While the RodeoHouston lineup always has something to suit almost any popular musical taste (sorry jazz/classical fans!), country artists still reign supreme when it comes to ticket prices. That's according to ticket website Vivid Seats, which notes that Australian country music superstar Keith Urban has the Rodeo's highest median resale ticket price at $100.
R&B crooner Usher is right behind Urban at $99, while Voice judge Adam Levine and Maroon 5 are tied for third at $90 with the chicken fried country stylings of Zac Brown Band.
Rodeo goers don't seem to have much interest in the more legendary acts the Rodeo has secured. Reba comes in at a disappointing 13th ($60 median), and REO Speedwagon can't fight the feeling of being in last place at a median price of only $30.
While Urban's tickets may seem expensive, Vivid Seats's data indicates Houstonians are getting a deal when they pony up to see Nicole Kidman's husband perform. Tickets for his regular tour have a $150 median price, so Houstonians are saving $50 per seat (albeit for a shorter show). Rodeo goers also get to see bull riding, roping and mutton busting, which aren't, one assumes, typically parts of Urban's performance.
Tickets to see Jason Aldean, Luke Bryan and Brad Paisley at the Rodeo are even farther below the median prices of their respective tours. Paisley's regular tickets clock it at $134 on tour, but the median price of his Houston Rodeo show is only $41.
Rodeo goers have made Australian country superstar Keith Urban the show's highest priced tickets.
Keith Urban.net
Rodeo goers have made Australian country superstar Keith Urban the show's highest priced tickets.
John Turturro in The Only Living Pickpocket in New York.
John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.
Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.
After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).
Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.
Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.
One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.
Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.
The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.
---
The Only Living Pickpocket in New York opens in theaters on October 30.