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    Where my girls at?

    From Charles Nelson Reilly to Todd Glass: The search for gay male comedic rolemodels

    Ralph Hardesty
    Jan 27, 2012 | 9:17 am
    • Comedian Todd Glass
    • Comedian Charles Nelson Reilly

    As a comedian, I have tons of stand-up comedy heroes — but none I really see myself in. There are plenty of doughy, mean white guys out there, but they talk about their girlfriends or their wives or their kids; they never talk about their boyfriends or their partners or their kids.

    When I initially sat down to write this column, I was ready to write about the dearth of openly gay male stand-up comedians. Because when the hilarious Todd Glass came out on WTF, my immediate reaction was “Yes! We got one!”

    One. It was like I was living in a drought of gay comedy, and Glass coming out was the first non-ANT drop of water since Charles Nelson Reilly.

    From what I knew, there were no gay guys telling jokes outside of gay bars. Turns out I’m wrong, and I'm part of the problem.

    It’s curious, because I can name a dozen lesbian comedians off the top of my head. And there are superstars of stand-up like Kathy Griffin and Margaret Cho who gay men spend big bucks supporting, but from what I knew, there were no gay guys telling jokes outside of gay bars.

    Turns out I’m wrong, and I'm part of the problem.

    For some context, I have been a fan of stand-up comedy for almost my entire life. My parents were never careful about what their kids watched, so I saw Eddie Murphy: Raw way earlier than I should have. That also means that as I sat hypnotized by Murphy’s purple leather ass, I heard the word “faggot” before I knew what a gay person was.

    Stand-up can be a harsh, homophobic place. For better or worse, good stand-up is where the ugly truth and the mean subconscious come out. My father is a huge Sam Kinison fan, and I was as afraid of him as a child as I was of the Trash Heap from Fraggle Rock.

    And it’s like a children's playground all over again at comedy open mics, for better and for worse. I started doing stand-up almost a year ago, and I am in love with it.

    But everything you’ve heard about open mics is true. At open mics, "fag" jokes are low-hanging fruit for comedy punchlines. I can name some brilliant, hilarious gay jokes written by the straightest of my city’s comedians, but at open mics the point of the jokes isn’t always good-natured. Sometimes, the point of the joke is just getting to say “faggot” for a laugh.

    It's incredibly important for a stand-up to have comic heroes. Geniuses like Phyllis Diller make young women think that they can and should be stand-ups. Gods like Richard Pryor convince young black comics that they, too, can become giants in film and comedy. Ellen and Wanda come out of the closet, and lesbians become hilarious.

    For better or worse, good stand up is where the ugly truth and the mean subconscious come out.

    So in my laziness and ignorance of non-lesbian gay stand-ups, I had incorrectly concluded that comedy must be a harsh, homophobic industry that brutalizes new gay guys like me until they just can’t take it; that only Ellen DeGeneres and Wanda Sykes get to be the new Oprahs.

    I took to the Internet to confirm my suspicions and was surprised to find that, actually, there are more than a few hilarious, talented, respected comics who also happen to be gay men. I'd encourage you to find out about Glass (whose material isn’t really "out," exactly), Chip Pope, Adam Sank, Vidur Kapur, Gabe Liedman, James Adomian and Brad Loekle. (And please, leave more recommendations in the comments, too.)

    I hope Glass’ interview on WTF is a first step towards gay comics’ careers taking more of the spotlight. I really hope his coming out will teach more gay men how much we are missing by not engaging with the brilliant comedians who come from of the same communities we do.

    I wish there were a classic comedy special like Richard Pryor's epic Live on the Sunset Strip that spoke directly to gay men. It would be my heart's delight to watch a theater of thousands of gay men absolutely dying while listening to an openly gay male comedian telling really dirty jokes about blowjobs. It doesn’t sound like it would mean that much — until you realize you don’t have it.

    So of course there are tons of gays in the industry who do/have done stand-up as part of their career. Now, it's up to fans of comedy to embrace those that have laid the groundwork — and then, to become a role model myself.

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    news/entertainment
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    Movie Review

    Fun final act isn't enough to make Clayface DC's next great movie

    Alex Bentley
    Oct 23, 2026 | 11:30 am
    Tom Rhys Harries and Naomi Ackie in Clayface
    Photo by Parisa Taghizadeh
    Tom Rhys Harries and Naomi Ackie are patient and doctor in Clayface.

    The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

    Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

    Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

    Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

    Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

    It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

    This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

    It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

    ---

    Clayface opens in theaters on October 23.

    moviesfilmclayface
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