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    Miranda Lambert Sizzles

    Smokin' hot Miranda Lambert makes beautiful music with surprise guest and shows off matching tattoos

    Jayme Lamm
    Mar 5, 2015 | 11:33 pm

    Miranda Lambert's T-shirt said it all Thursday night. The vintage white tee read "Made in Texas" and that was the theme throughout her 15-song set at RodeoHouston.

    The Lindale native rocked a black bra under her Texas-made shirt and paired it with a pair of distressed jeans, a bedazzled belt, headband, and knee-high cowboy boots. A different look than the Miranda I'm used to seeing, but same ole great music from the spunky blonde.

    Starting the night off with her pink electric guitar, the 31-year-old singer/songwriter said, "It's good to be home tonight. Are y'all drinking ice cold beer?" Because what's a Miranda Lambert concert without at least one mention of beer?

    "I think this is my fourth time to play the Houston Rodeo but I'm still nervous," she said. "Can y'all show me some love since I'm a hometown girl?" That sweet little line was the only prompting the 62,276 in attendance (the largest attendance of 2015 so far) needed to get loud.

    During her hit "All Kinds of Kinds," the big screen showed Polaroids of fans stating their personal kinds. The video made a statement, that's for sure. Words like "Gypsy Kind," "In Love Kind," "Animal Kind," and "Texas A&M Kind, Whoop!" got the crowds attention, but none as much as the ending photo with Lambert herself dubbing the words "Houston Kind."

    What's a Miranda Lambert concert without at least one mention of beer?

    Possibly the only thing Houston loves more than the sound of Miranda Lambert is the sound of their own city. Houston.

    The Houston and Texas theme continued through the night, but the best moment came when Lambert admitted she wasn't exactly a hometown girl.

    "I said I was a hometown gal, but I am from four hours away — but there is a hometown gal here tonight — she's from Baytown - RaeLynn!" As Lambert greeted the former contestant on The Voice Season 2, she also introduced her backup singer Gwen Sebastian, also from The Voice Season 2.

    After the introductions, Lambert continued, "We all agree on one thing for sure and that is we all miss The Dixie Chicks." Without further ado, the trio launched into a beautiful rendition of "Cowboy Take Me Away," and added a final chorus for only the crowd to sing.

    There could be something more in the works for this trio — the three also recently got matching tattoos, which Lambert posted on Instagram this past weekend with #sisterink. Lambert also held up her newly inked wrist during"Heart Like Mine," as she sang the lyrics "Daddy cried when he saw my tattoo."

    They say you can't go home again, but Lambert is proof that you can (and should), especially if it includes a performance at the Houston Rodeo. Four times just isn't enough to see one of country music's most decorated artists.

    Set List:

    Fastest Girl in Town

    Kerosene

    Heart Like Mine

    Automatic

    Over You

    All Kinds of Kinds

    Mama's Broken Heart

    Cowboy Take Me Away

    Famous in a Small Town

    House That Built Me

    Little Red Wagon

    White Liar

    Gimme All Your Lovin'

    Gunpowder & Lead

    Miranda Lambert acknowledges the large Houston Rodeo crowd.

    Photo by © Michelle Watson CatchLightGroup.com
    Miranda Lambert acknowledges the large Houston Rodeo crowd.
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

    wes andersongarden oaksrushmorehoustonfundraisers
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