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    Think Kansas and MIT

    The chosen one: Steven Holl Architects picked to design Museum of Fine Arts,Houston expansion

    Tyler Rudick
    Feb 2, 2012 | 4:28 pm
    • Architect Steven Holl of Steven Holl Architects
    • Bloch Building expansion of the Nelson-Atkins Museum of Art in Kansas City, Mo.
      Photo by Charvex
    • Steven Holl's design for Simmons Hall at MIT won the Harleston Parker Medal[https://en.wikipedia.org/wiki/Harleston_Parker_Medal] from the Boston Society ofArchitects in 2004.
      Photo by Daderot
    • The 2007 Bloch Building expansion for the Nelson-Atkins Museum of Art in KansasCity, Mo.
      Photo by Charvex

    The Museum of Fine Arts, Houston announced Thursday that the award-winning American firm Steven Holl Architects has been selected to partner with the museum to develop an architectural project on a two-acre site adjacent to the Cullen Sculpture Garden.

    At the center of the expansion effort will be a new museum building set to house the MFAH's galleries for art after 1900 as well as traveling exhibition space, educational facilities, a library and resource center, lecture halls, a theater and a restaurant.

    The museum's long-range planning committee, comprised of members from the MFAH board of trustees, narrowed an international search to three renowned candidates in July 2012 — New York's Steven Holl Architects, Norwegian firm Snøhetta and the Los Angeles-based Morphosis. Each design group was asked to devise a site-specific architectural concept for the new multi-use expansion.

    "Everyone gave truly compelling presentations," said MFAH director Gary Tinterow. "It was exciting to see three quite different notions of how the project could be developed."

    The firms presented their final ideas last week.

    "Everyone gave truly compelling presentations," MFAH director Gary Tinterow told CultureMap. "It was exciting to see three quite different notions of how the project could be developed."

    Though the newly-appointed director has only been involved in the selection process recently, he said he was able to meet with each of the final candidates personally.

    "After hearing the final presentations last week, it was almost universally held among members of the planning committee that Steven Holl Architects would be the best fit for the museum's vision."

    Tinterow, who strongly considered a career in architecture during his studies at Harvard, stressed that the choice of Steven Holl is only the start of a long-term working relationship with the firm as internal museum departments review and refine the expansion project.

    "The committee wasn't choosing a specific building design," he noted, saying that the candidates were given only general parameters of what the museum hoped to achieve. "Essentially, we were making decisions on the way the firms think and how they work."

    "I really have to commend the selection committee for their consistantly methodical approach," said Tinterow. "They visited almost every project by the finalists they could. They've been working together so well for so long, they knew exactly what kind of relationship they wanted to have with the chosen architectural team."

    Winner of the American Institute of Architect's Gold Medal for 2012, Steven Holl is best recognized in the US for 2003's Simmons Hall at the Massachusetts Institute of Technology as well as for his innovative 2007 addition for Nelson-Atkins Museum in Kansas City, Mo., which New Yorker magazine heralded as “one of the best buildings of the last generation.”

    unspecified
    news/entertainment

    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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