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    Back-Up Plans

    Lana del Ray, The Fray & Third Eye Blind bail on SXSW Music; here are someworthy replacements

    Dan Solomon
    Mar 11, 2012 | 6:03 pm
    • Lana Del Rey
    • The Fray
    • Third Eye Blind

    Lost amid the hype that comes with the initial release of the SXSW band list is a disappointing truism: Like soldiers storming the beach at Normandy, there’s going to be some attrition, and not everyone is going to make it. We were as excited as anybody when Lana Del Rey was announced, but one universally-panned Saturday Night Live performance later, and there’s no way she would take the chance of performing in front of a bunch of bloggers and industry types all jonesing to tweet about how much she sucks.

    Other acts have bailed on the festival for other reasons, and if you were all fired up about the chance to see some of the marquee names in the initial announcement, it might be a good idea to check the current schedule and make sure that they’re still on for the festival. In the meantime, here’s a guide to a handful of prominent names who aren’t playing SXSW Music anymore, and who you might want to replace them with.

    Lana Del Rey
    Why she canceled:
    The much-derided First Official Indie Hype Casualty of 2012 didn’t even make it to mid-March and SXSW before the forces of snark and jaded resentment threatened to derail her promising career.

    When Lana Del Rey was announced as a SXSW performer, it made perfect sense — she’d played a limited number of U.S. dates, and the snippets that people had seen had generated a lot of excitement, so this would have made for a killer coming out party. But after the ill-fated SNL gig that made her the butt of all of the Internet’s jokes for reasons that are still kind of unfair, she canceled her upcoming dates — including SXSW — to focus on getting people’s super short attention spans to move past her so she can mount a comeback in the summer. Good plan, LDR!

    If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else.

    Who you should see instead: If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else. We can recommend that you go see another 60’s-influenced, jazz-and-sad-songs young woman with less baggage attached: Namely, Norah Jones.

    That may sound like a serious diversion, but it’s not, really — Jones has gone a long way from her Come Away With Me roots, and her latest album, 2009’s The Fall, was a gem, featuring songwriting collaborations with Ryan Adams and Okkervil River’s Will Sheff, remixes from Beck, the Beastie Boys and Santigold, and other stuff that makes her cooler than you’d expect.

    The Fray

    Why they canceled: The Fray’s publicist didn’t get back to us in time to give us an official answer, but the fact that they’re booked for a gig at Stubb’s in late April now might have something to do with it. “How To Save A Life” was a while ago, but bands who were double-platinum in 2005 and certified gold in 2009 don’t usually need to play SXSW showcases, unless they’re at Auditorium Shores — and that bill is fully packed. It probably made more sense to them to do a fully-paid gig at Stubb’s this time out.

    Who you should see instead: We could snark on The Fray and the sort of people who like them, but what the hell? Three million or so records didn’t get bought by nobody, so some of you probably like this band. You probably also like Train, too, who’ll be bringing “Hey Soul Sister” to the Central Presbyterian Church on Saturday night for an intimate evening your golf buddies will be psyched to hear about.

    At least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Third Eye Blind

    Why they canceled: So, Third Eye Blind didn’t exactly cancel its SXSW showcase — they just moved it to Interactive, where they’ll be playing Monday night at ACL Live for badgeholders. That’s still kind of a bummer for lovers of late-90’s alternarock who only have Music wristbands, but at least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Who you should see instead: They’re also a late-90’s alternarock band who had a ubiquitous “buzz bin” hit back in the day, but Nada Surf overcame “Popular” in a way that Third Eye Blind never quite got past “How’s It Going To Be” and “Never Let You Go.” After resurrecting its career by fleeing in the early-00’s to indie stalwart label Barsuk Records, Nada Surf has put out quality album after quality album, and they still drop “Popular” into their setlists from time to time.

    Talk about giving the people what they want!

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    Creed concert review

    Creed serve up millennial nostalgia at pyro-packed RodeoHouston concert

    Craig Hlavaty
    Mar 11, 2026 | 11:54 pm
    Creed concert RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Singer Scott Stapp serenades the RodeoHouston crowd.

    Hello, my friend, we meet again.

    I’ve had a torrid relationship with Creed. As a circa-2000s punk rocker, it was implied that I was supposed to hate them. Nevertheless, I enjoyed those hook-laden Mark Tremonti riffs and Scott Stapp’s burly, Bono-grasping vocals, with just a hint of irony deep in the mix. I had “One Last Breath” on a burned mix CD, bunched in with Fugazi, Rancid, and Sham 69. I would skip it as quickly as I could, depending on who was in the car. Driving home from a long day slinging milk in the Kroger dairy cooler? Windows down, Stapp up.

    When I began my music journalism career 20 years ago (!!!), I began sticking up for them, much to the consternation of a lot of my fellow writers who were hung up on stuff that was supposed to be cooler and hipper. Creed’s pop-culture zenith came right as The Strokes and The White Stripes were thrust on us by the music press as a counter to post-grunge, which other music writers were categorically allergic to. Remember when our biggest problems in America were bands that were overtly influenced by Pearl Jam and Alice In Chains?

    In 2012, I interviewed lead singer Scott Stapp along the way for the Houston Press, and I distinctly recall Stapp being confused on our call that a guy from a smug alt-weekly wasn’t asking him stupid questions or making fun of his leather pants. The band was heading to Houston for a two-night stand at the Bayou Music Center in 2012 when they played 1997’s “My Own Prison” and 1999’s “Human Clay” in their entirety.

    Fun fact: “Human Clay” has sold over 20 million albums alone, besting Nirvana’s “Nevermind” and Pearl Jam’s “Ten” by only a relatively small margin. Creed moved more physical CDs when people actually bought music.

    Somehow, along the way, people stopped hating Creed and Nickelback, and the hate gave way to pre-social media, millennial high school, and pre-9/11 nostalgia. The similarly maligned Nickelback sold out the rodeo in 2024.

    On Wednesday, March 11, I saw junior high school kids wearing crispy new Creed shirts with their parents. Gen Alpha is beginning to get curious about what mom and dad were up to during spring break 2001, and Zoomers are rediscovering Y2K fashions. Haven’t you seen those “Mom, What Were You Like In The ‘90s?” memes?

    Creed has been sold out for weeks, drawing 70,007 attendees. If you had told someone 10 years ago that Creed would sell out RodeoHouston, they would have been skeptical. And yet here we are, staring down at a sold-out Creed show. These things run in cycles. Emotions fade. Annoyance turns into wistfulness for the days of Nokia brick phones and 99-cent gas. You can even go on a Creed Cruise now.

    Creed hit the stage just before 9:30 pm, an enviable bedtime for most elderly millennials, kicking off with the TOOL-chugalug of “Bullets,” with Stapp and Tremonti making the best use of their stage platforms, crucial devices for any major rock band in the 2000s. Unrelenting pyro shot from the dirt surrounding the stage every time Stapp lifted or flailed his arms like Elvis if he discovered cardio.

    The dirge of “Torn” — the second single from My Own Prison — was pyro-less, likely giving the cannons a few minutes to cool off. The sweaty Stapp, at just 52, looks to be in better shape than he did 20 years ago, now sporting a conservative haircut like he stepped out of his company’s stadium suite or finished a twilight run at Memorial Park.

    Stapp introduced “My Own Prison” with a preachery pep talk that wouldn’t sound out of place at an altar call at Sturgis. The crowd hung on every emphatic word. Maybe seeing two middle-aged dudes wearing Stryper shirts down on the concourse made more sense than I realized. Is Creed actually just TOOL that accepted Christ? The graphics behind the band could’ve fooled me.

    Stapp introduced “One” with a speech on commonalities and love. Looking back, Creed’s lyrics were much too earnest, hitting at a time when critics were still hungover from grunge.

    During “With Arms Wide Open,” the rodeo cameras would routinely cut to tattooed dads and rocker chicks in the crowd playing air guitar along with Tremonti and singing their guts out like they did the first time they heard it on 94.5 The Buzz. For a large segment of the crowd, they might have had a Gen-X parent jamming this stuff on the way to school in the morning.

    “Are you ready to get higher in here, Houston?” Stapp yells. The place erupts as “Higher” starts. Stapp was in his element, pyro shooting off, his silver jewelry dangling, taking in the crowd, like he didn’t expect such a response.

    Possibly the last true rock power ballad ever recorded, “One Last Breath,” got the biggest screams of the night; it might also be the Gen-Z “Don’t Stop Believing” as long as we’re making wildly controversial statements. [Editor’s note: Isn’t that Mr. Brightside? -ES]

    Welcome back, Creed, from pop-culture purgatory, and props for what might have been the loudest RodeoHouston show in years.

    SETLIST

    Bullets
    Torn
    Are You Ready?
    My Own Prison
    What If
    One
    With Arms Wide Open
    Higher
    One Last Breath
    My Sacrifice

    Creed concert RodeoHouston

    Courtesy of Houston Livestock Show and Rodeo

    Singer Scott Stapp serenades the RodeoHouston crowd.

    rodeohoustonhouston livestock show and rodeoconcert review
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