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    Movie Review

    Alien apocalypse: The 5th Wave doesn't deserve a sequel as YA sci-fi craze peters out

    Alex Bentley
    Jan 27, 2016 | 9:11 am
    Alien apocalypse: The 5th Wave doesn't deserve a sequel as YA sci-fi craze peters out
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    If you thought that the genre of young adult apocalyptic movies was petering out with the final Hunger Games movie in 2015, think again. Despite significantly lower returns for their respective sequels, both the Divergent and Maze Runner series are coming back to finish their trilogies. And now we can add a new one to the mix with The 5th Wave.

    At least this one — which, as they all are, is based on a book series — brings a little something new to the table. Instead of humans separating into groups and turning on one another, The 5th Wave revives an oldie-but-goodie: the alien invasion. Cassie (Chloë Grace Moretz), along with her family and the rest of humanity, is caught off guard when spaceships invade the atmosphere.

    The unseen aliens then bombard Earth with four waves of destruction. The first is an electromagnetic pulse that knocks out all electricity. The second wave triggers earthquakes around the world, effectively drowning anybody on islands or along the coasts via the resulting tsunamis. The third is a virus spread through birds, and the fourth is the inhabitation of some humans to kill off others without them knowing their attackers are aliens.

    The first half of the movie details these four waves, and thanks to a screenplay by the powerhouse trio of Susannah Grant, Akiva Goldsman, and Jeff Pinkner, it’s actually pretty compelling. Where the story goes wrong, ironically, is when it has to deal with the titular fifth wave and children are turned into soldiers to take out the remaining surviving humans.

    I guess that could be considered a spoiler, but there’s never a doubt where the movie is headed. Taking a cue from The Hunger Games but somehow making it worse, kids as young as 5 are outfitted in uniforms and given guns. This is supposed to be deadly serious, but seeing them suited up and trying to act like badasses elicits a mixture of laughter and pity.

    Meanwhile Cassie, who escaped being turned into a soldier and is trying to survive on her own, runs into a hunky, mysterious guy named Evan (Alex Roe), injecting romantic tension into a movie that doesn’t need it. Nor does it need the triangle that develops when she reconnects with her high school crush, Ben (Nick Robinson).

    Pompously-named director J Blakeson can’t keep the momentum of the first half going, taking weird narrative leaps that remove any suspense the film had. His jumpy style does no favors to Moretz, turning her more into a damsel in distress than the hero she’s shown to be in other films.

    The other recognizable actors in the film are hit and miss. Ron Livingston and Maggie Siff make the most of their short screen time as Cassie’s parents, but Maria Bello is near insufferable as a Southern-fried army sergeant. Liev Schreiber falls in both the good and bad camps as the main bad guy, Colonel Vosch, with hammy scenes overshadowing the subtler ones.

    The 5th Wave is not completely awful, but it should earn very little praise. Just like its genre forebears, it doesn’t really deserve any sequels, but with two more books to adapt and more money to be made, you can expect to see them in the coming years anyway.

    Liev Schreiber in The 5th Wave.

    Liev Schreiber in The 5th Wave
    Photo by Chuck Zlotnick
    Liev Schreiber in The 5th Wave.
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    Movie Review

    Stellar cast delivers campy witch fun in new movie Forbidden Fruits

    Alex Bentley
    Mar 27, 2026 | 10:30 am
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits
    Photo courtesy of IFC
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits.

    There was a time when Dallas was a prime location for movies, whether it was for films set in and around the city, like Tender Mercies, or ones that used it to stand in for other locations, like Robocop. Dallas is getting its first notable shoutout in a long time thanks to the new film, Forbidden Fruits.

    Set mostly in a NorthPark Center-like location called Highland Place Mall, the film centers on a group of young women known as the Fruits. Apple (Lili Reinhart), Cherry (Victoria Perfetti), and Fig (Alexandra Shipp) all work at a clothing store called Free Eden, with the three of them essentially lording over everyone else in the mall. That includes Pumpkin (Lola Tung), who works at the pretzel store Sister Salt’s and who wants to join their group.

    Pumpkin soon discovers that, apart from being an entitled clique, the group also claims to be a coven of witches, with Apple especially using their combined power to get back at anyone who’s wronged them. When Pumpkin starts noticing Cherry and Fig going astray of the group’s code, she uses this knowledge to get in tighter with Apple, although she’s unprepared for how far Apple will go to protect her interests.

    Written and directed by Meredith Alloway (who grew up in Dallas and graduated from both Lake Highlands High School and SMU) and co-written by Lily Houghton, the film seems to have the aim of combining movies like Mean Girls and The Craft. The peer pressure of being part of an exclusive group is evident from the start, as Apple essentially forces the others to live by her code or be ostracized (or worse).

    One of the biggest problems the film runs into, though, is that any conflict comes from within the group itself. With no pressure coming from other friends, family, or co-workers, the group has to create its own drama. The story quickly gets redundant and stagnant, with almost no plot movement until the final act of the film, when it’s almost too late.

    Alloway is clearly aiming for a campy vibe with the film, but the execution leaves something to be desired. The four characters are established in a perfunctory manner, and even as they get fleshed out as the film goes along, there’s nothing to compare them with, so it’s as if they’re just acting off-the-wall in a vacuum.

    Those who know the Dallas area well will enjoy the local references (the women hail from Plano, Irving, Grapevine, and Highland Park), and Alloway makes sure to include the looming threat of a tornado into the plot. But since the film was actually filmed in Toronto, there are no visuals that make it feel like Texas, and so any goodwill she gets from setting the film in the city is muted by that lack.

    While Reinhart (Riverdale) and Shipp (Storm in X-Men movies) have been around longer, both Pedretti (You) and Tung (The Summer I Turned Pretty) have made big impressions on streaming shows in recent years. The foursome play off each other well even when the story is not that compelling.

    If there was a message in Forbidden Fruits that Alloway wanted to get across, she didn’t communicate it clearly enough. Her solid cast can only do so much to sell a story that doesn’t have enough on the bone to be filling. It would have been nice for the movie to be filmed in Dallas, but such is the way of the world in modern Hollywood.

    ---

    Forbidden Fruits opens in theaters on March 27.

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