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    She's Got Moxie

    Houston author's 'Moxie' powers Amy Poehler's edgy new Netflix film

    Johnston Farrow
    Johnston Farrow
    Feb 4, 2021 | 12:50 pm

    A little bit of Moxie goes a long way.

    Houston-based author and Bellaire High School English teacher Jennifer Mathieu is raising a glass this week after the trailer for the Netflix movie based on her young adult novel, Moxie, aired this week. The trailer has been shared around the world in myriad media outlets. (View it here.)

    The film stars and is directed by comedy legend Amy Poehler. The former Saturday Night Live and Parks and Recreation star’s production company, Paper Kite, optioned the rights to Moxie in 2018, and it will premiere on the streaming giant on March 3.

    “It’s been surreal,” the admittedly shy, but excited Jennifer Mathieu tells CultureMap after a day of teaching. “I don’t think I’ll ever get used to it. One of the nice things about all this is that friends, my college roommate, and people I went to high school with are sharing it on social media and saying nice things. So, it’s been really fun and a way to connect with people.”

    While many books are adapted for screen by streaming services, not all star an Emmy Award-winning actress in Poehler and an Academy Award winning actress in Marcia Gay Harden, not to mention a who’s-who in upcoming young Hollywood talent in Hadley Robinson (Little Women, Utopia) and Patrick Schwarznegger (son of Arnold).

    Moxie follows protagonist Vivian Carter who becomes inspired by her mother’s riot grrrl-inspired, feminist past to create an anonymous zine that speaks out against the sexist culture at her high school. The zine is the catalyst for a feminist movement on campus, drawing the ire of administrators and the young men whose toxic masculinity is being called out.

    Despite the recent glut of teen movies across platforms, Moxie is drawing favorable comparisons to some of the best of the genre, including Booksmart and Mean Girls.

    The story is somewhat personal to Mathieu. She is a unabashed feminist that wrote zines herself as a teenager. She loved riot grrrl bands of the '90s such as Sleater-Kinney and Bikini Kill known for promoting female equality through art and music. Walking the walk, Mathieu is also the proud sponsor of the Feminist Club at Bellaire High School, a campus she says is much more accepting and supportive of all voices than the fictional high school setting of her novel.

    "That's why I wrote Moxie," she says. "I love riot grrrl, I love feminism and stories that center on how hard it is to be a teenager. It's just been a great experience from start to finish."

    While not directly involved with the film making process, Mathieu did discuss the adaptation with screenwriter Tamara Chestna. She also had the opportunity to fly to California before the pandemic started to visit the set, where she met with Poehler and some of the cast, including Robinson, who plays the main character, Vivian. (No judgement here for fangirling over the experience of seeing her creation jump off the page.)

    "Amy Poehler came out and I was just so uncool," Mathieu remembers. "I immediately asked, 'Can I have a picture with you?' I was going to be on set for the whole day. But I was like, I need a picture with you now! That moment was probably a top ten in my life."

    When she got to see a screener of the movie, she watched it with her husband, and then watched it three more times.

    “I 100 percent, freaking loved it,” she recalls. “I mean, I knew Amy Poehler was going to do a good job, but you always hear stories of authors like Stephen King didn’t like The Shining, but I knew that wasn’t going to be me. I knew I was going to love it because I love everything that Amy Poehler does, but I don’t think I was prepared to love it as much as I did.”

    Unlike King’s well-documented criticism of adaptations of his work, the film version of Moxie stayed true to the book with a few changes and wrinkles that work for the screen. The feminist spirit of the novel is fully intact, which comes through in the trailer.

    “The big elements and scenes that were really important to me, that I loved writing are all still in there, but [Poehler’s] also added her own spin on it,” Mathieu says. “She’s changed some of the storyline, and the principal is now played by a woman, which I thought was an interesting choice, played by Marcia Gay Harden. But the way she put it all together works so beautifully, and I think it’s the best kind of film adaptation — it honors the book but it’s its own special creation.”

    Unfortunately, due to the pandemic, Mathieu will miss out on walking the red carpet at an official premiere, but she’s quite content to celebrate at home with her husband and 10-year-old boy.

    "Of course I would have loved to gone, but as someone who is pretty introverted, there's a part of me that's 'phew,' I don't know how I would have handled being at a big event like that," she says. "But I know there will be virtual watch parties and my publisher is putting together a Moxie movie in a box to send out to to reporters to build buzz. There's also going to be a movie tie-in version of the book."

    Next up for Mathieu is the release of her sixth novel, Bad Girls Never Say Die, which contains echoes of Moxie about a gang of girls in Houston set in 1964. A tentative date has been set for the fall. Until then, the Houston author is content to enjoy the ride around the Netflix film, continue to teach, and write in her spare time.

    “When I saw the list of everywhere the trailer had been, I was so pumped to know it had that wide of a reach,” Mathieu says. “I’m super excited — I really am just like a high school teacher. I’m a mom, I live in Westbury, I’m 44 years-old, it’s kind of overwhelming sometimes. But in a great way.”

    "Moxie" author Jennifer Mathieu (right) freaking out like the rest of us would with Amy Poehler on set.

    Jennifer_Mathieu_Amy_Poehler
    Courtesy Jennifer Mathieu
    "Moxie" author Jennifer Mathieu (right) freaking out like the rest of us would with Amy Poehler on set.
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    Movie Review

    Safe cracking takes center stage in new heist movie Tuner

    Alex Bentley
    May 29, 2026 | 3:14 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties — not to mention the danger of the thefts — insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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