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    Movie Review

    Harsh conditions and superior storytelling propel compelling Arctic

    Alex Bentley
    Feb 25, 2019 | 1:32 pm
    Harsh conditions and superior storytelling propel compelling Arctic
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    When making a movie about survival, there are two things you need to get right: Create compelling characters and make the audience believe those characters are truly in danger. If it's missing either of those elements, it's usually dead on arrival.

    Thankfully, the people who made Arctic got virtually everything about their movie right. The film thrusts the audience directly into the survival ordeal of a man named Overgård (Maks Mikkelsen), whose plane has crashed somewhere in the Arctic tundra. An obviously seasoned survivalist, he spends day after day doing the same routine of perfecting his SOS sign, checking his ice fishing holes, and climbing to a high point to send out a rescue signal.

    Day after day, though, he seems no closer to being saved, and he starts to consider making an unforgiving trek to a seasonal shack with radio equipment that is many miles away. A dramatic event soon forces his hand, and he sets out for the faraway destination with some unexpected cargo.

    The danger of the events in the film seem all too real thanks to the dedication of the filmmakers, led by writer/director Joe Penna. Filmed on location in Iceland, every frame of the film is filled with the desolate snow-filled landscape. There is no faking the bitter cold, constant wind, and snowstorms that Overgård must endure every day, and the story plays that much better due to the verisimilitude.

    Penna and co-writer/editor Ryan Morrison keep the film pulsating thanks to many different components that tell a story with relatively few spoken words. Even though they give very little background for Overgård, they tell all you need to know about the type of character he has through his actions. He perseveres through obstacles that most others could not, not because he’s superhuman but because of his work ethic and morals.

    Mikkelsen, perhaps best known for playing the titular psychopath in the three-season run of Hannibal, does yeoman’s work as Overgård. The conditions were almost certainly an aid in making the character believable, but it’s clear that Mikkelsen had a full dedication to making him complete despite the lack of exposition.

    The best movies transport their audiences to places they may never experience or even want to go. The makers of Arctic go to flabbergasting lengths to tell their harrowing story, giving its audience a massive reward in the process.

    Mads Mikkelsen in Arctic.

    Mads Mikkelsen in Arctic
    Photo by Helen Sloan SMPSP / Courtesy of Bleecker Street
    Mads Mikkelsen in Arctic.
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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