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    H-Town goes Tinseltown

    On the set for rare Houston movie making: Filming Puncture in the Heights

    Sarah Rufca
    Mar 12, 2010 | 5:42 pm
    • On the set: a Heights bungalow turned temporary movie location
      Photo by Sarah Rufca
    • With a closed set inside, crew including production assistants, key grips andthe sound editor listen and kill time on the front lawn.
      Photo by Sarah Rufca
    • A fraction of the equipment trucked in for the 5-day shoot at the house.
      Photo by Sarah Rufca
    • The only actor I met: an iguana
      Photo by Sarah Rufca
    • A view of "Africa"
      Photo by Sarah Rufca
    • Extra camera tripods
      Photo by Sarah Rufca

    With the exception of the series of sparkling white trailers parked on the corner of 17th Street and Durham, there's no evidence that a quirky green bungalow on a small block of 18th Street in the Heights has been the site of a movie shoot for the past week.

    Puncture (currently listed on IMDB as Safety Point) has been filming in and around Houston for over a month. It's based on the true story of Houston lawyer Michael Weiss as he fought medical supply companies to establish use of retracting safety needles in a struggle to save lives in the age of AIDS — all while fighting his own inner demons.

    When I showed up at 5 p.m., about an hour after the beginning of a 4 p.m. to 4 a.m. shoot, rehearsals were talking place in a closed set in an upstairs bedroom. Co-producer Jordan Foley still showed me around where he could, including the kitchen, staged as a disaster for a party scene, and a corner of the backyard set up to represent Africa in a vignette. Apparently Africa = pile of trash.

    Even though I couldn't watch the actors in their emotionally heavy (and naked) scene, I learned a lot just by talking to the crew, who were set up mostly on the lawn and in the garage. Here are ten interesting Houston tidbits about Puncture, the shoot, and the cast and crew:

    1. The last day of shooting was set to be a quick transition scene at Hobby airport on Monday, which would represent Reagan Airport in Washington, D.C., but while I was there Foley and production supervisor Erin Charles were weighing the benefits of sending a skeleton crew to do a half-day of shooting in D.C. instead. "A shot of the airport looking onto the Potomac, a shot of the capitol, and boom, you're in D.C.," Charles said.

    2. Production Designer Christopher Stull had his first film job as an assistant art director on Reality Bites, which has probably the most iconic images of Houston in film to date. "The house we found was on Dallas, I think, and it was this great shot with the downtown skyline set over the street. But that's disappeared now, they built an apartment complex there or something."

    3. Many scenes in Puncture take place in a courtroom or a hospital. Court scenes were shot in a real Harris County Civil Court, and the production was given several floors by Park Plaza Hospital. "We were literally filming and through the doors in the next room was a working emergency room. It was crazy," Foley said.

    4. To portray the home of a big-shot lawyer, the crew filmed at Mark and Becky Lanier's opulent mansion. Lanier also appears in the film in a small role — as himself. "Actually he was playing an actor playing Mark Lanier. He did a great job," Charles said.

    5. Those looking for recognizable pieces of Houston in the film should keep their eyes peeled for Irma's Tex-Mex joint downtown as well as some popular taco trucks.

    6. The non-local cast and crew were set up in condos at Post Midtown Square, and named their favorite off-shoot hangouts as Cyclone Anaya's and Front Porch Pub.

    7. When I was there a wrangler was watching a huge iguana and an incredibly sweet golden retriever. I was told I missed by a day four more animal actors: Two boa constrictors and two crocodiles.

    8. Set designer Stull went out of his way to include items from the real Michael Weiss in the movie. The desk in the home office once belonged to the real Weiss. Stull found a gallery director who remembered Weiss and the art pieces he'd bought, so Stull could get similar styles to be placed around the house set.

    9. The 18th Street house set-up was scheduled to be four days, but was shortened to three when the owner accidentally locked them out for a day. The interior is essentially removed of all personal objects — even painted — rendering the space almost unrecognizable. But contracts require the crew take copious pictures and return everything to it's original state "as if we were never here," Foley said.

    10. Foley's last film, The Open Road, was also shot partially in Houston, while directors Adam and Mark Kassen's last film, Bernard and Doris (for which they served as executive producers) earned Emmy and Golden Globe nominations. Other notable actors in Puncture include The Fantastic Four's Chris Evans as Mike Weiss, Law & Order's Jesse L. Martin and Vinessa Shaw.

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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