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    Best Rodeo Concert

    He's a real Hootie: Rucker combines country, pop and authenticity in best Rodeo concert

    Reid Schroder
    Reid Schroder
    Mar 12, 2016 | 6:25 am

     Darius Rucker, as you probably know, helped shape the landscape of pop in the '90s as front man of the Grammy award winning rock group Hootie & the Blowfish before embarking on a second calling as one of contemporary country music’s most genuine acts.

     

    On the first level of NRG stadium, near the northeast end, there is a stand selling locally roasted Katz coffee. Since I don’t normally enter the building from the carnival side, this was the first time I smelled that familiar inviting aroma wafting through the air upon stadium entry. I bring this little scene up in a music review because roasted coffee beans are a smell I often associate with coffee shops and the pop and alternative music played within.

     

    Friday evening’s set at RodeoHouston was a grab bag of both ends of his career and then some. The South Carolina native juggled these musical identities like a true professional, reminding the crowd of 65,006 that good music is the name of the game, no matter what.

     

    "It doesn't matter what genre of music you're talking about, a great song is a great song,” Rucker proclaimed after a joyous crowd helped him sing every word of “Only Wanna Be With You,” arguably Hootie’s biggest hit.

     

    To really bring his point home, Rucker and his band followed the song up with Tim McGraw’s “Back When” and Blackstreet’s “No Diggity.” Two very different songs, to be sure, but two songs that longtime fans of Rucker are likely to be familiar with in equal degree.

     

    Rucker went on to play a set heavy on singles from his country career, like the fantastic Old Crow Medicine Show cover “Wagon Wheel” and the honky tonk ready “Good For A Good Time,” but Hootie songs like “Time,” “Let Her Cry,” “Hold My Hand, ” and of course “Only Wanna Be With You” easily garnered the loudest audience responses of the night.

     

    Throughout the set, Rucker was chock full of between song banter that showed everyone that he’s the guy in this year’s lineup that it would be most fun to grab a beer with.

     

    Whether he was waxing sentimental about how much he loved being a dad to his kids, joking about how nice those boys from the '90s who called themselves Hootie & the Blowfish were, or singing the praises of the guys in his now eight-year-old backup band are, I believed he was speaking from the heart. I would be very surprised to learn that he doesn’t do this every single night he plays.

     

    I’m crossing my fingers for a fourth appearance by Rucker and crew next year. It’s a very rare thing to spot this sort of authenticity in a performer when you’re watching in one of the most sterile settings in live music, so it was a real treat to have seen it come out so easily while Rucker performed. I seldom see an artist not enjoying themselves at RodeoHouston, but Rucker was having the time of his life performing these songs for seats so far away from the stage.

     

    To the rest of this year’s lineup: Take note. Darius Rucker just might have played the best show of RodeoHouston 2016.

     

     Set List:

     

     Radio

     

     Good For A Good Time

     

     I Got Nothin'

     

     This

     

     Pink Houses (John Cougar Mellencamp)

     

     It Won't Be Like This For Long

     

     Only Wanna Be With You

     

     Back When (Tim McGraw)

     

     No Diggity (Blackstreet)

     

     Let Her Cry

     

     Alright

     

     Hold My Hand

     

     Come Back Song

     

     Homegrown Honey

     

     Wagon Wheel

    Throughout the set, Darius Rucker was chock full of between song banter that showed everyone that he’s the guy in this year’s lineup that it would be most fun to grab a beer with.

    Darius Rucker at Houston Rodeo
      
    © Michelle Watson/Catchlight Group
    Throughout the set, Darius Rucker was chock full of between song banter that showed everyone that he’s the guy in this year’s lineup that it would be most fun to grab a beer with.
    concertsrodeomusic
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    Movie Review

    'I Know What You Did Last Summer' reboot lacks energy or thrills

    Alex Bentley
    Jul 17, 2025 | 2:00 pm
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer
    Photo by Brook Rushton
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer.

    When the original I Know What You Did Last Summer came out in 1997, it was riding the coattails of Scream, which came out in 1996. Like that film, it featured hot young actors of the time, albeit with a story that was much more standard than the inventive Scream. Still, it made enough of an impact for some studio executive to think it was worth reviving nearly 30 years later with its own legacy-quel.

    In the new I Know What You Did Last Summer, a group of five high school friends — Danica (Madelyn Cline), Ava (Chase Sui Wonders), Milo (Jonah Hauer-King), Teddy (Tyriq Withers), and Stevie (Sarah Pidgeon) — have reunited at the engagement party for Danica and Teddy on the 4th of July. While on an impromptu trip to watch fireworks on a twisty road in the nearby hills, Teddy goofs off in the middle of the road, causing a truck to swerve and drive off the cliff.

    A year later, having sworn to each other to not speak of the accident to anybody, they start getting stalked by a mysterious person in a fisherman’s slicker carrying a hook. With Teddy’s rich father, Grant (Billy Campbell), actively trying to cover up what his son did (as well as the fallout), it’s up to the group to figure out who is coming after them and how to stop that person.

    Written and directed by Jennifer Kaytin Robinson, and co-written by Sam Lansky, the film doesn’t try to reinvent the wheel; in fact, it barely builds something that can roll. It might just be the laziest and most incompetent attempt to capitalize on an existing piece of intellectual property. There is almost zero effort put into establishing a connection between the members of the friend group, making them feel like strangers for the entire film.

    It doesn’t help that the young male actors in the film — which grows to include Wyatt (Joshua Orpin), a new fiance for Danica — serve no purpose other than to be generically good-looking. The most impactful of the men in the film is the returning Freddie Prinze, Jr., who — along with Jennifer Love Hewitt — has his old character from the first two films shoehorned into the new story. The filmmakers undercut any good feelings from their return by giving them hardly anything to do and then having Hewitt deliver the line, “Nostalgia is overrated.”

    The film as a whole never has a sense of momentum. The inciting incident is so tame — they even attempt to save the driver before the truck goes off the cliff — that the guilt they feel and the anger of the person going after them doesn’t feel warranted. Once the attacks start, it is shocking at how low-energy the sequences are, providing no sense of suspense or thrills. The filmmakers resort to the lamest of horror movie tropes, turning the film into a paint-by-numbers affair.

    Cline (one of the stars of Netflix’s Outer Banks) and Wonders (The Studio on Apple TV+, Bodies Bodies Bodies) are the clear stars of the film, but their characters are made into inert scream queens, negating any acting talent they possess. Hauer-King, Withers, and Pidgeon don’t bring anything interesting to their characters, existing merely to have someone else for the killer to go after.

    Even the worst films can have some kind of redeeming value if you look hard enough, but the only thing I Know What You Did Last Summer has to offer is that it becomes so comically bad by the end that you can’t help but laugh at its ineptitude. Both fans of the original and fans of horror movies in general will feel cheated by the experience.

    ---

    I Know What You Did Last Summer opens in theaters on July 18.

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