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    Sound Check

    Remembering Buddy Holly and "the day the music died"

    Michael D. Clark
    Feb 7, 2010 | 1:18 pm

    It has often been said that a man's life can be measured by the size of his funeral. If that's true, then Lubbock native Buddy Holly's measurements are off the charts. Fifty one years after his death there are throngs of fans - many of whom weren't yet born when Holly died - still in mourning.

    Those who remember the cold Feb. 3, 1959 morning when a rock n' roll caravan carrying Holly, Ritchie Valens, J.P. "The Big Bopper" Richardson and 21-year-old pilot Roger Peterson, boarded a 1947 Beechcraft Bonanza B35 four-seater plane after playing the Surf Ballroom in Clear Lake, Iowa and disappeared into the night, retell the story as if it were a vivid recent memory.

    Many, like me, who were born a decade or more after his death but who grew up immersed in his innovative music, know the story so well that it's almost impossible to believe that it happened half-a-century ago.

    Even more unbelievable is how indelible an imprint Holly made on the world of popular music, even though he only lived to be 22 years old and released just three proper albums.

    From those few albums, however, Holly created hits like "That'll Be The Day" "Peggy Sue," and "Oh Boy!" that combined Elvis Presley's rockabilly style, the traditional country traditions that Holly grew up with in Lubbock and a hiccupping exclamation laced into his vocals that was all his own.

    Holly's death was felt across the entire rock music landscape. The Beatles have always cited him as a major influence and Bob Dylan has often told the story of attending a Holly concert two nights before his death and the imapct the experience had on his music.

    A young Waylon Jennings, a member of Holly's band during that final tour, was haunted by the tragedy his entire life. (Jennings passed away in 2002 at age 64.) Jennings was supposed to be on that little plane headed for the next gig in Moorhead, Minnesota. But Jennings offered up his seat on the plane to Richardson, who wasn't feeling well, and took his place on the cold, slow tour bus being used by the rest of the touring crew.

    As Jennings tells it, when Holly found out he wasn't going by air, he jokingly yelled at him, "Well, I hope your ol' bus freezes up."

    Jennings shot back, "Well, I hope your ol' plane crashes."

    Those were the last words he spoke to Holly and he never completely forgave himself for uttering them.

    Perhaps singer and songwriter Don McLean summarized the scope of what was lost in that plane crash best, declaring it "the day the music died" in his iconic song, "American Pie."

    All these images make Holly seem larger than life. Few, however, can make him seem like a real person as well as his widow.

    I had the pleasure of meeting Holly's widow, Maria Elena Holly, nearly 10 years ago when she represented her husband at the first Hard Rock Hall of Fame induction ceremony at the Hard Rock Cafe in downtown Houston. She is the first to tell you that her husband was a self-assured young man who always knew what he wanted. She smiled when recalling that Holly asked for her hand in marriage on the first day they met — the first date she ever went on in her life.

    She partially blames herself for Holly's death. Having just found out she was two-weeks pregnant, Mrs. Holly was not feeling well when her husband left on that last Midwest tour. She knows that if she had been there, her husband would have never gotten on that plane.

    Holly's funeral took place in Lubbock but she was too distraught to attend. She still has never visited his headstone. Perhaps that would make his death too tangible.

    Maria Elena, who now lives in Dallas, was fond of telling her very practical and proactive husband that he was age "22 going on 50." In truth, the image she keeps of him in her mind is frozen in time at 1959.

    The same goes for the rest of us.

    If he had lived, Holly would be 73 years-old today. Perhaps he would still be playing the occasional gig, like his early rock n' roll peers Jerry Lee Lewis and Chuck Berry. We can only imagine what else he would have added to popular music and what effect it would have had on the generations of bands and artists.

    What we are left with instead is a dramatic tale of a tragic untimely death and a reason to celebrate Holly's life by "spinning" a few of his greatest hits over again in his honor.

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    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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