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    Czech It Out

    MFAH gets more national magazine love — lauded for "must-see" exhibits

    Tyler Rudick
    Mar 8, 2012 | 4:43 pm
    • Karel Teige, Untitled, 1947, collage, collection of Roy and Mary Cullen, fromthe MFAH exhibition, New Formations: Czech Avant-Garde Art and Modern Glass fromthe Roy and Mary Cullen Collection
      © Estate of Karel Teige
    • Jules Olitski, With Love and Risregard: Rapture, 2002, acrylic on canvas,private collection, from the MFAH exhibit Revelation: Major Paintings by JulesOlitski
      Photo by Michael Cullen
    • Aoki Katsuyo, Predictive Dream, 2005, porcelain, from Shifting Paradigms inContemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection.

    Architectural Digest is doling out some love for the Museum of Fine Arts, Houston — honoring not one, but three MFAH exhibits in its most recent "Season's Best Museum Shows" wrap ups.

    All three exhibitions are currently on view, but time's quickly running out for those who haven't caught the museum's intriguing look at Czech modern art.

    Here's what the popular national design magazine wants to make sure you see:

    All three exhibitions are currently on view, but time's quickly running out for those who haven't caught th e museum's intriguing look at Czech modern art.

    New Formations: Czech Avant-Garde Art and Modern Glass (though March 11)

    In December 2011, Architectural Digest placed the museum's exploration of Czech modernism at the head of a pack that includes Maurizio Cattelan's Guggenheim retrospective and the opening of Denver's Clyfford Still Museum.

    Inspired by local collectors Mary and Roy Cullen, who provided the exhibit's pieces, New Formations uncovers a strain of modern art that remained largely hidden to non-Czech citizens throughout decades of Communist rule.

    In more than 150 examples of avant-garde paintings, collages and works in glass, the exhibition examines early homegrown movements like Artificialism and Poetism in the 1920s as well as the country's own take on Art Nouveau and Surrealism.

    Revelation: Major Paintings by Jules Olitski (through May 6)

    The March 2012 issue of Architectural Digest highlights the MFAH's Revelation: Major Paintings by Jules Olitski as one of this spring's "must-see exhibitions."

    Regarded as one of American art’s last classic modern painters, Color Field artist Olitski started his career in the 1960s with expansive canvases of flat yet vibrant colors devoid of brushstrokes. The show traces his constantly evolving techniques and modes, ending with the bold and swirling abstractions he painted in the decade before his death in 2007.

    Shifting Paradigms in Contemporary Ceramics (through June 3)

    The MFAH's look at late 20th and early 21st century ceramics also made the grade for Architectural Digest.

    Through examples taken from what writer Stephen Wallis calls a "pioneering collection" from Garth Clark and Mark Del Vecchio, Shifting Paradigms in Contemporary Ceramics seeks to challenging any traditional preconceptions one might have of the media. The exhibit traces modernist efforts of postwar potters through the new innovations in contemporary ceramics seen today in the work of young artists like Barnaby Barford and Aoki Katsuyo.

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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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