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    The Pitbull Workout

    The Pitbull workout: Ultimate exercise instructor leads booty-shaking Rodeo dance party

    Tarra Gaines
    Mar 9, 2016 | 6:06 am

    Full uncool disclosure: The first time I encountered Pitbull’s music wasn’t at some South Beach club partying with the beautiful Miamians. It wasn’t even at a local hangout dancing with beautiful Houstonians. The first time I heard Mr. World Wide, was when he coaxed me to: “Give Me Everything” while I was ugly sweating at the gym.

    Here’s a Pitbull tidbit you might not know. Gyms love Pitbull. He’s everywhere, in every room, blasting from speakers as we run the treadmills, lift weights, and cross train or cardio dance in group classes.

    But Tuesday night at his rodeo concert, I realized that it’s not just that Armando Christian Pérez gives great beat for ramping up that heart rate. Live, he really becomes the ultimate exercise instructor, especially for a class of 72,149 (the largest thus far at this year's RodeoHouston). He and his dancers put themselves through the optimum cardio dance party while throwing in some strength training.

    If you had to miss the concert or just want to relive it, using Pitbull and dancers’ moves, I’ve put together a replay of their workout for you to try at home. So open up your favorite Pitbull music streamer. Put on the coolest workout clothes ever, a black suit and sunglasses, and let’s sweat our butts off with the (Mr.) 305 workout.

    A Note on Equipment
    For the true rodeo workout experience, it would help to have a giant revolving stage, but on the off chance one is not available, just try to rotate around the room while doing these exercises. It would also be helpful to have some stairs nearby because instructor World Wide will demand we do the occasional stair run.

    “Pretty Woman”
    Spend a few moments stretching as a warm up because that’s basically what the dancers did, warm up the stage for Pitbull.

    “Don’t Stop the Party”
    Now we really begin. Turn all the lights off for a dramatic moment then on. Set off some fireworks from the floor as you jump into the room to start this workout party. We won’t stop for at least an hour. There seemed to be some sort of revolving stage mishap for this first song, so run around the room counter clockwise, stop and then go clockwise.

    “International Love”
    Following the dancers’ lead we’re really going to work our glutes on this one. Bend over and shake that ass as Pitbull raps his about his loves across the globe.

    “Hey Baby (Drop It to the Floor)”
    This song introduces a signature Pitbull workout move that’s going to tone those legs while bringing up our heart rate, the whole body jump. We’ll want to maintain a slight bend in our knees when we land, but simply just jump up and down. That’s it. We’ll try some different arm positions in later songs, but for now you can just leave them at your sides or flail them around as we jump to the “Oooh baby, baby” beat.

    “Rain Over Me”
    By now, we should have some glistening foreheads like Pitbull when he introduces another integral move to our routine, the hip thrust. This can be done with open or closed legs, but to see the best results we’ll want to put some real power into those thrusts. Mirroring the Pitbull dancers, we also have the option of working our neck as we whip our long hair around. End this song with a sexy smirk.

    “Vivir La Vida” and “Danza Kuduro”
    Now we’ll begin to combine moves as we jump, hip thrust and occasionally salsa when we need to lower the intensity. Imagine Pitbull giving the first of many pep talks reminding us that it doesn’t matter what our differences are. We can come together with music as an international language. Positivity will get us through our life and through this workout.

    “Bon Bon”
    Pitbull continues to motivate by telling us how Houstonians have amazing energy. We’ll need all that energy as we again do as the dancers do and begin our squat series. Wiggling that ass as we squat will add intensity, in a multitude of ways.

    “Fireball”
    Time for those stair climbs. Up and down we go. Pause at the bottom for 30 seconds of twerking. Then, let’s bring that heart rate down a bit with a great bicep and pec isolation exercise, the air guitar move.

    “Calle Ocho”
    We have a choice here. We can go back to jumps or we can use Pitbull’s series of eight counts to hold a position. I recommend the plank to chisel that six pack. When we stand up, let’s adjust those sunglasses. If you haven’t already, for god’s sake shed that jacket, Pitball has.

    “I Like It”
    Add upper body work with our jumps by fist punching into the air. Make sure you have a Pitbull approved black towel to mop up your sweat.

    “Timber”
    Are you remembering to breathe? If not, screaming like 70,000 people chanting “Timber” together through NRG stadium will force you to inhale some oxygen. Let’s also return to our sexy squats and air punches.

    “Give Me Everything”
    This is it. My first sound taste of Pitbull takes us out as he commands us to drain the tank and give him everything we have. We’ll put all our moves together, fist pump jump, squat, hip thrust, while Pitbull thanks us for being with him.

    No Pitbull, thank you. I think I lost 20 pounds.

    Spend a few moments stretching as a warm up because that’s basically what the dancers did, warm up the stage for Pitbull.

    Pitbull at Houston Rodeo
    © Michelle Watson/Catchlight Group
    Spend a few moments stretching as a warm up because that’s basically what the dancers did, warm up the stage for Pitbull.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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