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    Pick Five (Plus)

    Your weekly guide to Houston: Prickly friends, censoring fairy tales & a cupcakewar

    Joel Luks
    Feb 9, 2011 | 10:43 am
    • Candace Nelson
      Photo courtesy of Sprinkles Cupcakes
    • Randolph Ward and Rachel Meyer in rehearsal for Dominic Walsh’s "VictorFrankenstein"
      Photo by Addie Tsai
    • Ernie the Porcupine

    I don't really have much to say about last week. If I did, you'd probably hate me.

    I was missing the cold front, away in a far-off land (Dominican Republic) filled with beach beds and beautiful people dressed in white bringing me an endless supply of Coco Locos (an offshoot of the Pina Colada with some added fruitiness) and spicy Bloody Marys (for balance). I was almost devoid of any aesthetic experiences other than sun gazing for uncountable hours per day.

    There was a helicopter ride and an old-fashion Vegas-style show with delicious skimpy costumes, men in feathers who could seriously gyrate their hips and sexy women with 4-foot chandeliers on their heads.

    Why doesn't Houston have a show like this? Aren't we tropical enough?

    Well, I am back now and ready to reengage and show off my newly acquired golden tan. Here's where you will find me this week.

    Contemporary Art Museum Houston's "Mixing the Medium" at Colton & Farb Gallery
    Rescheduled due to Houston's version of inclement weather, this exhibition, curated by The Studio co-chairs Philip Beck and Philip Berry, highlights works of up-and-coming Houston artists represented by Colton & Farb.

    With libations courtesy of Saint Arnold Brewing Company, Hudson Ferus Vodka, Republic Tequila and light bites by Strip House, "Mixing the Medium" juxtaposes pop art with an exploration of the subconscious. Wednesday at 6:30 p.m.

    Talk at Rienzi: Should Fairy Tales Be Censored?
    We tend to think of fairy tales as light and frothy, appropriate for children of all ages. But the original versions of Grimm Brothers' tales are anything but innocent, often containing mature subjects not unlike Bambi's opening scene — anyone still traumatized by that?

    Robert Patten explores the benefits and challenges of sharing them, with light hors d'oeuvres and wine included. Thursday at 6 p.m.

    River Oaks Chamber Orchestra's Conductorless! Valentine's Concert
    If you ever thought an orchestra needed a conductor, you were mistaken and the River Oaks Chamber Orchestra has a history of proving you wrong. The Conductorless! concerts are a yearly ROCO offering. Large ensembles sans conductors are an artistic political experiment in aesthetic socialism where everyone contributes equally in lieu of a democratic dictatorship.

    Haydn's Surprise Symphony No. 94, Dvorak's Serenade and fresh seemingly off-the-cuff repertoire could begin a romantic evening. It's Valentine's Day weekend after all. Saturday at 5 p.m. The Sunday performance at the Houstonian Hotel includes a cocktail reception and dinner.

    First Annual CoupleCake Wars at Sprinkles
    Cupcake queen Candace Nelson is coming to Houston to judge (along with Katie Stuckey and Cerón) the first annual CoupleCake Wars. Selected couples compete in a variety of baking and culinary challenges and only one will be crowned CoupleCakes Sweethearts. Saturday at noon.

    Houston Zoo's Flock Beastly Brunch
    Any opportunity to meet Ernie the porcupine is worth the $25 in advance or $40 at the door, unless you are a Flock member. Then, you get in free with RSVP.

    What is Flock? The Zoo's young professionals group (ages 21 and up), which hosts chic events while exploring the zoo with light bites, cocktails, music and friendly creatures. Sunday at noon.

    And this is where you will find my colleagues.

    Indie arts connoisseur Jennifer Patterson's pick: 2010 Academy Award Nominated Short Films (Animation) at MFAH
    Jennifer says: "The MFAH is showing the Academy Award nominees for short films (animation and live action) this weekend and next. I think the short films are really underrated and also perfect for anyone with a short attention span."

    "They come from all over the world and knowing about them makes watching the Oscars that more interesting." Friday and Saturday.

    Dance hunter and art columnist Nancy Wonzy's pick: Dominic Walsh Dance Theater's Second Course
    Nancy says: "Dominic Walsh Dance Theater tackles Swedish choreographer Mats Ek's Pas de Dans along with a world premiere of Dominic Walsh's Victor Frankenstein, co-conceived by local poet Addie Tsai, as part of Second Course-Winter Mixed Rep."

    "Ek and Walsh are well matched, both possess a gestural idiosyncratic vocabulary along with a highly theatrical style. Plus, it's mighty cool that DWDT is the only American dance company performing Ek's work. I got to the bottom of exactly how that happened in a Dance Magazine feature on Walsh." Friday, Saturday and Sunday at 7:30 p.m.

    Assistant editor and art savant Steven Thomson's pick: Artists/Scholars Talk: Lads vs. Guys
    Steven says: "This discussion, moderated by curator Toby Kamps (now of The Menil Collection), will test how the city's stalwart collaborative conceptual art team, The Art Guys, stand up to the internationally-renowned duo of John Wood and Paul Harrison."

    "All four men employ existential comedy, so expect an unapologetic stream of laughter at the museum." Saturday at 2 p.m.

    Assistant editor "Girl about Town" Caroline Gallay's pick: The Institute for Rehabilitation and Research Fundraiser (TIRR) Toga Party Fundraiser at House of Blues
    Caroline says: "This annual party is a terrific time each year, and who doesn't love an excuse to dress comfortably? Best, it benefits The Institute for Rehabilitation and Research, which we're proud to say is working for the recovery here in Houston of Congresswoman Gabby Giffords." Saturday at 9 p.m.

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    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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