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    Idol Insider

    Space City doesn't exactly rock: Many of Houston's American Idol auditions areout of this world bad

    Tara Seetharam
    Jan 27, 2012 | 10:29 am
    • Baylie Brown is back on "American Idol," trying her luck five seasons later.
    • On a night when Houston didn't exactly wow, Lakewood Church worship leaderRamiro Garcia brought a needed bright spot.
    • Who would have guessed that Jennifer Lopez would become the voice of reason on"American Idol."
      Photo by Matt Sayles/AP

    In its 11 seasons, American Idol’s dropped by the Lone Star State a whopping nine times, including the Dallas cattle call that propelled the show to fame. But its recent stop in Houston (shown Thursday night) proved a little less successful — a mixed bag of sorts.

    In a nod to Space City, Commander Dan C. Burbank “launched” the episode more than 250 miles above Earth, and with that, we were off with the good, the bad and the intolerable.

    The episode felt oddly vintage in some ways, like a throwback to circa Season Three when ridiculously delusional people with bad accents were a novelty. See first contestant Phong Vu, a 25-year-old Houston-native who says it’s “phenomenon” to be able to audition.

    When the judges tell him no, he gets on his knees and argues that he’s “heard worse" . . . and he’s quickly escorted out by a security guard.

    He delivers a painful “Unbreak My Heart” with even more painful conviction, and then tries to woo the judges with his “iconic moves.” Dear Nigel: This is 2012. Let’s move on.

    The jab at Houston proceeds with a string of similar auditions, from flamboyant renditions of “My Prerogative” and “I’m So Excited,” to wannabe Josh Turner Scotty McCreery covers of “Just to be Your Man.”

    But then, enter Skyler Laine, a country girl who shoots deer and whose adorable family owns a hole-in-the-wall restaurant in downtown Mississippi. Before she sings a single note, I write in my notes: “Looks and sounds like Miranda Lambert.” And alas, the 17-year-old whips out “Hell On Heels” by Lambert’s side project, The Pistol Annies (if you don’t have their album, run, don’t walk, to get it).

    She’s got flair, chops and authenticity, and with my favorite audition thus far, the judges send her through. Sadly, she ain’t from Texas.

    Thankfully, the next contestant is from Texas, 21-year-old Baylie Brown. Idol aficionados will remember her from Season Six, when she was infamously ousted during group round, thanks to memory loss and a clash with two Jersey girls. Simon Cowell told the 16-year-old in her initial audition that her voice would be great in two or three years, and he might be right.

    She auditions with more maturity and control this time, wrapping her country-ish voice around Bon Jovi’s “Bed of Roses.” To Hollywood she goes.

    So does 28-year-old Kristine Osorio, a hard working soon-to-be single mom who traded in her divorce lawyer cash for a plane ticket from Amarillo to the Idol audition. She sings my favorite Adele song, “One and Only,” with grit and believability, and I can’t wait to hear how her husky tone transforms other songs.

    Idol then treats us to a tangible reminder of the disparity between Jennifer Lopez’s worth as a judge and “the others.’’ Much to her dismay, the boys turn down three worthy contenders and shoo in Linda Williams from League City, whose sloppy version of “Fallin’” can’t touch the previous three auditions.

    “I honestly feel like somebody slipped you something,“ Jennifer tells Randy, before launching into indignant backlash. Get it, girl.

    Alajandro Cazeres “The Revolution” then takes us back to Season Three with another awkwardly bad audition. The Houstonite babbles on about wanting to live in a world where Lady Gaga sells platinum records and Barack Obama is president — further proof he was plucked straight from 2004.

    When the judges tell him no, he gets on his knees and argues that he’s “heard worse" . . . and he’s quickly escorted out by a security guard.

    And finally, with Jennifer's abs and a few other Season Three-esque auditions sprinkled in between, two memorable contestants knock on Idol’s door. The first is Cortez Shaw, a warehouse worker and college student from Garland who’s been through tough times with his single-parent family.

    “American Idol is opportunity at its greatest,” he says, and the idealist inside of me agrees. He spins Adele’s “Someone Like You” into an upbeat ditty, and I kind of dig his note choices. What I don’t dig is his claim that Randy’s his favorite judge — dude, seriously? — but for that I will have to forgive him.

    The night ends with Ramiro Garcia, a Lakewood Church worship leader born without ears. Though his parents were told he’d never speak or hear, several surgeries later he’s auditioning with a serviceable if not remarkable take on “Amazing Grace.” There’s sheer passion in his delivery, and his dad notes in broken English that he “Sings on another level — different to this world.”

    It’s a touching way to close out Idol’s visit to Space City.

    All in all, 56 contestants from the Houston audition will battle it out during Hollywood Week. Sound off on your favorites below.

    Quote of the Night

    “Don’t sweat the petty things, and don’t pet the sweaty things.”

    - Steven Tyler, for reals.

    Get more of Tara Seetharam's pop culture musings on her website TaraSeetharam.com and follow her on Twitter @TaraAshley.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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