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    Idol Insider

    Is Lauren really Carrie Underwood worthy? The contenders, pretenders & divas ofAmerican Idol's Top 13

    Tara Seetharam
    Mar 9, 2011 | 11:18 am
    • Front row: Casey Abrams, Paul McDonald, James Durbin and Stefano Langone. Backrow: Lauren Alaina, Thia Megia, Haley Reinhart, Jacob Lusk, Karen Rodriguez,Scotty McCreery, Naima Adedapo, Pia Toscano and Ashthon Jones. Meet the AmericanIdol Top 13.
    • Let's be careful about calling someone the next Carrie Underwood.

    The real competition begins Wednesday night on American Idol when the Top 13 contestants — a stronger, more dynamic batch than we’ve seen in a few seasons — take the stage. Here’s a rundown of the contestants that will sing for your votes:

    1. Casey Abrams, 20 (Wilmette, Ill.)

    An early front-runner thanks to his wildly invested performances, Casey skillfully yet effortlessly inhabits his songs in a way that none of the other Top 13 contestants have been able to do. I dig his jazzy vibe and impeccable vocals, and I’m eager to see if he’ll be able to shrug off the Taylor Hicks comparison over the coming weeks by proving his versatility as an artist.

    2. Naima Adedapo, 26 (Milwaukee, Wis.)

    The judges were right to throw Naima back into the mix as a wildcard, as she brings a certain character and spice to the Top 13 with her commanding, throwback voice. The more songs she can find to draw out her unique persona, the better.

    3. Lauren Alaina, 16 (Rossville, Ga.)

    When Ryan asked her how it felt to be compared to both Kelly Clarkson and Carrie Underwood (and Kellie PIckler), Lauren responded: “I’m just Lauren.” So what do we know about “Lauren” so far? She’s got a brilliant set of pipes and a penchant for country music, but we’ve yet to fully grasp the artist behind the voice.

    It’ll be crucial for Lauren to use the next 13 weeks to showcase both her artistry and her voice, choosing songs that don’t merely mimic her influences but build on them. If she can accomplish this, she’ll fly straight to the Nokia Theatre.

    4. James Durbin, 22 (Santa Cruz, Calif.)

    I’m still not convinced James can get his pitch problems under control — and that’s a big issue for me — but his impressive Judas Priest performance last week was his best attempt yet. He has believability and rock cred on his side, and that will carry him through at least the next few weeks.

    5. Ashthon Jones, 24 (Valdosta, Ga.)

    Ashthon’s got a big voice and a fiery personality that falls right on the good side of “diva.” That’s a lively combination, but it’s yet to be seen whether or not her voice is strong enough to stand up against some of the more substantial voices in the competition.

    6. Stefano Langone, 21 (Kent, Wash.)

    After sinking with Bruno Mars' chart-topper “Just The Way You Are,” Stefano delivered a stunning, heartfelt performance of the gospel ballad “I Need You Now” when picked as a wildcard candidate, proving the importance of song choice. He’ll need to choose songs wisely and intuitively over the next few weeks so as not to fall into the same trap.

    7. Jacob Lusk, 23 (Compton, Calif.)

    Jacob finally dialed down his massive voice on a more straightforward (and outstanding) cover of “A House is Not a Home” last week. With a talent as immense as his, knowing how and when to reign in his rich voice will be his main challenge going forward.

    8. Scotty McCreery, 17 (Garner, N.C.)

    On one hand, it’s nice to see some balance in the Idol country camp this year, thanks to Scotty’s neo-traditional leanings. On the other hand, while he sailed through pitch-perfect renditions of “Long Black Train” and “Letters From Home,” each felt a tad paint-by-number.

    The key to his success will be finding ways to infuse individuality into his performances.

    9. Paul McDonald, 26 (Huntsville, Ala.)

    Quirky, floppy-armed Paul charmed the audience and judges alike with his infectious rendition of “Maggie May” last week. His voice (and persona) is unlike that of any contestant we’ve heard before on Idol — and as we’ve seen in the past, that could work either for or against him as the competition progresses.

    10. Thia Megia, 16 (Hayward, Calif.)

    Thia has a fantastic voice and a pure tone that, as Randy pointed out with his Michael Jackson comparison, is special in a way I can’t quite put my finger on. Of all the contestants, though, we know Thia the least.

    Who is she? What drives her as an artist? If she can learn to let her guard down and form more of an emotional connection with the audience, she’ll make a bigger mark on the competition.

    11. Haley Reinhart, 20 (Wheeling, Ill.)

    Haley’s performances thus far have been memorable — but not for the right reasons. The bluesy singer has a tendency to kill the natural groove of songs by wringing out her notes and throwing in affected growls and runs.

    She could use a not-so-gentle reminder (paging Debra Byrd) that emotional energy comes in many forms and doesn’t always require a seven-note-per-second vocal performance.

    12. Karen Rodriguez, 21 (New York, N.Y.)

    Last season, I might have understood Karen’s inclusion in the Top 13, but she seems a little out of place this year amongst the more distinct and potent voices. Her performances — like last week’s half-English, half-Spanish “Hero” — have been pleasant and sincere, but ultimately forgettable.

    13. Pia Toscano, 22 (Howard Beach, N.Y.)

    I wrote Pia off as unremarkable in my last recap, but she proved me wrong with one sturdy, searing cover of “I’ll Stand By You.” A swirl of conviction, power and gorgeous note choices made it a standout performance.

    It’ll be interesting to see if she’s able to build on this momentum going forward in the competition — if so, she’ll be a contender for the finals.

    Get more of Tara Seetharam's pop culture musings on her website www.taraseetharam.com and follow her on Twitter @TaraAshley.

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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