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    a perfect night

    RodeoHouston favorites Lady Antebellum show how real entertainers perform

    Karen Labuca
    Mar 2, 2012 | 5:57 am
    • Vocalists Hillary Scott, center, Charles Kelly, right, and the overlooked manbehind the music, Dave Haywood.
      Photo by © Michelle Watson/CatchLightGroup.com
    • Dave Haywood and Hillary Scott delivered a powerful performance.
      Photo by © Michelle Watson/CatchLightGroup.com
    • The recent Grammy winners and annual rodeo favorites
      Photo by © Michelle Watson/CatchLightGroup.com
    • Lead vocalists Charles Kelly and Hillary Scott
      Photo by © Michelle Watson/CatchLightGroup.com
    • Lady Antebellum rocked RodeoHouston Thursday night.
      Photo by © Michelle Watson/CatchLightGroup.com

    "Oh, you look beautiful tonight Houston!" lead vocalist Charles Kelley exclaimed mid-song.

    Lady Antebellum has shown us all that they have the chops to create honest No. 1 hits, but it wasn't the songs that captured the night at RodeoHouston, it was their performances.

    There's two things that I think make a show extra special. First, good sound and second, audience interaction. And that's what I got Thursday night.

    On stage there was a visible intimate understanding between the trio. They even leaned on one another throughout the set and joked around in between songs.

    With a packed crowd and roaring fans of all ages, Reliant Stadium was swamped with a frenzy of excitement for the recent Grammy winners and annual rodeo favorites. The lights dimmed and out of a beautiful darkness the trio opened up with fitting number, "We Owned the Night."

    I was thinking, "Yeah the guys started out great but there will have to be some glitch in between songs; there's no possible way three harmonious voices could sound impeccable all even evening long." I was proven wrong.

    Country music is about heartbreak and intimate and intense, emotional moments that make the genre incomparable. Women can sing their hearts out as a solo artist with obvious thematic songs but when you add a male vocal or two, then there's something special. That's Lady Antebellum. Vocalists Hillary Scott and Charles Kelly and the overlooked man behind the music, Dave Haywood, delivered powerful performances. Their professionalism and personal effect on the audience glued me to my seat.

    There's something about a girl-guy dynamic that brings so much more honesty to the songs — fellow budding country duo The Civil Wars are the latest example. With a growing career under their belt and multiple awards, Lady Antebellum sang with appreciation and love. On stage there was a visible intimate understanding between the trio. They even leaned on one another throughout the set and joked around in between songs.

    Each song was accompanied with smart arrangements, stellar musicians from their back up band and a relaxed atmosphere. Crowd favorite "Hello World" showed off Haywood's piano skills with an initial stripped-down opening before the track took a sudden turn into a true arena sing-along midway through — with light show included.

    The follow-up "American Honey" inspired Scott to reminisce about frequent trips to Tyler, Texas, and fishing with her family. And chart toppers "I Run to You" and "Just a Kiss" had the entire stadium anticipating more.

    Closing track and most anticipated song, "Need You Now," made Scott and Kelley's live interpretation a pleasure to watch.

    I always thought Lady Antebellum was some sort of a Taylor Swift-inspired band that wanted to cross over to pop radio. That just isn't the case; it just happened. A mainstream audience has completely understood what such a band tries to accomplish, which is success on its own.

    From first-rate audio to Kelley jumping off stage to get closer to the audience, I was impressed with the performance. There was a genuine relationship portrayed onstage between the trio that transcends their song lyrics. It's hard to believe that the band only formed a couple of years ago but has already produced three successful albums.

    Though the set was short but sweet, I am now a convert and plan to pick up a copy of Own the Night as soon as possible.

    Before the group finished up, they said that they were honored to perform at the rodeo once again. Hopefully they'll be back next year.

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    Movie Review

    Clichéd rom-com You, Me & Tuscany can't get by on Italian charm alone

    Alex Bentley
    Apr 9, 2026 | 2:00 pm
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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