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    Starring, Texas!

    Bones creator and stars headed to Austin

    Cynthia Neely
    Cynthia Neely
    Feb 20, 2011 | 6:18 pm
    Hart Hanson, creator of the TV series, "Bone"

    Make no bones about it (pun unabashedly intended), some pretty heady talent is coming this fall to the Austin Film Festival and Conference and I plan to be first in line.

    The Conference has announced that the recipient of their 2011 Outstanding Television Writer Award will be Hart Hanson, creator, executive producer, show runner, and writer of the Fox sereis, Bones. The show’s co-stars, Emily Deschanel (Dr. Temperance “Bones” Brennan) and David Boreanaz (Special Agent Seeley Booth), will join him in Austin to present the award.

    Not since interviewing Anthony Zuiker, creator of the CSI television shows, have I been this excited about meeting another writer.

    The Austin Film Festival (AFF), celebrating its 18th year, hosts one of the best conferences for screenwriters, bar none. I attended the first seven in a row (a distinction that garnered me and a few other die-hard participants a funky bathrobe labeling us “FOFs” for Friends of the Festival).

    I can safely say AFF only gets better with age.

    Bones executive producer Barry Josephson serves on the festival’s board of advisors, which is a testament to the respect it garners within the industry. Josephson, who owns Josephson Entertainment, is also a film producer and was formerly president of worldwide production for Columbia Pictures. He is a conference regular and might have had just a little something to do with getting the Bones stars freed up to attend the awards presentation for their boss Hanson.

    There’s more.

    Hanson, Josephson, Deschanel, and Boreanaz will present a special screening of an episode of Bones, which means we’ll be watching it on a big screen for a change, possibly in a venue like the grand and historic Paramount Theatre, which is always used for the festival. The custom is to have a Q&A afterward, so this should be a revealing glimpse behind the scenes from the perspectives of the guy who created and runs the show and its co-stars who bring it to life.

    During the conference, Hanson will also participate as a panelist. AFF panels are exceptional opportunities to meet and ask questions of some of the most successful writers, producers and filmmakers of today. Their accessibility at AFF is mind-boggling. Just go check out the Driskill Hotel bar at the end of each day.

    One of my most recent favorite speakers is Ron Howard. You know, little “Opie Taylor” who grew up to become a producer and director and won two Oscars for A Beautiful Mind and is about to release his new film Cowboys and Aliens?

    Conference director Maya Perez says the Bones scribe is a perfect fit.

    “Having a one-hour drama last six seasons - and still going strong - in the current TV climate is a major feat and the show's success is largely due to Hanson's original and engaging characters and plot lines," she said.

    Houston has a sibling connection to Bones. The real life forensic anthropologist, portrayed by actress Deschanel, is Kathy Reichs, the bestselling author of the bone-chilling book series that was the inspiration for the show. Reichs, originally from Canada, divides her time between there and North Carolina, where she is a professor at the University of North Carolina-Charlotte. She visited Houston two years ago to see her sister here and spoke to the Greater Houston Women’s Chamber of Commerce about her work.

    She told the audience that she serves as a producer on the show to “keep the science honest” but I notice she’s also credited as a writer on over 100 episodes.

    For a brainiac who deals daily in the nastiness of the gross and decomposing, she was a hilarious speaker. Her genius was obvious but her unexpected humor was a dandy curveball, much like the television series her writing has inspired.

    "Bones" co-stars Emily Deschanel and David Boreanaz

    News_Bones_poster
    Fox.com
    "Bones" co-stars Emily Deschanel and David Boreanaz
    unspecified
    news/entertainment

    Movie Review

    Glen Powell stumbles in remake of  sci-fi classic The Running Man

    Alex Bentley
    Nov 14, 2025 | 12:30 pm
    Glen Powell in The Running Man
    Photo courtesy of Paramount Pictures
    Glen Powell in The Running Man.

    For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.

    Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.

    Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.

    Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.

    The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.

    Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.

    Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.

    The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.

    ---

    The Running Man opens in theaters on November 14.

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