johnston Farrow
    Johnston Farrow
    Mar 18, 2019 | 3:35 am
    'King of country' George Strait shatters NRG Stadium record with star-studded show
    Photo courtesy of RodeoHouston
    Dress like King George on Tuesday.

    Country legend George Strait closed out RodeoHouston 2019 in style on Sunday, March 18, breaking the NRG Stadium attendance record he set back in 2013, attracting 80,108 country fans to see him play over two hours, and covering almost all the biggest hits of his career.

    It was a Texas-strong lineup all around, with popular regional country artists Robert Earl Keen and Lyle Lovett kicking things off with an hour-long set. The two Houston-raised performers traded off songs, with Lovett's rootsy take on the genre giving way to Keen's celebratory shuffle.

    Lovett shined on "Church," which turned NRG into a Sunday revivalist revue; and Keen rocked "Shades of Grey" with a jacket and hair to match that song's title, before the two teamed up for a duet of "This Old Porch," recalling the dirt, grit, and humidity of a hot Texas summer evening.

    Following a 30-minute intermission, Strait walked out of the tunnel to thunderous applause, flashing his famously handsome smile, dressed in a plaid green dress shirt, brown cowboy hat, jeans, and cowboy boots. The 66-year-old acknowledged the crowd and quickly got into his No. 1 song "Write This Down," from 1999's Always Never the Same, backed by an 11-piece band that brought a well-rounded and big sound to the proceedings.

    But this was Strait's show, and he stood front-and-center throughout, letting his one-of-a-kind crooner baritone do much of the work throughout the insane, 32-song setlist, not moving much from his spot in front of the microphone.

    His performance of classic traditionalist country spanned decades of No. 1 songs, and the venue was packed to the rafters and on the floor, which was specially opened for the last of an overall successful season of performances for RodeoHouston. It might have been the most diverse lineup in recent memory of the three-week-long event, but Strait brought it back to its roots, the walking definition of a rodeo performer.

    The second-highest selling male country artist of all time (only behind Garth Brooks) and record-holder for most country No. 1 songs locked into a groove of faster-paced numbers, followed by a couple of slow dance songs, which the crowd on the NRG floor obliged by finding themselves waltz partners.

    To more casual fans, this rhythm of song selection might've been a bit tiresome, but if you were a Strait diehard, you would be hard pressed to find any fault with this show. A handful of songs incorporated heavy rodeo imagery, both in lyrics and in production, with Strait even alluding to his first appearance at the event way back in 1983, with photos from his first appearance flashing on screen during "Troubadour" from the 2008 album of the same name.

    All the big ones made the final cut: "Check Yes or No" from 1995's Strait Out of the Box; "The Fireman" from 1985's Does Fort Worth Ever Cross Your Mind; "The Chair" from 1985's Something Special; and the soulful, perfection of a country song "Amarillo By Morning" from 1982's Strait from the Heart, which Strait called his "most favorite song, ever." So many more were either chart-toppers or major country hits.

    As a rodeo tradition, covers found their way into the set, including two from another legend, Merle Haggard, the old school twang of “You Take Me for Granted” and “Are the Good Times Really Over," recalling the best of the AM radio dial. The encore also featured an inspired version of Tom Petty's "You Wreck Me," a classy nod by Strait to that acclaimed singer-songwriter's recent passing.

    Another highlight included a duet with the youngest performer at RodeoHouston this year when the adorable George Harvey Strait III joined his bubba onstage to sing back-up on "God and Country Music" from the forthcoming, sure-fire hit album, Honky Tonk Time Machine, set to be released later this year. "What a way to start your singing career, in front of 80,000 people," Strait exclaimed following the song.

    One of the best numbers of the night came in the form of what should be that album's first single, "Every Little Honky Tonk Bar," Strait's strongest tune in years with its clever lyrics and giddy-up beat. He also performed "Codigo," another cut from that album, and while it sounded great, having a song about your own brand of tequila seems a little too on the nose.

    But the biggest applause came when Strait came out for an encore of four songs, the mandatory "All My Exes Live In Texas" from 1987's Ocean Front Property, "I Cross My Heart," from 1992's Pure Country, the aforementioned Petty number, and wrapping up with "Cowboys Like Us" from the 2003 album, Honkytonkville.

    Though the show ended well after 10:30 pm, NRG remained nearly full throughout, a testament to the power that Strait and his still dominant, timeless voice carried among his fans, most especially in his second home at RodeoHouston. Let's hope it won't take another six years to get him back.

    George Strait Setlist
    “Write This Down”
    “I Can Still Make Cheyenne”
    “Take Me to Texas”
    “I Saw God Today”
    “Here for a Good Time”
    “She’ll Leave You with a Smile”
    “Wrapped”
    “You Take Me for Granted” (Merle Haggard cover)
    “Are the Good Times Really Over” (Merle Haggard cover)
    “Cold Beer Conversation”
    “Check Yes or No”
    “Arkansas Dave”
    “Give It Away”
    “Baby Blue”
    “Every Little Honky Tonk Bar”
    “Kicked Outta Country”
    “Ocean Front Property”
    “Old Violin”
    “The Weight of the Badge”
    “Codigo”
    “God and Country Music”
    “Amarillo By Morning”
    “The Chair”
    “The Fireman”
    “Run”
    “I’ll Always Remember You”
    “Troubadour”
    “Unwound”

    Encore
    “All My Exes Live in Texas”
    “I Cross My Heart”
    “You Wreck Me”
    “The Cowboy Rides Away”

    Strait's RodeoHouston appearance was one of the most anticipated shows of the year.

    George Strait RodeoHouston 2019
    Photo courtesy of RodeoHouston
    Strait's RodeoHouston appearance was one of the most anticipated shows of the year.
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    series/rodeohouston-2019
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