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    The worst of the worst

    The Razzies jump the shark: Why pick on Jessica Alba while a non-nude JakeGyllenhaal skates?

    Sarah Rufca
    Jan 28, 2011 | 6:15 pm
    • Jennifer Aniston in "The Bounty Hunter" = worst actress in the 2011 Razzies
    • Included as a "Worst Actor" selection, Taylor Lautner for both "Twilight Saga:Eclipse" and "Valentine’s Day"
    • One of The Golden Raspberry Awards' worst picture of 2010, "Sex and the City 2."Sarah Jessica Parker, Kim Cattrall, Kristin Davis and Cynthia Nixon were alsorecognized in the "Worst Actress" category.
    • Another selection for worst picture, "Twilight Saga: Eclipse"

    There's kicking people, and there's kicking people who are already down.

    There's something dishy and fun about giving successful, famous people a hard time — like Ricky Gervais did while hosting the Golden Globes.

    But the Razzies, the anti-Oscars given out by the Golden Raspberry Foundation to the worst movies and actors of the year for the past 30 years, have lost some of that spirit this year by nominating actors with less than impressive careers.

    Which is not to say there aren't plenty of stars on the list — Jennifer Aniston, Ashton Kutcher, Miley Cyrus, Gerard Butler, Megan Fox, Jack Black, Jessica Alba and the casts of Sex and The City 2 and Twilight: Eclipse among them.

    But unlike last year, when Sandra Bullock collected her Razzie the night before picking up an Academy Award, and 2005, when Halle Berry accepted hers while holding her Oscar won the year before, these are actors who have built entire careers on terrible movies.

    Alba, for example, was nominated for worst supporting actress for her performance in no less than four movies in 2010. No one is surprised that she is terrible in these movies. If you go see a movie starring Jessica Alba, you know what you're in for — mild T&A and animatronic acting.

    If the Razzies are just going to pick low-hanging fruit, these "worsts" seem arbitrary. Was Jennifer Aniston in The Bounty Hunter really so much worse than Katherine Heigl in Life As We Know It or Kristen Bell in When in Rome? Also, considering Josh Duhamel was in two of those three movies, can we assume he skated by un-nominated because listening to Fergie practice singing is enough torture for one man? What makes Cats & Dogs 2: the Revenge of Kitty Galore worse than Yogi Bear or Marmaduke or that owl movie whose name I'm not even going to bother to look up?

    They should take a cue from The Literary Review, which gives out a "Bad Sex in Fiction" award every year. Winners and nominees include admired authors like Jonathan Franzen and Tom Wolfe, not literary disasters like Snooki.

    For some real relevance, leave out the teens and the former models and nominate actors who are capable of better. I'm thinking Angelina Jolie and Johnny Depp in The Tourist, Amy Adams in Leap Year, Liam Neeson in Clash of the Titans, Josh Brolin in Jonah Hex or Jake Gyllenhaal for all scenes in which he is not at least half naked.

    Until then, the Razzies can have their fun hating on The Last Airbender and Love Sucks. But I can't imagine anyone caring.

    unspecified
    news/entertainment

    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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