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    RodeoHouston 2020

    Willie Nelson serenades adoring RodeoHouston crowd with a 'flood' of hits

    Johnston Farrow
    Johnston Farrow
    Mar 5, 2020 | 1:15 am
    Willie Nelson at RodeoHouston 2017
    Music legend Willie Nelson has played RodeoHouston 11 times.
    RodeoHouston courtesy photo

    God bless Willie Nelson.

    The 86-year-old, Abbott, Texas native made his 11th appearance at RodeoHouston 2020 (nine solo, two with Waylon Jennings, Kris Kristofferson, and Johnny Cash as the Highwaymen) on March 4 in what could very well be his last appearance at Houston's premiere music event. Don't tell that to the 70,479 ticket holders though, as Nelson played a tight, hour-plus set that ran through decades of hits and cover songs to an appreciative crowd.

    What's there to be said of one of the most legendary country singer-songwriters in the history of the genre? A roll-call: 13 Grammy Awards including a Lifetime Achievement Award, 11 Country Music Awards, six Academy of Country Music Awards, seven American Music Awards, 40 million albums sold, and dozens of timeless songs written for other performers. Nelson has seen and done it all.

    There's really no reason for him to play RodeoHouston. But that's the power the event has over country's biggest stars — it convinced Garth Brooks to return to the road and it brought George Strait out of retirement. It's also the perfect setting for Nelson to share his fantastic songs. Texas and Willie go together like chips and queso, barbeque and beer, cowboys and broncos.

    The big question was how much could the octogenarian bring it on the star-shaped center stage, especially after the vim and vigor of relatively young bucks, Midland, the night before? Based on the audience response, it wouldn't have mattered of Willie walked on the stage and read the phone book. His fans were out to pay their respects to the red headed stranger, many bandanas visible throughout the audience.

    “Whiskey River” from the 1973 album Shotgun Willie — released when he was 40(!) — opened the proceedings with a down-home shuffle. Nelson, wearing his requisite tan cowboy hat, was backed up by his ever-present son, Lukas, his sister, Bobbie Nelson, and three other backup players. It was a pared-down, unassuming set-up compared to the previous evening, which spoke to the man’s personality, proving you don’t need much to put on a good show.

    “Still is Still Moving to Me” from 1993’s Borderline was a bluesy waltz with a piano and harmonica strut, Nelson playing his trusty, beat-up acoustic, held on with its signature red, white and blue strap. He next kicked into “Beer for My Horses,” the Toby Keith song that he appeared on back in 2002.

    “Let’s do one for Waylon!” declared Nelson, launching into the old school swing of Waylon Jennings’ “Good Hearted Woman,” his son on backup vocals. The instrumental “Down Yonder” from the stone-cold classic 1975 breakthrough Red Headed Stranger gave Bobbie, a chance to shine on piano. At the conclusion of the song, Nelson took a chance to acknowledge she was just nominated for the Texas Music Hall of Fame.

    Willie’s son Lukas Nelson’s then took a turn to shine on a 12-bar blues number, featuring blistering guitar riffs from both father and son. The ACM Song of the Year in 1978, “Mama Don’t Let Your Babies Grow Up to Be Cowboys,” drew massive applause, and never was there a better song to be played in the dirt and dust of the rodeo arena.

    “Now let’s do one for Merle!” Nelson cried out, the band ripping through the Willie and Merle Haggard duet “It’s All Going to Pot,” released on April 20, 2015, by the unabashed marijuana aficionado, the first single from the duo’s album Django & Jimmie. That segued nicely into “Roll Me Up and Smoke Me When I Die” from the 2012 album Heroes. Nelson leaned into the concerns of his old age with a smirk and a grin with the 2017 song, “Still Not Dead,” lamenting “I woke still not dead again today/The news said I was gone to my dismay” making it known that his sense of humor was well intact.

    Going really old school, Hank Williams was honored with a few numbers, “Jambalaya (On the Bayou)” from 1952, “Hey, Good Lookin’” from 1951, wrapped up by “Move It On Over” released in 1947, pointing towards Nelson’s influences, the country meets backwater blues ditties bringing the most dance worthy moments of the night.

    “Angel Flying Too Close to the Ground” from the 1981 film soundtrack, Honeysuckle Rose, transported us all back to the time that Willie Nelson was an inescapable force in pop culture. It also showcased some of his best guitar playing. His most well known hit, “On the Road Again,” followed and while he can’t reach those high notes anymore, he sure sounded great, like an old gunslinger with one last gunfight in him.

    “Always On My Mind,” the most heartfelt and timeless song in his catalog from the 1982 album of the same name brought extra poignancy, the loss of his longtime drummer and friend, Paul English, only weeks ago in the minds of those in attendance. Nelson pointed to the sky several times as cellphones lit up the stadium, the air definitely getting a bit hazy in NRG. The crowd gave a long standing ovation at the end of the song, Nelson visibly moved by the reaction as much as many audience members — grown men included — were by the moment.

    Veering away from the pr-show setlist, the band performed “It’s Hard to Be Humble” from Nelson’s latest album, Ride Me Back Home followed by “I’m the Only Hell My Mama Ever Raised” first released by Atlanta James in 1975 before being made famous by Johnny Paycheck two years later. “I’ll Fly Away” the 1929 hymn covered by many country stars wrapped up the set, gorgeously performed by Willie Nelson and Family, getting people up and clapping, applauding the man of the hour as he gave his curtain call around the star-shaped stage.

    While he could have easily performed many more of his hit songs, including the much missed "Georgia on My Mind," it's not a surprise that Nelson choose to cover so many songs by his heroes and friends. Having worked for a time as a disc jockey in Pasadena, Texas in the 1950s, it wasn't hard to envision a young Willie playing many of these classic tunes over the airwaves on a hot Texas night.

    And for the huge crowd packed into NRG Stadium, there were no regrets in trekking out on a somewhat chilly and overcast night to see Nelson play one more time, hoping that it won't be the last time we see him on a RodeoHouston stage.

    Setlist
    “Whiskey River”
    “Still is Still Moving”
    “Beer for My Horses”
    “Good Hearted Woman”
    “Down Yonder”
    "Texas Flood"
    “Mama Don’t Let Your Babies Grow Up to Be Cowboys”
    “It’s All Going to Pot”
    “Roll Me Up and Smoke Me When I Die”
    “Still Not Dead”
    “Jambalaya (On the Bayou)”
    “Hey, Good Lookin’”
    “Move It On Over”
    “Angel Flying Too Close to the Ground”
    “On the Road Again,”
    “Always On My Mind”
    “It’s Hard to Be Humble”
    “I’m the Only Hell My Mama Ever Raised”
    “I’ll Fly Away”

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    Awards Season

    CultureMap critic's guide to the 2026 Oscar Best Picture nominees

    Alex Bentley
    Jan 22, 2026 | 2:00 pm
    Michael B. Jordan and Miles Caton in Sinners
    Photo courtesy of Warner Bros.
    Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

    The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

    The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

    As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

    Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

    Here's the list of Best Picture nominees, in alphabetical order:

    Bugonia
    Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

    F1
    The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

    Frankenstein (not reviewed)
    Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

    Hamnet (not reviewed)
    Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

    Marty Supreme
    There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

    One Battle After Another
    Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

    The Secret Agent (not reviewed)
    No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

    Sentimental Value (not reviewed)
    For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

    Sinners
    It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

    Train Dreams (not reviewed)
    The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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