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    H-Town goes Tinseltown

    On the set for rare Houston movie making: Filming Puncture in the Heights

    Sarah Rufca
    Mar 12, 2010 | 5:42 pm
    • On the set: a Heights bungalow turned temporary movie location
      Photo by Sarah Rufca
    • With a closed set inside, crew including production assistants, key grips andthe sound editor listen and kill time on the front lawn.
      Photo by Sarah Rufca
    • A fraction of the equipment trucked in for the 5-day shoot at the house.
      Photo by Sarah Rufca
    • The only actor I met: an iguana
      Photo by Sarah Rufca
    • A view of "Africa"
      Photo by Sarah Rufca
    • Extra camera tripods
      Photo by Sarah Rufca

    With the exception of the series of sparkling white trailers parked on the corner of 17th Street and Durham, there's no evidence that a quirky green bungalow on a small block of 18th Street in the Heights has been the site of a movie shoot for the past week.

    Puncture (currently listed on IMDB as Safety Point) has been filming in and around Houston for over a month. It's based on the true story of Houston lawyer Michael Weiss as he fought medical supply companies to establish use of retracting safety needles in a struggle to save lives in the age of AIDS — all while fighting his own inner demons.

    When I showed up at 5 p.m., about an hour after the beginning of a 4 p.m. to 4 a.m. shoot, rehearsals were talking place in a closed set in an upstairs bedroom. Co-producer Jordan Foley still showed me around where he could, including the kitchen, staged as a disaster for a party scene, and a corner of the backyard set up to represent Africa in a vignette. Apparently Africa = pile of trash.

    Even though I couldn't watch the actors in their emotionally heavy (and naked) scene, I learned a lot just by talking to the crew, who were set up mostly on the lawn and in the garage. Here are ten interesting Houston tidbits about Puncture, the shoot, and the cast and crew:

    1. The last day of shooting was set to be a quick transition scene at Hobby airport on Monday, which would represent Reagan Airport in Washington, D.C., but while I was there Foley and production supervisor Erin Charles were weighing the benefits of sending a skeleton crew to do a half-day of shooting in D.C. instead. "A shot of the airport looking onto the Potomac, a shot of the capitol, and boom, you're in D.C.," Charles said.

    2. Production Designer Christopher Stull had his first film job as an assistant art director on Reality Bites, which has probably the most iconic images of Houston in film to date. "The house we found was on Dallas, I think, and it was this great shot with the downtown skyline set over the street. But that's disappeared now, they built an apartment complex there or something."

    3. Many scenes in Puncture take place in a courtroom or a hospital. Court scenes were shot in a real Harris County Civil Court, and the production was given several floors by Park Plaza Hospital. "We were literally filming and through the doors in the next room was a working emergency room. It was crazy," Foley said.

    4. To portray the home of a big-shot lawyer, the crew filmed at Mark and Becky Lanier's opulent mansion. Lanier also appears in the film in a small role — as himself. "Actually he was playing an actor playing Mark Lanier. He did a great job," Charles said.

    5. Those looking for recognizable pieces of Houston in the film should keep their eyes peeled for Irma's Tex-Mex joint downtown as well as some popular taco trucks.

    6. The non-local cast and crew were set up in condos at Post Midtown Square, and named their favorite off-shoot hangouts as Cyclone Anaya's and Front Porch Pub.

    7. When I was there a wrangler was watching a huge iguana and an incredibly sweet golden retriever. I was told I missed by a day four more animal actors: Two boa constrictors and two crocodiles.

    8. Set designer Stull went out of his way to include items from the real Michael Weiss in the movie. The desk in the home office once belonged to the real Weiss. Stull found a gallery director who remembered Weiss and the art pieces he'd bought, so Stull could get similar styles to be placed around the house set.

    9. The 18th Street house set-up was scheduled to be four days, but was shortened to three when the owner accidentally locked them out for a day. The interior is essentially removed of all personal objects — even painted — rendering the space almost unrecognizable. But contracts require the crew take copious pictures and return everything to it's original state "as if we were never here," Foley said.

    10. Foley's last film, The Open Road, was also shot partially in Houston, while directors Adam and Mark Kassen's last film, Bernard and Doris (for which they served as executive producers) earned Emmy and Golden Globe nominations. Other notable actors in Puncture include The Fantastic Four's Chris Evans as Mike Weiss, Law & Order's Jesse L. Martin and Vinessa Shaw.

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    news/entertainment

    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
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