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    Idol Insider

    Is Lauren really Carrie Underwood worthy? The contenders, pretenders & divas ofAmerican Idol's Top 13

    Tara Seetharam
    Mar 9, 2011 | 11:18 am
    • Front row: Casey Abrams, Paul McDonald, James Durbin and Stefano Langone. Backrow: Lauren Alaina, Thia Megia, Haley Reinhart, Jacob Lusk, Karen Rodriguez,Scotty McCreery, Naima Adedapo, Pia Toscano and Ashthon Jones. Meet the AmericanIdol Top 13.
    • Let's be careful about calling someone the next Carrie Underwood.

    The real competition begins Wednesday night on American Idol when the Top 13 contestants — a stronger, more dynamic batch than we’ve seen in a few seasons — take the stage. Here’s a rundown of the contestants that will sing for your votes:

    1. Casey Abrams, 20 (Wilmette, Ill.)

    An early front-runner thanks to his wildly invested performances, Casey skillfully yet effortlessly inhabits his songs in a way that none of the other Top 13 contestants have been able to do. I dig his jazzy vibe and impeccable vocals, and I’m eager to see if he’ll be able to shrug off the Taylor Hicks comparison over the coming weeks by proving his versatility as an artist.

    2. Naima Adedapo, 26 (Milwaukee, Wis.)

    The judges were right to throw Naima back into the mix as a wildcard, as she brings a certain character and spice to the Top 13 with her commanding, throwback voice. The more songs she can find to draw out her unique persona, the better.

    3. Lauren Alaina, 16 (Rossville, Ga.)

    When Ryan asked her how it felt to be compared to both Kelly Clarkson and Carrie Underwood (and Kellie PIckler), Lauren responded: “I’m just Lauren.” So what do we know about “Lauren” so far? She’s got a brilliant set of pipes and a penchant for country music, but we’ve yet to fully grasp the artist behind the voice.

    It’ll be crucial for Lauren to use the next 13 weeks to showcase both her artistry and her voice, choosing songs that don’t merely mimic her influences but build on them. If she can accomplish this, she’ll fly straight to the Nokia Theatre.

    4. James Durbin, 22 (Santa Cruz, Calif.)

    I’m still not convinced James can get his pitch problems under control — and that’s a big issue for me — but his impressive Judas Priest performance last week was his best attempt yet. He has believability and rock cred on his side, and that will carry him through at least the next few weeks.

    5. Ashthon Jones, 24 (Valdosta, Ga.)

    Ashthon’s got a big voice and a fiery personality that falls right on the good side of “diva.” That’s a lively combination, but it’s yet to be seen whether or not her voice is strong enough to stand up against some of the more substantial voices in the competition.

    6. Stefano Langone, 21 (Kent, Wash.)

    After sinking with Bruno Mars' chart-topper “Just The Way You Are,” Stefano delivered a stunning, heartfelt performance of the gospel ballad “I Need You Now” when picked as a wildcard candidate, proving the importance of song choice. He’ll need to choose songs wisely and intuitively over the next few weeks so as not to fall into the same trap.

    7. Jacob Lusk, 23 (Compton, Calif.)

    Jacob finally dialed down his massive voice on a more straightforward (and outstanding) cover of “A House is Not a Home” last week. With a talent as immense as his, knowing how and when to reign in his rich voice will be his main challenge going forward.

    8. Scotty McCreery, 17 (Garner, N.C.)

    On one hand, it’s nice to see some balance in the Idol country camp this year, thanks to Scotty’s neo-traditional leanings. On the other hand, while he sailed through pitch-perfect renditions of “Long Black Train” and “Letters From Home,” each felt a tad paint-by-number.

    The key to his success will be finding ways to infuse individuality into his performances.

    9. Paul McDonald, 26 (Huntsville, Ala.)

    Quirky, floppy-armed Paul charmed the audience and judges alike with his infectious rendition of “Maggie May” last week. His voice (and persona) is unlike that of any contestant we’ve heard before on Idol — and as we’ve seen in the past, that could work either for or against him as the competition progresses.

    10. Thia Megia, 16 (Hayward, Calif.)

    Thia has a fantastic voice and a pure tone that, as Randy pointed out with his Michael Jackson comparison, is special in a way I can’t quite put my finger on. Of all the contestants, though, we know Thia the least.

    Who is she? What drives her as an artist? If she can learn to let her guard down and form more of an emotional connection with the audience, she’ll make a bigger mark on the competition.

    11. Haley Reinhart, 20 (Wheeling, Ill.)

    Haley’s performances thus far have been memorable — but not for the right reasons. The bluesy singer has a tendency to kill the natural groove of songs by wringing out her notes and throwing in affected growls and runs.

    She could use a not-so-gentle reminder (paging Debra Byrd) that emotional energy comes in many forms and doesn’t always require a seven-note-per-second vocal performance.

    12. Karen Rodriguez, 21 (New York, N.Y.)

    Last season, I might have understood Karen’s inclusion in the Top 13, but she seems a little out of place this year amongst the more distinct and potent voices. Her performances — like last week’s half-English, half-Spanish “Hero” — have been pleasant and sincere, but ultimately forgettable.

    13. Pia Toscano, 22 (Howard Beach, N.Y.)

    I wrote Pia off as unremarkable in my last recap, but she proved me wrong with one sturdy, searing cover of “I’ll Stand By You.” A swirl of conviction, power and gorgeous note choices made it a standout performance.

    It’ll be interesting to see if she’s able to build on this momentum going forward in the competition — if so, she’ll be a contender for the finals.

    Get more of Tara Seetharam's pop culture musings on her website www.taraseetharam.com and follow her on Twitter @TaraAshley.

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    Movie Review

    Heartfelt animal adventure Hoppers is another Pixar classic

    Alex Bentley
    Mar 5, 2026 | 3:00 pm
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers
    Photo courtesy of Disney/Pixar
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers.

    For the first 15 years of their history, animation studio Pixar delivered one classic film after another, an astonishing streak that included their first 11 movies. Things got bumpy starting with Cars 2 in 2011, and even though the majority of their output has been good-to-great ever since, their releases are no longer considered slam dunks like they once were.

    They’re back with an original film, Hoppers, trying to return to form by going back to the animal world. The film centers on Mabel (Piper Kurda), a 19-year-old environmentalist who’s trying to stop a new highway being built by Mayor Jerry (Jon Hamm) in the fictional city of Beaverton. Her activism has as much to do with helping displaced local animals as it does with being nostalgic for her youth, in which she spent years observing nature with her Grandma Tanaka (Karen Huie).

    She finds an unlikely possible solution when she discovers that her college professors have created a system that allows them to transfer — or hop — their consciousness into animal-like robots. Hijacking a beaver robot, Mabel joins up with the local wildlife, including beaver King George (Bobby Moynihan) to try to convince them to help her execute her plan. But with the highway almost complete and Mayor Jerry willing to do anything to make it happen, Mabel might be too late.

    Directed by Daniel Chong and written by Jesse Andrews from a story by Chong, the film cycles through a variety of genres in its 105-minute running time, including comedy, drama, thriller, and even a touch of Pixar-style horror. When Pixar has been at its best, it seamlessly goes back and forth between genres, trusting that audiences will go along with them for the ride, and Hoppers feels like a return to form in that respect.

    Humor rules the day as Mabel adjusts to being part of the animal world while her professors desperately try to get her and their robot back. Mabel encounters not only wildly confusing things like “pond rules” (if a predator catches you, you don’t fight it), but also the existence of a hierarchy within the world that involves kings or queens from various animal classes like reptiles, birds, amphibians, fish, and insects. Her one-track mind and the way of the world she is invading clash in a variety of funny ways.

    As the film goes along, Chong, Andrews, and the rest of the filmmaking team also find a way to burrow into the audience’s heart. There are many elements that threaten to tip into eye-rolling territory, but the filmmakers consistently pull back before that happens. The number of fun characters on both the human and animal side helps in that regard, as does the simple yet profound message they’re trying to convey.

    Pixar has assembled one of the best voice casts in recent memory for this film, including such big names as Meryl Streep, Dave Franco, Melissa Villaseñor, Vanessa Bayer, and the late Isiah Whitlock, Jr. However, due to the sheer number of characters, only Kurda, Moynihan, and Hamm truly stand out. Still, they all fit together well and give the always-stellar animation even more life.

    Since the pandemic, Pixar has only released one truly great film (Inside Out 2), but with Hoppers and the seemingly bulletproof Toy Story 5 coming within a few months of each other, they might go back-to-back on that front. Like the classic films from the studio, it has goofy, heartfelt, and exciting parts, mixing together for an enthralling time at the theater.

    ---

    Hoppers opens in theaters on March 6.

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