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    H-Town goes Tinseltown

    On the set for rare Houston movie making: Filming Puncture in the Heights

    Sarah Rufca
    Mar 12, 2010 | 5:42 pm
    • On the set: a Heights bungalow turned temporary movie location
      Photo by Sarah Rufca
    • With a closed set inside, crew including production assistants, key grips andthe sound editor listen and kill time on the front lawn.
      Photo by Sarah Rufca
    • A fraction of the equipment trucked in for the 5-day shoot at the house.
      Photo by Sarah Rufca
    • The only actor I met: an iguana
      Photo by Sarah Rufca
    • A view of "Africa"
      Photo by Sarah Rufca
    • Extra camera tripods
      Photo by Sarah Rufca

    With the exception of the series of sparkling white trailers parked on the corner of 17th Street and Durham, there's no evidence that a quirky green bungalow on a small block of 18th Street in the Heights has been the site of a movie shoot for the past week.

    Puncture (currently listed on IMDB as Safety Point) has been filming in and around Houston for over a month. It's based on the true story of Houston lawyer Michael Weiss as he fought medical supply companies to establish use of retracting safety needles in a struggle to save lives in the age of AIDS — all while fighting his own inner demons.

    When I showed up at 5 p.m., about an hour after the beginning of a 4 p.m. to 4 a.m. shoot, rehearsals were talking place in a closed set in an upstairs bedroom. Co-producer Jordan Foley still showed me around where he could, including the kitchen, staged as a disaster for a party scene, and a corner of the backyard set up to represent Africa in a vignette. Apparently Africa = pile of trash.

    Even though I couldn't watch the actors in their emotionally heavy (and naked) scene, I learned a lot just by talking to the crew, who were set up mostly on the lawn and in the garage. Here are ten interesting Houston tidbits about Puncture, the shoot, and the cast and crew:

    1. The last day of shooting was set to be a quick transition scene at Hobby airport on Monday, which would represent Reagan Airport in Washington, D.C., but while I was there Foley and production supervisor Erin Charles were weighing the benefits of sending a skeleton crew to do a half-day of shooting in D.C. instead. "A shot of the airport looking onto the Potomac, a shot of the capitol, and boom, you're in D.C.," Charles said.

    2. Production Designer Christopher Stull had his first film job as an assistant art director on Reality Bites, which has probably the most iconic images of Houston in film to date. "The house we found was on Dallas, I think, and it was this great shot with the downtown skyline set over the street. But that's disappeared now, they built an apartment complex there or something."

    3. Many scenes in Puncture take place in a courtroom or a hospital. Court scenes were shot in a real Harris County Civil Court, and the production was given several floors by Park Plaza Hospital. "We were literally filming and through the doors in the next room was a working emergency room. It was crazy," Foley said.

    4. To portray the home of a big-shot lawyer, the crew filmed at Mark and Becky Lanier's opulent mansion. Lanier also appears in the film in a small role — as himself. "Actually he was playing an actor playing Mark Lanier. He did a great job," Charles said.

    5. Those looking for recognizable pieces of Houston in the film should keep their eyes peeled for Irma's Tex-Mex joint downtown as well as some popular taco trucks.

    6. The non-local cast and crew were set up in condos at Post Midtown Square, and named their favorite off-shoot hangouts as Cyclone Anaya's and Front Porch Pub.

    7. When I was there a wrangler was watching a huge iguana and an incredibly sweet golden retriever. I was told I missed by a day four more animal actors: Two boa constrictors and two crocodiles.

    8. Set designer Stull went out of his way to include items from the real Michael Weiss in the movie. The desk in the home office once belonged to the real Weiss. Stull found a gallery director who remembered Weiss and the art pieces he'd bought, so Stull could get similar styles to be placed around the house set.

    9. The 18th Street house set-up was scheduled to be four days, but was shortened to three when the owner accidentally locked them out for a day. The interior is essentially removed of all personal objects — even painted — rendering the space almost unrecognizable. But contracts require the crew take copious pictures and return everything to it's original state "as if we were never here," Foley said.

    10. Foley's last film, The Open Road, was also shot partially in Houston, while directors Adam and Mark Kassen's last film, Bernard and Doris (for which they served as executive producers) earned Emmy and Golden Globe nominations. Other notable actors in Puncture include The Fantastic Four's Chris Evans as Mike Weiss, Law & Order's Jesse L. Martin and Vinessa Shaw.

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    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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