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    Back-Up Plans

    Lana del Ray, The Fray & Third Eye Blind bail on SXSW Music; here are someworthy replacements

    Dan Solomon
    Mar 11, 2012 | 6:03 pm
    • Lana Del Rey
    • The Fray
    • Third Eye Blind

    Lost amid the hype that comes with the initial release of the SXSW band list is a disappointing truism: Like soldiers storming the beach at Normandy, there’s going to be some attrition, and not everyone is going to make it. We were as excited as anybody when Lana Del Rey was announced, but one universally-panned Saturday Night Live performance later, and there’s no way she would take the chance of performing in front of a bunch of bloggers and industry types all jonesing to tweet about how much she sucks.

    Other acts have bailed on the festival for other reasons, and if you were all fired up about the chance to see some of the marquee names in the initial announcement, it might be a good idea to check the current schedule and make sure that they’re still on for the festival. In the meantime, here’s a guide to a handful of prominent names who aren’t playing SXSW Music anymore, and who you might want to replace them with.

    Lana Del Rey
    Why she canceled:
    The much-derided First Official Indie Hype Casualty of 2012 didn’t even make it to mid-March and SXSW before the forces of snark and jaded resentment threatened to derail her promising career.

    When Lana Del Rey was announced as a SXSW performer, it made perfect sense — she’d played a limited number of U.S. dates, and the snippets that people had seen had generated a lot of excitement, so this would have made for a killer coming out party. But after the ill-fated SNL gig that made her the butt of all of the Internet’s jokes for reasons that are still kind of unfair, she canceled her upcoming dates — including SXSW — to focus on getting people’s super short attention spans to move past her so she can mount a comeback in the summer. Good plan, LDR!

    If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else.

    Who you should see instead: If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else. We can recommend that you go see another 60’s-influenced, jazz-and-sad-songs young woman with less baggage attached: Namely, Norah Jones.

    That may sound like a serious diversion, but it’s not, really — Jones has gone a long way from her Come Away With Me roots, and her latest album, 2009’s The Fall, was a gem, featuring songwriting collaborations with Ryan Adams and Okkervil River’s Will Sheff, remixes from Beck, the Beastie Boys and Santigold, and other stuff that makes her cooler than you’d expect.

    The Fray

    Why they canceled: The Fray’s publicist didn’t get back to us in time to give us an official answer, but the fact that they’re booked for a gig at Stubb’s in late April now might have something to do with it. “How To Save A Life” was a while ago, but bands who were double-platinum in 2005 and certified gold in 2009 don’t usually need to play SXSW showcases, unless they’re at Auditorium Shores — and that bill is fully packed. It probably made more sense to them to do a fully-paid gig at Stubb’s this time out.

    Who you should see instead: We could snark on The Fray and the sort of people who like them, but what the hell? Three million or so records didn’t get bought by nobody, so some of you probably like this band. You probably also like Train, too, who’ll be bringing “Hey Soul Sister” to the Central Presbyterian Church on Saturday night for an intimate evening your golf buddies will be psyched to hear about.

    At least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Third Eye Blind

    Why they canceled: So, Third Eye Blind didn’t exactly cancel its SXSW showcase — they just moved it to Interactive, where they’ll be playing Monday night at ACL Live for badgeholders. That’s still kind of a bummer for lovers of late-90’s alternarock who only have Music wristbands, but at least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Who you should see instead: They’re also a late-90’s alternarock band who had a ubiquitous “buzz bin” hit back in the day, but Nada Surf overcame “Popular” in a way that Third Eye Blind never quite got past “How’s It Going To Be” and “Never Let You Go.” After resurrecting its career by fleeing in the early-00’s to indie stalwart label Barsuk Records, Nada Surf has put out quality album after quality album, and they still drop “Popular” into their setlists from time to time.

    Talk about giving the people what they want!

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    Movie Review

    Robert Pattinson plays infamous host who catches predators in Primetime

    Alex Bentley
    Sep 24, 2026 | 2:00 pm
    Robert Pattinson in Primetime
    Photo courtesy of A24
    Robert Pattinson in Primetime.

    Robert Pattinson is among a select group of actors with multiple high-profile roles in 2026, having already starred in The Drama and The Odyssey, with Dune: Part Three yet to come. But the one that may earn him an Oscar nomination — if not win — is Primetime, in which he stars as Chris Hansen, the former host of the Dateline NBC show To Catch a Predator.

    The film, directed by Lance Oppenheim and written by Ajon Singh, plops viewers right in the middle of the short-lived run (2004-2007) of the program, which aimed to expose men for trying to have sex with teenagers. Hansen is obsessed with making the show successful, which means enticing as many child predators as they can and recruiting young-looking adult actors to serve as decoys for sting operations.

    Helping him in his pursuit is producer Andie Bender (Merrit Wever), who has her own ambitions; recruiter Xavier Von Erck (Matthew Maher), who perhaps enjoys trapping predators a bit too much; and decoys Dan Plumb (Skyler Gisondo) and Del (Phoebe Bridgers), who have to muster all the improv skills they can when the men show up. As the story proceeds, each participant weighs their own level of comfort with the controversial practices of the show as a whole.

    Depending on the audience, the film can play as a serious drama, a comedy, a horror, or a combination of all three. It seems like Oppenheim wants to confront the audience with the uncomfortable feeling of not having anyone for whom to root. You certainly can’t feel bad for the predators, who actively engage with someone they believe to be a child. But the process of getting men on the show, as well as the treatment of the decoys, is itself unsavory and difficult to defend.

    At the center is a protagonist whose persona is interesting as a character, but less appealing as an actual person. As Hansen pushes everyone around him to do all they can for the sake of the show, his hubris puts him right in line with your standard antihero. But the idea of a man obsessed with his job who all but ignores his family and cheats on his wife is ultimately not that compelling and plays like the cliché it is.

    If the film was supposed to be an exposé on what Hansen and the show as a whole got wrong in the pursuit of justice, it fails to bring about any strong feelings on either side. The one area where it does succeed is in its depictions of the two decoys, and Oppenheim might have been better served by showcasing them more. The film does shift toward being more of a story about Dan than Hansen, but not enough to make a big impact.

    Oppenheim has seemingly devised the film as an acting showcase, and in that regard it works well. Pattinson is all-in with his performance, going to great lengths to demonstrate Hansen’s passion for the show. He has many fantastic line readings, including a one-word utterance late in the film that brings the house down. Wever and Gisondo are just as good, and Bridgers — making her acting debut — steals several of the scenes she’s in.

    The impact To Catch a Predator had on society despite the small number of episodes (20) it had is something worth exploring, as the documentary Predators did in 2025. But Primetime doesn’t get to the heart of the matter in a way that makes for necessary viewing, leaving it as a testament to the skills of its actors and not much else.

    ---

    Primetime opens in theaters on September 25.

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