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    When Annie met Sandy

    With a hometown Annie and a stray pup, life at TUTS clears away the cobwebs andthe sorrow

    Joel Luks
    Mar 12, 2012 | 11:50 am
    With a hometown Annie and a stray pup, life at TUTS clears away the cobwebs andthe sorrow
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    "Tomorrow" is everyone's favorite Annie ballad. (Think: What's Annie without "Tomorrow"? Nothing. That's why there's a reprise.) During that refrain, the redheaded orphan and the homeless pooch meet for the first time, and it never ceases to make even the manliest of men weep.

    Annie saves Sandy.

    It's darling. It's precious. It's tender, and everything ginger musical theater should be. Thankfully, it transpires early on in the heartwarming tale, so viewers don't have to wait too long to quench their yearning for feel-good, hug-me-hold-me lifetime drama.

    Call it a case of art imitating life: That's just what unfolded at a Theatre Under the Stars rehearsal Wednesday night, when Sadie Sink was introduced to Macy and embarked on fine-tuning that first moment. Assisted by dog handler and cast member Dustin J. Harder, Sink and Macy worked through blocking and tried the lyrics on for size.

    Nine-year-old Sink is an endearing girl from Brenham, with eyes so bright and a personality so sweet — sporting the required locks of hair — that playing Annie was destiny.

    Luckily, CultureMap was there with video camera on hand.

    To be honest, it wasn't the most idyllic of settings for a rendezvous: An oversized rehearsal room in the lower floor of TUTS adjacent to the Hobby Center for the Performing arts, where Annie is set to open on March 20. A mirrored wall, scratched linoleum floors, an upright piano, music stands, plastic chairs, makeshift props and a half-eaten box of Cheez-It were illuminated by harsh florescent lighting and backed by a pesky hum.

    But neither protagonist cared.

    Nine-year-old Sink is an endearing girl from Brenham, Texas, with eyes so bright and a personality so sweet — sporting the required locks of hair — that playing Annie was destiny. Her piercing vocals can suffuse a hall, but coddle enough innocent warmth that her words emerge from her heart.

    "'Tomorrow' teaches a lot," Sink tells CultureMap. "When you are going through a hard time, you think about tomorrow and everything is going to be fine, and to just keep on going no matter what."

    Sink is no stranger to TUTS, first as a student at the Humphreys School of Musical Theatre followed by an engagement as Susan Waverly in White Christmas.

    "On the Hobby Center stage you can't really see the audience, " she says. "So it's not that scary. I may be nervous when I first go out there. But once we get through act one, I am good for the rest of the play."

    Sink also finds comfort in knowing that Macy is there along for the ride.

    Just like Macy, any dog can be a star and there's lots more to be rescued. People need to get out there and rescue dogs.

    Macy isn't representing Sandy. Sandy is a portrait of Macy's life.

    There could have been no more tomorrows for Macy. In a few gray and lonely occasions, the stray was slated to be euthanized but the procedures were delayed. Dog trainer Bill Berloni saw that chin and grin and developed Macy for her onstage role, something he's been doing since 1976 and captured in Broadway Tails, an anthology of personal accounts of saving hounds from the street and preparing them for showbiz.

    "[Macy] is carrying on the legacy of all the rescue dogs who have played Sandy throughout the years," Harder says. "She does an amazing job. She has made it through so much, and now that she's with us and does the work she does, it's phenomenal.

    "Just like Macy, any dog can be a star. There's lots more to be rescued. People need to get out there and rescue dogs."

    People say animals know when someone gives them a second chance. At this rehearsal one thing was certain: Sadie and Macy were loving life today, not tomorrow.

    Theatre Under the Stars' Annie opens March 20 and runs through April 1. Tickets start at $24 and can be purchased online and by calling 713-558-TUTS (8887).

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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