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    Music Matters

    Concert Picks of the Week: The Fiery Furnaces, Del Castillo, Timbaland

    Michael D. Clark
    Jan 28, 2010 | 4:52 pm
    • The Fiery Furnances at Walter's on Washington on Friday
    • Del Castillo at Dan Electro's Guitar Bar on Saturday
    • Timbaland at House of Blues on Tuesday, Feb. 2

    It's "Bring Your Sibling to Work Week" as these live music picks feature a brother-sister act, a brother-brother act and a hip-hip impresario who has called just about every hit-making artist working in rock and rap his "brother" or "sister" at one time or another. It's always good to surround yourself with family, especially at these can't-miss shows.

    Friday

    The Fiery Furnaces, 9 p.m. at Walter’s on Washington

    The comparisons to The White Stripes, the prolific output by siblings Matthew and Eleanor Friedberger and the street cred amassed by touring with bands like Deerhoof are not what make The Fiery Furnaces the current toast of the underground.

    It is the very public tongue lashing that Brother Friedberger aimed at Radiohead late last year that has music critics and sounds snobs everywhere wondering how this art-rock standoff is going to end.

    The fracas started following the release of “Harry Patch (In Memory of,)" Radiohead's tribute to the last surviving British veteran of World War I, who passed away last summer. Friedberger, however, thought the song was an homage to avant garde composer Henry Partch and labeled the effort as yet another one of Radiohead’s efforts to latch themselves to something cool and edgy.

    Friedberger was later told of his mistaken identity error, but his follow-up statement (issued through his media representatives) was hardly a mea culpa: "Matt has not heard the Radiohead song about Harry Patch, but if he did, he is sure he wouldn't like it. No doubt Radiohead and their fans can ignore his opinion of this matter and continue with their triumphant artistic interventions. Matt would have much preferred to insult Beck but he is too afraid of Scientologists."

    Whoa!

    Now imagine when he puts that defiant tongue to music as he and his sister have for the band’s recently released eighth album, I’m Going Away. Ironically—and not unlike Radiohead—the album cuts quite an original dramatic sonic swath of its own. Its high-end writing is contrasted by a “lo-fi” recording process courtesy of Sebadoh’s Jason Lowenstein.

    It should sound even better on stage.

    Tickets $13.65

    Saturday

    Del Castillo, 9:30 p.m. at Dan Electro’s Guitar Bar

    Like many young kids who grow up around Austin, brothers Mark and Rick Del Castillo didn’t realize they had made a career decision when they picked up guitars and started work on their first CD, Brother of the Castle, back in 2001.

    Then again, they probably never thought Rolling Stone magazine would suggest their mix of traditional flamenco, rock and blues rhythm was the sound of “Eddie Van Halen fronting early Santana.”

    Since then the Del Castillo brothers have made many in-state fans including director Richard Rodriguez, who has added their music to the soundtracks of many of his films including Sin City and Spy Kids 3. Willie Nelson is also a fan and invited the band to record a version of “I Never Cared For You,” with him that the Red Headed Stranger now calls his favorite.

    Outside of Texas, Del Castillo tours large venues with Los Lonely Boys, Los Lobos and Don Henley. This is a chance to see them up-close-and-personal on a local club stage.

    Tuesday

    Timbaland, 8 p.m. at House of Blues

    The name Timbaland probably sounds familiar, but you just can’t quite place what hits songs he sings. Right?

    That’s probably because this Grammy-award winner has spent the better part of the last 20 years producing the songs and laying down the beats that have made others famous. Beginning with Jodeci back in 1993, Timbaland helped to put the “swing” in the long-gone New Jack Swing era of hip-hop.

    Since then he has produced, remixed or added a personal touch to songs by everyone from Chris Cornell to No Doubt to Rihanna. Rarely, however, does he take time to focus on his personal artistic endeavors.

    See Timbaland rock the hot end of the microphone in support of his third solo album, Shock Value II. The hypnotic beats and intoxicating loops on singles like “Morning After Dark,” and “Carry Out” will make it clear why so many artists turn to him when a song needs sizzle.

    Tickets $25-$45

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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