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    RodeoHouston 2020

    Willie Nelson serenades adoring RodeoHouston crowd with a 'flood' of hits

    Johnston Farrow
    Johnston Farrow
    Mar 5, 2020 | 1:15 am
    Willie Nelson at RodeoHouston 2017
    Music legend Willie Nelson has played RodeoHouston 11 times.
    RodeoHouston courtesy photo

    God bless Willie Nelson.

    The 86-year-old, Abbott, Texas native made his 11th appearance at RodeoHouston 2020 (nine solo, two with Waylon Jennings, Kris Kristofferson, and Johnny Cash as the Highwaymen) on March 4 in what could very well be his last appearance at Houston's premiere music event. Don't tell that to the 70,479 ticket holders though, as Nelson played a tight, hour-plus set that ran through decades of hits and cover songs to an appreciative crowd.

    What's there to be said of one of the most legendary country singer-songwriters in the history of the genre? A roll-call: 13 Grammy Awards including a Lifetime Achievement Award, 11 Country Music Awards, six Academy of Country Music Awards, seven American Music Awards, 40 million albums sold, and dozens of timeless songs written for other performers. Nelson has seen and done it all.

    There's really no reason for him to play RodeoHouston. But that's the power the event has over country's biggest stars — it convinced Garth Brooks to return to the road and it brought George Strait out of retirement. It's also the perfect setting for Nelson to share his fantastic songs. Texas and Willie go together like chips and queso, barbeque and beer, cowboys and broncos.

    The big question was how much could the octogenarian bring it on the star-shaped center stage, especially after the vim and vigor of relatively young bucks, Midland, the night before? Based on the audience response, it wouldn't have mattered of Willie walked on the stage and read the phone book. His fans were out to pay their respects to the red headed stranger, many bandanas visible throughout the audience.

    “Whiskey River” from the 1973 album Shotgun Willie — released when he was 40(!) — opened the proceedings with a down-home shuffle. Nelson, wearing his requisite tan cowboy hat, was backed up by his ever-present son, Lukas, his sister, Bobbie Nelson, and three other backup players. It was a pared-down, unassuming set-up compared to the previous evening, which spoke to the man’s personality, proving you don’t need much to put on a good show.

    “Still is Still Moving to Me” from 1993’s Borderline was a bluesy waltz with a piano and harmonica strut, Nelson playing his trusty, beat-up acoustic, held on with its signature red, white and blue strap. He next kicked into “Beer for My Horses,” the Toby Keith song that he appeared on back in 2002.

    “Let’s do one for Waylon!” declared Nelson, launching into the old school swing of Waylon Jennings’ “Good Hearted Woman,” his son on backup vocals. The instrumental “Down Yonder” from the stone-cold classic 1975 breakthrough Red Headed Stranger gave Bobbie, a chance to shine on piano. At the conclusion of the song, Nelson took a chance to acknowledge she was just nominated for the Texas Music Hall of Fame.

    Willie’s son Lukas Nelson’s then took a turn to shine on a 12-bar blues number, featuring blistering guitar riffs from both father and son. The ACM Song of the Year in 1978, “Mama Don’t Let Your Babies Grow Up to Be Cowboys,” drew massive applause, and never was there a better song to be played in the dirt and dust of the rodeo arena.

    “Now let’s do one for Merle!” Nelson cried out, the band ripping through the Willie and Merle Haggard duet “It’s All Going to Pot,” released on April 20, 2015, by the unabashed marijuana aficionado, the first single from the duo’s album Django & Jimmie. That segued nicely into “Roll Me Up and Smoke Me When I Die” from the 2012 album Heroes. Nelson leaned into the concerns of his old age with a smirk and a grin with the 2017 song, “Still Not Dead,” lamenting “I woke still not dead again today/The news said I was gone to my dismay” making it known that his sense of humor was well intact.

    Going really old school, Hank Williams was honored with a few numbers, “Jambalaya (On the Bayou)” from 1952, “Hey, Good Lookin’” from 1951, wrapped up by “Move It On Over” released in 1947, pointing towards Nelson’s influences, the country meets backwater blues ditties bringing the most dance worthy moments of the night.

    “Angel Flying Too Close to the Ground” from the 1981 film soundtrack, Honeysuckle Rose, transported us all back to the time that Willie Nelson was an inescapable force in pop culture. It also showcased some of his best guitar playing. His most well known hit, “On the Road Again,” followed and while he can’t reach those high notes anymore, he sure sounded great, like an old gunslinger with one last gunfight in him.

    “Always On My Mind,” the most heartfelt and timeless song in his catalog from the 1982 album of the same name brought extra poignancy, the loss of his longtime drummer and friend, Paul English, only weeks ago in the minds of those in attendance. Nelson pointed to the sky several times as cellphones lit up the stadium, the air definitely getting a bit hazy in NRG. The crowd gave a long standing ovation at the end of the song, Nelson visibly moved by the reaction as much as many audience members — grown men included — were by the moment.

    Veering away from the pr-show setlist, the band performed “It’s Hard to Be Humble” from Nelson’s latest album, Ride Me Back Home followed by “I’m the Only Hell My Mama Ever Raised” first released by Atlanta James in 1975 before being made famous by Johnny Paycheck two years later. “I’ll Fly Away” the 1929 hymn covered by many country stars wrapped up the set, gorgeously performed by Willie Nelson and Family, getting people up and clapping, applauding the man of the hour as he gave his curtain call around the star-shaped stage.

    While he could have easily performed many more of his hit songs, including the much missed "Georgia on My Mind," it's not a surprise that Nelson choose to cover so many songs by his heroes and friends. Having worked for a time as a disc jockey in Pasadena, Texas in the 1950s, it wasn't hard to envision a young Willie playing many of these classic tunes over the airwaves on a hot Texas night.

    And for the huge crowd packed into NRG Stadium, there were no regrets in trekking out on a somewhat chilly and overcast night to see Nelson play one more time, hoping that it won't be the last time we see him on a RodeoHouston stage.

    Setlist
    “Whiskey River”
    “Still is Still Moving”
    “Beer for My Horses”
    “Good Hearted Woman”
    “Down Yonder”
    "Texas Flood"
    “Mama Don’t Let Your Babies Grow Up to Be Cowboys”
    “It’s All Going to Pot”
    “Roll Me Up and Smoke Me When I Die”
    “Still Not Dead”
    “Jambalaya (On the Bayou)”
    “Hey, Good Lookin’”
    “Move It On Over”
    “Angel Flying Too Close to the Ground”
    “On the Road Again,”
    “Always On My Mind”
    “It’s Hard to Be Humble”
    “I’m the Only Hell My Mama Ever Raised”
    “I’ll Fly Away”

    musicconcertsrodeo
    news/entertainment
    series/rodeo-houston-2020

    weekend event planner

    Here are the top 14 things to do in Houston this weekend

    Craig Lindsey
    Dec 31, 2025 | 4:30 pm
    Steve Aoki
    Steve Aoki/Facebook
    See Steve Aoki in concert at NOHO in EaDo.

    This weekend, it’ll be a brand new year. Although some may be partied out after New Year's Eve, some cool stuff will be happening.

    Welcome 2026 with a festive brunch. Music from Nat King Cole and Steve Aoki will be played on Friday night. Saturday begins with a matcha pop-up and ends with a salute to goth/darkwave at Wonky Power. And, on Sunday, you can get in a fun run/walk and see the Thin White Duke on the big screen.

    Thursday, January 1

    The Union Kitchen presents New Year’s Day Brunch
    The Union Kitchen is kicking off 2026 with a celebratory New Year’s Day brunch at all Houston-area locations. Customers will enjoy festive brunch sips, including $2.50 mimosas, $4 Bloody Marys, and $4 bellinis. Additionally, in true Southern tradition, the restaurant will offer cabbage, black-eyed peas, and cornbread — the classic good-luck trio for prosperity in the year ahead. Walk-ins are welcome, but reservations are encouraged. 10 am.

    EZ’s Liquor Lounge presents New Year’s Day Hangover Brunch
    For those who know they’ll be party-hopping this New Year’s Eve, here's a place to go and deal with that gnarly hangover the day after. The annual Hangover Brunch will feature fried chicken, biscuits, champagne specials, and caviar at cost. 11 am.

    MKT Bar presents New Year's Day Brunch
    While some people are known to eat black-eyed peas on New Year’s Day – for good luck and prosperity for the year ahead – head over to MKT Bar (located inside Phoenicia Specialty Foods' location downtown) and get their famous chicken and waffles for half-off. The Danielle Reich and Bruce Saunders Quintet will also be on the premises, performing some eclectic, jazz/pop numbers. Noon.

    Friday, January 2

    Punch Line Houston presents Sam Jay
    Stand-up comic Sam Jay will be doing a two-night stint at Punch Line Houston this weekend. The Emmy-nominated former Saturday Night Live writer has been seen on HBO’s Pause with Sam Jay, a weekly late-night series on which she served as host and executive producer, as well as Bust Down, the Peacock sitcom she co-created and co-starred in. Recently, she did her solo show Sam Jay: We the People at the Edinburgh Festival and New York’s Lincoln Center Theater. 7 and 9:15 pm.

    Houston Symphony presents "A Nat King Cole New Year"
    The Jones Center for the Performing Arts will have an “Unforgettable” start to 2026 as Byron Stripling, Denzal Sinclaire, and the Houston Symphony Big Band perform the timeless hits of Nat King Cole, along with well-known songs by other jazz legends. The program will include songs like “Mona Lisa,” “Nature Boy,” “When I Fall in Love,” “Just One of Those Things,” and more. (We wonder if we’ll get Cole’s “The Christmas Song” one last time.) 7:30 pm (2 pm Sunday).

    Theatre Southwest presents Murder on the Orient Express
    Agatha Christie’s legendary, literary masterwork will be brought to the stage at Theatre Southwest. On a train traveling through Europe, a wealthy American tycoon is found dead in his compartment, the door locked from the inside. Enter world-famous detective Hercule Poirot, who must navigate a train full of suspects and solve the murder before the killer strikes again. Through Saturday, January 17. 8 pm (3 pm Sunday).

    NOTO Houston presents Steve Aoki
    Did you know that DJ/producer Steve Aoki invented the trend known as “caking”? That’s when he throws a huge cake out into the crowd while playing Autoerotique’s “Turn Up the Volume,” a song whose video features people getting splattered by exploding cakes. We bring this up because Aoki will be doing a late-night DJ set at NOTO Houston, and there’s a very good chance people in the crowd will get hit with a very delicious dessert. Stay in the back to avoid getting icing on your outfit. 10 pm.

    Saturday, January 3

    Kazzan Ramen & Bar and Tomo Matcha Pop-Up
    Houston’s ramen scene is getting a green tea glow-up. Kazzan Ramen & Bar is teaming up with Tomo Matcha for a one-day pop-up this weekend. For the collaboration, guests who dine in at Kazzan Ramen will receive 20% off Tomo matcha, and customers who purchase a matcha drink will enjoy 20% off their meal. If you can’t make it, Tomo will also do a Sunday-afternoon pop-up at GLO Pilates. 11 am.

    The Museum of Fine Arts, Houston presents Resurrection
    Bi Gan (whose Long Day’s Journey into Night screened at MFAH in 2018) directs this ambitious, 160-minute, sci-fi detective movie starring Chinese superstar Jackson Yee (Better Days) and actress Shu Qi (The Assassin). In a future where humanity has surrendered its ability to dream in exchange for immortality, an outcast finds illusion, nightmarish visions, and beauty in an intoxicating world of his own making. 2 pm.

    Archway Gallery presents June Woest: "Weather Inside Out" opening reception
    Archway Gallery will present an exhibit of new work by June Woest that captures the interplay between photography, sculpture, and AI. "Weather Inside Out" explores Woest’s experiences with the unpredictable nature of the weather by challenging the notion that we are helpless against it. Her works are an invitation to embrace change and find comfort in the unpredictable.Through Thursday, February 5. 5 pm.

    Wonky Power presents Dia de los Darks
    The first Dia de los Darks of the year kicks off this weekend, bringing a night powered by darkwave, goth, rock en español, and cumbia. Scheduled to perform are El Turko Sonidero, DJ Fredster and guitar-playing masked man Orpheus Von Doom. Expect haunting beats, immersive visual installations lighting up the night. A night market will be open late with art, fashion, and local vendors — giving attendees that dark underground vibe. 8 pm.

    Sunday, January 4

    Flying Saucer Draught Emporium presents Saint Arnold Social Fun Walk/Run
    Saint Arnold Fun Runs are back for 2026. Close out the first weekend of 2026 by getting some exercise, taking a social run/walk, and purging yourself of everything 2025-related. Participants get a guided and marked, 3.5(ish)-mile run/walk with beer pacers, three tasty brews from Saint Arnold, a Saint Arnold pint glass, and a Texas tamale breakfast. Rain or shine. 8 am.

    Cousins Maine Lobster at Car Spa
    Get your car shining and your cravings satisfied all in one stop as Cousins Maine Lobster rolls its truck over to Car Spa this weekend. Whether you're cleaning up your ride or just passing through, swing by and sample such delicacies as Maine, Connecticut, and garlic butter lobster rolls, lobster tacos and quesadillas, lobster tots and lobster tails, lobster grilled cheese, creamy lobster bisque, clam chowder, whoopie pies, and more. 11 am.

    Alamo Drafthouse Cinema LaCenterra presents The Man Who Fell to Earth
    Alamo Drafthouse Cinema’s “Art Decade: Films of David Bowie 1973-1983” series begins with this 1976 sci-fi curio. The story of an alien (Bowie, of course) on an elaborate rescue mission provides the launching pad for Nicolas Roeg’s examination of alienation in contemporary life. The film’s hallucinatory vision was obscured in the American theatrical release, which deleted nearly 20 minutes of crucial scenes and details. This screening is of Roeg’s full, uncut version. Noon.

    Steve Aoki in concert

    Steve Aoki
    Steve Aoki/Facebook

    See Steve Aoki in concert at NOHO in EaDo.

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