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    Starring, Texas!

    Bones creator and stars headed to Austin

    Cynthia Neely
    Cynthia Neely
    Feb 20, 2011 | 6:18 pm
    Hart Hanson, creator of the TV series, "Bone"

    Make no bones about it (pun unabashedly intended), some pretty heady talent is coming this fall to the Austin Film Festival and Conference and I plan to be first in line.

    The Conference has announced that the recipient of their 2011 Outstanding Television Writer Award will be Hart Hanson, creator, executive producer, show runner, and writer of the Fox sereis, Bones. The show’s co-stars, Emily Deschanel (Dr. Temperance “Bones” Brennan) and David Boreanaz (Special Agent Seeley Booth), will join him in Austin to present the award.

    Not since interviewing Anthony Zuiker, creator of the CSI television shows, have I been this excited about meeting another writer.

    The Austin Film Festival (AFF), celebrating its 18th year, hosts one of the best conferences for screenwriters, bar none. I attended the first seven in a row (a distinction that garnered me and a few other die-hard participants a funky bathrobe labeling us “FOFs” for Friends of the Festival).

    I can safely say AFF only gets better with age.

    Bones executive producer Barry Josephson serves on the festival’s board of advisors, which is a testament to the respect it garners within the industry. Josephson, who owns Josephson Entertainment, is also a film producer and was formerly president of worldwide production for Columbia Pictures. He is a conference regular and might have had just a little something to do with getting the Bones stars freed up to attend the awards presentation for their boss Hanson.

    There’s more.

    Hanson, Josephson, Deschanel, and Boreanaz will present a special screening of an episode of Bones, which means we’ll be watching it on a big screen for a change, possibly in a venue like the grand and historic Paramount Theatre, which is always used for the festival. The custom is to have a Q&A afterward, so this should be a revealing glimpse behind the scenes from the perspectives of the guy who created and runs the show and its co-stars who bring it to life.

    During the conference, Hanson will also participate as a panelist. AFF panels are exceptional opportunities to meet and ask questions of some of the most successful writers, producers and filmmakers of today. Their accessibility at AFF is mind-boggling. Just go check out the Driskill Hotel bar at the end of each day.

    One of my most recent favorite speakers is Ron Howard. You know, little “Opie Taylor” who grew up to become a producer and director and won two Oscars for A Beautiful Mind and is about to release his new film Cowboys and Aliens?

    Conference director Maya Perez says the Bones scribe is a perfect fit.

    “Having a one-hour drama last six seasons - and still going strong - in the current TV climate is a major feat and the show's success is largely due to Hanson's original and engaging characters and plot lines," she said.

    Houston has a sibling connection to Bones. The real life forensic anthropologist, portrayed by actress Deschanel, is Kathy Reichs, the bestselling author of the bone-chilling book series that was the inspiration for the show. Reichs, originally from Canada, divides her time between there and North Carolina, where she is a professor at the University of North Carolina-Charlotte. She visited Houston two years ago to see her sister here and spoke to the Greater Houston Women’s Chamber of Commerce about her work.

    She told the audience that she serves as a producer on the show to “keep the science honest” but I notice she’s also credited as a writer on over 100 episodes.

    For a brainiac who deals daily in the nastiness of the gross and decomposing, she was a hilarious speaker. Her genius was obvious but her unexpected humor was a dandy curveball, much like the television series her writing has inspired.

    "Bones" co-stars Emily Deschanel and David Boreanaz

    News_Bones_poster
    Fox.com
    "Bones" co-stars Emily Deschanel and David Boreanaz
    unspecified
    news/entertainment

    Movie Review

    Cheesiness undermines Whalefall's intense survival story

    Alex Bentley
    Oct 16, 2026 | 1:01 pm
    Austin Abrams in Whalefall
    Photo courtesy of 20th Century Studios
    Austin Abrams in Whalefall.

    Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

    Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

    Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

    Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

    Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

    It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

    Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

    With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

    ---

    Whalefall is now playing in theaters.

    austin abramsbook to filmscuba divingsurvivaltheaterswhalefallmovie review
    news/entertainment

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