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    Where my girls at?

    From Charles Nelson Reilly to Todd Glass: The search for gay male comedic rolemodels

    Ralph Hardesty
    Jan 27, 2012 | 9:17 am
    • Comedian Todd Glass
    • Comedian Charles Nelson Reilly

    As a comedian, I have tons of stand-up comedy heroes — but none I really see myself in. There are plenty of doughy, mean white guys out there, but they talk about their girlfriends or their wives or their kids; they never talk about their boyfriends or their partners or their kids.

    When I initially sat down to write this column, I was ready to write about the dearth of openly gay male stand-up comedians. Because when the hilarious Todd Glass came out on WTF, my immediate reaction was “Yes! We got one!”

    One. It was like I was living in a drought of gay comedy, and Glass coming out was the first non-ANT drop of water since Charles Nelson Reilly.

    From what I knew, there were no gay guys telling jokes outside of gay bars. Turns out I’m wrong, and I'm part of the problem.

    It’s curious, because I can name a dozen lesbian comedians off the top of my head. And there are superstars of stand-up like Kathy Griffin and Margaret Cho who gay men spend big bucks supporting, but from what I knew, there were no gay guys telling jokes outside of gay bars.

    Turns out I’m wrong, and I'm part of the problem.

    For some context, I have been a fan of stand-up comedy for almost my entire life. My parents were never careful about what their kids watched, so I saw Eddie Murphy: Raw way earlier than I should have. That also means that as I sat hypnotized by Murphy’s purple leather ass, I heard the word “faggot” before I knew what a gay person was.

    Stand-up can be a harsh, homophobic place. For better or worse, good stand-up is where the ugly truth and the mean subconscious come out. My father is a huge Sam Kinison fan, and I was as afraid of him as a child as I was of the Trash Heap from Fraggle Rock.

    And it’s like a children's playground all over again at comedy open mics, for better and for worse. I started doing stand-up almost a year ago, and I am in love with it.

    But everything you’ve heard about open mics is true. At open mics, "fag" jokes are low-hanging fruit for comedy punchlines. I can name some brilliant, hilarious gay jokes written by the straightest of my city’s comedians, but at open mics the point of the jokes isn’t always good-natured. Sometimes, the point of the joke is just getting to say “faggot” for a laugh.

    It's incredibly important for a stand-up to have comic heroes. Geniuses like Phyllis Diller make young women think that they can and should be stand-ups. Gods like Richard Pryor convince young black comics that they, too, can become giants in film and comedy. Ellen and Wanda come out of the closet, and lesbians become hilarious.

    For better or worse, good stand up is where the ugly truth and the mean subconscious come out.

    So in my laziness and ignorance of non-lesbian gay stand-ups, I had incorrectly concluded that comedy must be a harsh, homophobic industry that brutalizes new gay guys like me until they just can’t take it; that only Ellen DeGeneres and Wanda Sykes get to be the new Oprahs.

    I took to the Internet to confirm my suspicions and was surprised to find that, actually, there are more than a few hilarious, talented, respected comics who also happen to be gay men. I'd encourage you to find out about Glass (whose material isn’t really "out," exactly), Chip Pope, Adam Sank, Vidur Kapur, Gabe Liedman, James Adomian and Brad Loekle. (And please, leave more recommendations in the comments, too.)

    I hope Glass’ interview on WTF is a first step towards gay comics’ careers taking more of the spotlight. I really hope his coming out will teach more gay men how much we are missing by not engaging with the brilliant comedians who come from of the same communities we do.

    I wish there were a classic comedy special like Richard Pryor's epic Live on the Sunset Strip that spoke directly to gay men. It would be my heart's delight to watch a theater of thousands of gay men absolutely dying while listening to an openly gay male comedian telling really dirty jokes about blowjobs. It doesn’t sound like it would mean that much — until you realize you don’t have it.

    So of course there are tons of gays in the industry who do/have done stand-up as part of their career. Now, it's up to fans of comedy to embrace those that have laid the groundwork — and then, to become a role model myself.

    unspecified
    news/entertainment

    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

    moviesfilm
    news/entertainment
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