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    When the Rodeo Goes Wild

    Mini skirts rush the stage as sexy Enrique Iglesias offers to trade AnnaKournikova

    Whitney Radley
    Mar 7, 2012 | 1:12 am
    • Enrique Iglesias enjoyed a sexy night of mischief at the Rodeo.
      Photo by © Michelle Watson/CatchLightGroup.com
    • Enrique Iglesias played to his adoring female fans.
      Photo by © Michelle Watson/CatchLightGroup.com
    • The man has assets.
      Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com
    • Photo by © Michelle Watson/CatchLightGroup.com

    With his dark hair and dark eyes, broad shoulders and smooth Castilian accent, Enrique Iglesias easily epitomizes the dream guy.

    Add that to a packed Reliant Stadium and a set list that read like a love letter, and it makes for an unbelievable concert. Or a security guard's worst nightmare.

    Such was the case for Iglesias' fourth career performance at RodeoHouston: From the first notes of "Tonight (I'm Lovin' You)" Tuesday night, when Iglesias coolly ascended the stage wearing boots and faded jeans, a beaded rosary tucked into his fitted shirt and tousled hair peeking from beneath his cap, the singer had the audience enthralled.

    At Iglesias' renewed invitation, desperate girls crawled through and over railings, one-by-one at first and then in streams, staggering across the soft dirt floor in high heels and tight mini skirts, rushing the stage.

    Iglesias and his back-up band kept up the pace with recent hits "Dirty Dancer" and "No Me Digas" before taking the audience back to 1999, with flamenco strums leading into "Bailamos." The audience sang along as an energetic Iglesias jumped down from the main stage and strode across the red dirt of the arena floor for a closer view of the audience.

    Back on center stage, Iglesias' band re-assembled for an acoustic version of "Donde." Assuring security guards that it was OK, Iglesias invited three female audience members to join them onstage for a shot of liquor (a bottle of water for Alicia, 17) and a dedicated "Lloro."

    "Holy shit, this is why I love Texas," shouted Iglesias to an audience screaming and swaying, with glowing cell phone screens in hand for "Be With You." During "Escape," Iglesias again made the stadium rounds, alternately seeking out and fending off lustful advances by fan girls.

    "Your husband gets my girlfriend, I get you," Iglesias crooned to Carmen, a fan who clumsily clambered over the railing to join him on the small side stage for "Hero." If the sweet serenading and close dancing didn't get to Carmen's husband, then the three kisses Iglesias planted on her lips at the end of the song surely did.

    At Iglesias' renewed invitation, desperate girls crawled through and over the stadium railings, one-by-one at first and then in streams, staggering across the soft dirt floor in high heels and tight mini skirts, rushing the stage and bouncing along to "I Like It" and a second remix of "Tonight (I'm Lovin' You)."

    Iglesias continued to gesture for more fans to join him as security guards tried — and failed — to reign them in. "I've never seen anything like this in all my years," confided a RodeoHouston staffer in the media corral.

    Gracious, genuine and gorgeous until the very end, Iglesias patiently hugged a fan who stormed the stage, and then eagerly clasped the hands of adoring fans as he exited the arena in a truck bed.

    I'm sure the security officers were glad to see him go.

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    la flame gets burned

    Houston rapper Travis Scott targeted by new Netflix doc and biting diss track

    Craig D. Lindsey
    Jun 24, 2025 | 3:15 pm
    WrestleMania 41
    Photo by Ethan Miller/Getty Images
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    Here’s where we are so far in the bad month local rap god/aspiring WWE heel Travis Scott has been having lately:

    It all started a couple of Tuesdays ago when Netflix reminded people of Scott’s darkest hour with Trainwreck: The Astroworld Tragedy, the latest entry in the streamer’s Trainwreck documentary series. This installment takes you back to the first night of Scott’s Astroworld Festival in 2021, when Scott’s headlining performance resulted in a fatal crowd crush and ten people – aged 9 to 27 – dying from compressive asphyxiation.

    The doc, which includes interviews with attendees who survived the crush but lost a loved one, basically echoes what a Houston grand jury found in 2023: no single person was responsible for the deaths. Scott is just as much to blame as Live Nation, the live-event empire that teamed up with Scott in (poorly) organizing that year’s festival. (As someone who attended the first two, casualty-free Astroworld fests, I can say things were a lot less clumsy and dangerous before Live Nation showed up.)

    For local rap enthusiast/podcaster Donnie Houston, Trainwreck gave him what he already suspected. “I feel like, after watching the documentary – and with what I felt before – this thing was bigger than one person,” says Houston. “It was bigger than Travis Scott.”

    If that wasn’t enough for our boy, Pusha T of the Virginia rap duo Clipse has been making his feelings known about La Flame — and it’s not good. Last week, he and his twin brother Malice dropped the single “So Be It,” from their upcoming Let God Sort Em Out album. During one verse, Pusha throws a lot of lyrical daggers at Scott:

    You cried in front of me, you died in front of me
    Calabasas took your b***h and your pride in front of me
    Heard Utopia had moved right up the street
    And her lip gloss was poppin', she ain't need you to eat
    The 'net gon' call it the way that they see it
    But I got the video, I can share and A.E. it

    Pusha has also been making the press rounds, explaining his beef with Scott. It goes back to “Meltdown,” a track from Scott’s 2023 album Utopia. The song features a guest verse from Drake, who takes shots at former foe Pusha and longtime collaborator Pharrell Williams. “I melt down the chains that I bought from your boss, give a f**k about all of that heritage s**t,” he raps, referring to the jewelry the part-time Houstonian bought through Pharrell’s Joopiter auction site.

    Pusha took umbrage with the verse, especially since Scott flew to Paris to play “Meltdown” and other tracks for WIlliams (who produced a track on Utopia). “He interrupted a session,” Pusha said in a GQ interview. “He sees me and Malice there. He's like, ‘Oh, man, everybody's here,’ he's smiling, laughing, jumping around, doing his f***ing monkey dance. We weren't into the music, but he wanted to play it, wanted to film [us and Pharrell listening to it]. And then a week later you hear ‘Meltdown,’ which he didn’t play. He played the song, but not [Drake’s verse].”

    Pusha also calls out Scott for his lack of loyalty. “I don't play how y'all play. To me, that really was just like…he's a whore. He's a whore.”

    While Pusha has been doubling down on the Scott hate, the social-media world is waiting for Scott to respond — and possibly set off another, high-profile rap feud. Even though Bun B recently said he believes Scott will most likely have something to say soon, Donnie thinks this beef has already run its course. “I expect something like this, honestly, to blow over,” he says. “Like, I don't see this turning into anything nowhere near the magnitude of a Kendrick and Drake situation.”

    Even with all the haterade surrounding him, Houston predicta Scott will rise above it. “I think this documentary dropping may have, you know, reminded some people of some things that may provoke certain feelings,” he says. “But I think Travis is gonna be alright, man. Like, the kid's a megastar, younowhamsayin. I think that the people that follow him genuinely follow him. And even if he loses a couple people here and there, his following is so strong and so tied in with everything he has going on, and he'll be alright.”

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