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    Usher's Crazy Houston Night

    Usher makes the most dramatic concert entrance ever, flashes nipple and teases Houston in record Rodeo night

    Tarra Gaines
    Mar 8, 2014 | 5:51 am

    Mark your journals in red, Houston. March 7, 2014, that was the night we’ll always remember, the night we met our perfect rodeo luvah, Usher.

    We first felt his presence, not by his whisper of our name echoing to us across Reliant Stadium, but by the growl of engines. Suddenly, 12 single headlights illuminated the darkness. Where only minutes before steers were wrestled and mutton busted, at that moment, in what is likely the most epic rodeo entrance ever, motorcycles came zooming unto the dirt floor.

    Circling the stage again and again, one popped a little wheelie. Could that be Usher? We know it was.

    Of course we scream. We had to scream. Our perfect rodeo boyfriend had arrived.

    The lights dimmed and then exploded as he stopped with an intentional skid in front of us, ripped off his helmet and bound onto the stage. He was wrapped all in black, jeans and a leather motorcycle jacket, because he knows what we like. He nodded to us, surveying his domain. And then he said our name: “Houston.”

    Of course we scream. We had to scream. Our perfect rodeo boyfriend had arrived.

    He stayed with us for a little over an hour. We leaped to our feet early on for “Love in the Club,” and never sat down again. Instead, we stayed up dancing like it was the last night of our life.

    He burned us up on “Burn.” He called us “Bad Girl,” and we let him know just how bad. During “U Remind Me” he crooned us into taking a little soul trip. Sometimes he sang straight to us. Other times, he fell to his knees like the song was breaking him in two. He joined his backup dancers in so many routines his jeans seemed to grow blacker with sweat. Others times he stood apart and like a maestro conducted his dancers in a kind of half-clothed simulated orgy.

    He teased us mercilessly when he asked if we minded if he got a little comfortable and slinked off his jacket, even giving us a few nipple glimpses, now and then. Still he wouldn’t show us the goods.

    He swore to us again and again that this was his first rodeo, but his moves and the way he worked us into a frenzy made us wonder if he could be lying. Surely there had been others before. But no, when he looked into our eyes — or the camera, whichever — during our Usher/crowd duet of “Climax,” we knew in our hearts he’d always be true.

    He joined his backup dancers in so many routines his jeans seemed to grow blacker with sweat.

    Yet, for one brief moment late into his serenades, he seemed almost adorably self-conscious when we gave him cause to doubt our love. Yes, in the intro to “Yeah” when he mentioned his Voice partner in bromance, Blake Shelton, we might have let out a little squeal for Blake, but we were only trying to make Usher jealous. We’re not really that fickle. So when he tested us with a “Blake” vs. “Team Usher" poll, oh boy did we yell his name.

    He prepared for our bitter parting with our favorite “Without U,” and ended with the words “I will never be the same, without you, Houston.” He told us he loved us, dropped mike (literally) and jumped back on his waiting motorcycle. As he circled once around, perhaps to glimpse our 75,067 faces one last time (a new Black Heritage Day Rodeo record crowd), fireworks exploded from the earth.

    Then, as the smoke cleared, he was gone, back into the night, leaving us with only a faint hope in our hearts that one night he would return to us.

    Come back, Usher, come back. We promise we’ll love you forever. Or at least until Adam Levine gets here on Thursday. Yeah, we might be a bit fickle.

    Set List:

    OMG

    Love in the Club

    U Make Me Wanna

    Lemme See/Lil Freak

    U Remind Me

    Twisted

    Caught Up

    Climax

    Burn

    U Don't Have to Call

    Bad Girl

    Yeah

    DJ Got Us Fallin in Love

    Without U

    Usher knows how to heat up a stage — and use his backup dancers.

    Usher women
    Photo by © Michelle Watson CultureMapSNAP.com
    Usher knows how to heat up a stage — and use his backup dancers.
    unspecified
    news/entertainment
    series/htx-rodeo-2014

    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
    news/entertainment
    series/htx-rodeo-2014
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