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    Where my girls at?

    From Charles Nelson Reilly to Todd Glass: The search for gay male comedic rolemodels

    Ralph Hardesty
    Jan 27, 2012 | 9:17 am
    • Comedian Todd Glass
    • Comedian Charles Nelson Reilly

    As a comedian, I have tons of stand-up comedy heroes — but none I really see myself in. There are plenty of doughy, mean white guys out there, but they talk about their girlfriends or their wives or their kids; they never talk about their boyfriends or their partners or their kids.

    When I initially sat down to write this column, I was ready to write about the dearth of openly gay male stand-up comedians. Because when the hilarious Todd Glass came out on WTF, my immediate reaction was “Yes! We got one!”

    One. It was like I was living in a drought of gay comedy, and Glass coming out was the first non-ANT drop of water since Charles Nelson Reilly.

    From what I knew, there were no gay guys telling jokes outside of gay bars. Turns out I’m wrong, and I'm part of the problem.

    It’s curious, because I can name a dozen lesbian comedians off the top of my head. And there are superstars of stand-up like Kathy Griffin and Margaret Cho who gay men spend big bucks supporting, but from what I knew, there were no gay guys telling jokes outside of gay bars.

    Turns out I’m wrong, and I'm part of the problem.

    For some context, I have been a fan of stand-up comedy for almost my entire life. My parents were never careful about what their kids watched, so I saw Eddie Murphy: Raw way earlier than I should have. That also means that as I sat hypnotized by Murphy’s purple leather ass, I heard the word “faggot” before I knew what a gay person was.

    Stand-up can be a harsh, homophobic place. For better or worse, good stand-up is where the ugly truth and the mean subconscious come out. My father is a huge Sam Kinison fan, and I was as afraid of him as a child as I was of the Trash Heap from Fraggle Rock.

    And it’s like a children's playground all over again at comedy open mics, for better and for worse. I started doing stand-up almost a year ago, and I am in love with it.

    But everything you’ve heard about open mics is true. At open mics, "fag" jokes are low-hanging fruit for comedy punchlines. I can name some brilliant, hilarious gay jokes written by the straightest of my city’s comedians, but at open mics the point of the jokes isn’t always good-natured. Sometimes, the point of the joke is just getting to say “faggot” for a laugh.

    It's incredibly important for a stand-up to have comic heroes. Geniuses like Phyllis Diller make young women think that they can and should be stand-ups. Gods like Richard Pryor convince young black comics that they, too, can become giants in film and comedy. Ellen and Wanda come out of the closet, and lesbians become hilarious.

    For better or worse, good stand up is where the ugly truth and the mean subconscious come out.

    So in my laziness and ignorance of non-lesbian gay stand-ups, I had incorrectly concluded that comedy must be a harsh, homophobic industry that brutalizes new gay guys like me until they just can’t take it; that only Ellen DeGeneres and Wanda Sykes get to be the new Oprahs.

    I took to the Internet to confirm my suspicions and was surprised to find that, actually, there are more than a few hilarious, talented, respected comics who also happen to be gay men. I'd encourage you to find out about Glass (whose material isn’t really "out," exactly), Chip Pope, Adam Sank, Vidur Kapur, Gabe Liedman, James Adomian and Brad Loekle. (And please, leave more recommendations in the comments, too.)

    I hope Glass’ interview on WTF is a first step towards gay comics’ careers taking more of the spotlight. I really hope his coming out will teach more gay men how much we are missing by not engaging with the brilliant comedians who come from of the same communities we do.

    I wish there were a classic comedy special like Richard Pryor's epic Live on the Sunset Strip that spoke directly to gay men. It would be my heart's delight to watch a theater of thousands of gay men absolutely dying while listening to an openly gay male comedian telling really dirty jokes about blowjobs. It doesn’t sound like it would mean that much — until you realize you don’t have it.

    So of course there are tons of gays in the industry who do/have done stand-up as part of their career. Now, it's up to fans of comedy to embrace those that have laid the groundwork — and then, to become a role model myself.

    unspecified
    news/entertainment

    Movie Review

    Offbeat drama Pillion features command performance by Alexander Skarsgård

    Alex Bentley
    Feb 20, 2026 | 4:30 pm
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

    moviesfilm
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