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    Back-Up Plans

    Lana del Ray, The Fray & Third Eye Blind bail on SXSW Music; here are someworthy replacements

    Dan Solomon
    Mar 11, 2012 | 6:03 pm
    • Lana Del Rey
    • The Fray
    • Third Eye Blind

    Lost amid the hype that comes with the initial release of the SXSW band list is a disappointing truism: Like soldiers storming the beach at Normandy, there’s going to be some attrition, and not everyone is going to make it. We were as excited as anybody when Lana Del Rey was announced, but one universally-panned Saturday Night Live performance later, and there’s no way she would take the chance of performing in front of a bunch of bloggers and industry types all jonesing to tweet about how much she sucks.

    Other acts have bailed on the festival for other reasons, and if you were all fired up about the chance to see some of the marquee names in the initial announcement, it might be a good idea to check the current schedule and make sure that they’re still on for the festival. In the meantime, here’s a guide to a handful of prominent names who aren’t playing SXSW Music anymore, and who you might want to replace them with.

    Lana Del Rey
    Why she canceled:
    The much-derided First Official Indie Hype Casualty of 2012 didn’t even make it to mid-March and SXSW before the forces of snark and jaded resentment threatened to derail her promising career.

    When Lana Del Rey was announced as a SXSW performer, it made perfect sense — she’d played a limited number of U.S. dates, and the snippets that people had seen had generated a lot of excitement, so this would have made for a killer coming out party. But after the ill-fated SNL gig that made her the butt of all of the Internet’s jokes for reasons that are still kind of unfair, she canceled her upcoming dates — including SXSW — to focus on getting people’s super short attention spans to move past her so she can mount a comeback in the summer. Good plan, LDR!

    If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else.

    Who you should see instead: If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else. We can recommend that you go see another 60’s-influenced, jazz-and-sad-songs young woman with less baggage attached: Namely, Norah Jones.

    That may sound like a serious diversion, but it’s not, really — Jones has gone a long way from her Come Away With Me roots, and her latest album, 2009’s The Fall, was a gem, featuring songwriting collaborations with Ryan Adams and Okkervil River’s Will Sheff, remixes from Beck, the Beastie Boys and Santigold, and other stuff that makes her cooler than you’d expect.

    The Fray

    Why they canceled: The Fray’s publicist didn’t get back to us in time to give us an official answer, but the fact that they’re booked for a gig at Stubb’s in late April now might have something to do with it. “How To Save A Life” was a while ago, but bands who were double-platinum in 2005 and certified gold in 2009 don’t usually need to play SXSW showcases, unless they’re at Auditorium Shores — and that bill is fully packed. It probably made more sense to them to do a fully-paid gig at Stubb’s this time out.

    Who you should see instead: We could snark on The Fray and the sort of people who like them, but what the hell? Three million or so records didn’t get bought by nobody, so some of you probably like this band. You probably also like Train, too, who’ll be bringing “Hey Soul Sister” to the Central Presbyterian Church on Saturday night for an intimate evening your golf buddies will be psyched to hear about.

    At least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Third Eye Blind

    Why they canceled: So, Third Eye Blind didn’t exactly cancel its SXSW showcase — they just moved it to Interactive, where they’ll be playing Monday night at ACL Live for badgeholders. That’s still kind of a bummer for lovers of late-90’s alternarock who only have Music wristbands, but at least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Who you should see instead: They’re also a late-90’s alternarock band who had a ubiquitous “buzz bin” hit back in the day, but Nada Surf overcame “Popular” in a way that Third Eye Blind never quite got past “How’s It Going To Be” and “Never Let You Go.” After resurrecting its career by fleeing in the early-00’s to indie stalwart label Barsuk Records, Nada Surf has put out quality album after quality album, and they still drop “Popular” into their setlists from time to time.

    Talk about giving the people what they want!

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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