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    Back-Up Plans

    Lana del Ray, The Fray & Third Eye Blind bail on SXSW Music; here are someworthy replacements

    Dan Solomon
    Mar 11, 2012 | 6:03 pm
    • Lana Del Rey
    • The Fray
    • Third Eye Blind

    Lost amid the hype that comes with the initial release of the SXSW band list is a disappointing truism: Like soldiers storming the beach at Normandy, there’s going to be some attrition, and not everyone is going to make it. We were as excited as anybody when Lana Del Rey was announced, but one universally-panned Saturday Night Live performance later, and there’s no way she would take the chance of performing in front of a bunch of bloggers and industry types all jonesing to tweet about how much she sucks.

    Other acts have bailed on the festival for other reasons, and if you were all fired up about the chance to see some of the marquee names in the initial announcement, it might be a good idea to check the current schedule and make sure that they’re still on for the festival. In the meantime, here’s a guide to a handful of prominent names who aren’t playing SXSW Music anymore, and who you might want to replace them with.

    Lana Del Rey
    Why she canceled:
    The much-derided First Official Indie Hype Casualty of 2012 didn’t even make it to mid-March and SXSW before the forces of snark and jaded resentment threatened to derail her promising career.

    When Lana Del Rey was announced as a SXSW performer, it made perfect sense — she’d played a limited number of U.S. dates, and the snippets that people had seen had generated a lot of excitement, so this would have made for a killer coming out party. But after the ill-fated SNL gig that made her the butt of all of the Internet’s jokes for reasons that are still kind of unfair, she canceled her upcoming dates — including SXSW — to focus on getting people’s super short attention spans to move past her so she can mount a comeback in the summer. Good plan, LDR!

    If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else.

    Who you should see instead: If you were among the few who were legitimately jazzed about seeing a young musician who’s both incredibly overhyped and disappointingly underrated, well, we can’t replicate those conditions with anyone else. We can recommend that you go see another 60’s-influenced, jazz-and-sad-songs young woman with less baggage attached: Namely, Norah Jones.

    That may sound like a serious diversion, but it’s not, really — Jones has gone a long way from her Come Away With Me roots, and her latest album, 2009’s The Fall, was a gem, featuring songwriting collaborations with Ryan Adams and Okkervil River’s Will Sheff, remixes from Beck, the Beastie Boys and Santigold, and other stuff that makes her cooler than you’d expect.

    The Fray

    Why they canceled: The Fray’s publicist didn’t get back to us in time to give us an official answer, but the fact that they’re booked for a gig at Stubb’s in late April now might have something to do with it. “How To Save A Life” was a while ago, but bands who were double-platinum in 2005 and certified gold in 2009 don’t usually need to play SXSW showcases, unless they’re at Auditorium Shores — and that bill is fully packed. It probably made more sense to them to do a fully-paid gig at Stubb’s this time out.

    Who you should see instead: We could snark on The Fray and the sort of people who like them, but what the hell? Three million or so records didn’t get bought by nobody, so some of you probably like this band. You probably also like Train, too, who’ll be bringing “Hey Soul Sister” to the Central Presbyterian Church on Saturday night for an intimate evening your golf buddies will be psyched to hear about.

    At least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Third Eye Blind

    Why they canceled: So, Third Eye Blind didn’t exactly cancel its SXSW showcase — they just moved it to Interactive, where they’ll be playing Monday night at ACL Live for badgeholders. That’s still kind of a bummer for lovers of late-90’s alternarock who only have Music wristbands, but at least you can maybe catch a glimpse of the dudes who sang “Semi-Charmed Life” at Jo’s Coffee before the show (if the rain ever relents).

    Who you should see instead: They’re also a late-90’s alternarock band who had a ubiquitous “buzz bin” hit back in the day, but Nada Surf overcame “Popular” in a way that Third Eye Blind never quite got past “How’s It Going To Be” and “Never Let You Go.” After resurrecting its career by fleeing in the early-00’s to indie stalwart label Barsuk Records, Nada Surf has put out quality album after quality album, and they still drop “Popular” into their setlists from time to time.

    Talk about giving the people what they want!

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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