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    Where my girls at?

    From Charles Nelson Reilly to Todd Glass: The search for gay male comedic rolemodels

    Ralph Hardesty
    Jan 27, 2012 | 9:17 am
    • Comedian Todd Glass
    • Comedian Charles Nelson Reilly

    As a comedian, I have tons of stand-up comedy heroes — but none I really see myself in. There are plenty of doughy, mean white guys out there, but they talk about their girlfriends or their wives or their kids; they never talk about their boyfriends or their partners or their kids.

    When I initially sat down to write this column, I was ready to write about the dearth of openly gay male stand-up comedians. Because when the hilarious Todd Glass came out on WTF, my immediate reaction was “Yes! We got one!”

    One. It was like I was living in a drought of gay comedy, and Glass coming out was the first non-ANT drop of water since Charles Nelson Reilly.

    From what I knew, there were no gay guys telling jokes outside of gay bars. Turns out I’m wrong, and I'm part of the problem.

    It’s curious, because I can name a dozen lesbian comedians off the top of my head. And there are superstars of stand-up like Kathy Griffin and Margaret Cho who gay men spend big bucks supporting, but from what I knew, there were no gay guys telling jokes outside of gay bars.

    Turns out I’m wrong, and I'm part of the problem.

    For some context, I have been a fan of stand-up comedy for almost my entire life. My parents were never careful about what their kids watched, so I saw Eddie Murphy: Raw way earlier than I should have. That also means that as I sat hypnotized by Murphy’s purple leather ass, I heard the word “faggot” before I knew what a gay person was.

    Stand-up can be a harsh, homophobic place. For better or worse, good stand-up is where the ugly truth and the mean subconscious come out. My father is a huge Sam Kinison fan, and I was as afraid of him as a child as I was of the Trash Heap from Fraggle Rock.

    And it’s like a children's playground all over again at comedy open mics, for better and for worse. I started doing stand-up almost a year ago, and I am in love with it.

    But everything you’ve heard about open mics is true. At open mics, "fag" jokes are low-hanging fruit for comedy punchlines. I can name some brilliant, hilarious gay jokes written by the straightest of my city’s comedians, but at open mics the point of the jokes isn’t always good-natured. Sometimes, the point of the joke is just getting to say “faggot” for a laugh.

    It's incredibly important for a stand-up to have comic heroes. Geniuses like Phyllis Diller make young women think that they can and should be stand-ups. Gods like Richard Pryor convince young black comics that they, too, can become giants in film and comedy. Ellen and Wanda come out of the closet, and lesbians become hilarious.

    For better or worse, good stand up is where the ugly truth and the mean subconscious come out.

    So in my laziness and ignorance of non-lesbian gay stand-ups, I had incorrectly concluded that comedy must be a harsh, homophobic industry that brutalizes new gay guys like me until they just can’t take it; that only Ellen DeGeneres and Wanda Sykes get to be the new Oprahs.

    I took to the Internet to confirm my suspicions and was surprised to find that, actually, there are more than a few hilarious, talented, respected comics who also happen to be gay men. I'd encourage you to find out about Glass (whose material isn’t really "out," exactly), Chip Pope, Adam Sank, Vidur Kapur, Gabe Liedman, James Adomian and Brad Loekle. (And please, leave more recommendations in the comments, too.)

    I hope Glass’ interview on WTF is a first step towards gay comics’ careers taking more of the spotlight. I really hope his coming out will teach more gay men how much we are missing by not engaging with the brilliant comedians who come from of the same communities we do.

    I wish there were a classic comedy special like Richard Pryor's epic Live on the Sunset Strip that spoke directly to gay men. It would be my heart's delight to watch a theater of thousands of gay men absolutely dying while listening to an openly gay male comedian telling really dirty jokes about blowjobs. It doesn’t sound like it would mean that much — until you realize you don’t have it.

    So of course there are tons of gays in the industry who do/have done stand-up as part of their career. Now, it's up to fans of comedy to embrace those that have laid the groundwork — and then, to become a role model myself.

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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