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Cheapskate's Guide to the Finer Things in Life

Music to our ears: An evening of songs without words

Leslie Loddeke
Jan 26, 2011 | 11:32 am

Imagine a relationship in which you are so clearly in concert with your spouse that friends and strangers alike compliment you for being so harmonious, and note how attentively you listen to one another.

You’ll have a chance to watch, listen and learn from just such an amazing couple tonight when Houston Symphony Orchestra Principal Cellist Brinton Averil Smith and guest pianist Evelyn Chen will appear in a free Shepherd School of Music recital at Rice University, where Smith is on the faculty.

The program in Duncan Hall is titled, “Liederabend ohne Worte,” as this will be “an evening of songs without words.” Featuring instrumental pieces inspired by vocal music, the program shown on the Shepherd Performance calendar describes an intriguing mixture of works by composers including Beethoven, Brahms, Falla and Strauss.

I noticed how well these two independently successful musicians performed together when I happened to hear them on KUHF-FM’s “The Front Row.” Each note was so exquisitely well timed, I imagined the two performers continually exchanging glances to make sure each came in at exactly the right moment. I wondered how they worked that out, to produce this extraordinarily adept, sweet-sounding, well-balanced musical conversation.

OK, now’s the time for the punch line to the old joke: How do you get to Carnegie Hall? “Practice!” But I knew, or rather, I felt that it must have taken even more than endless hours and years of diligent practice, tremendous discipline, and unity of determined will to engender the kind of music that goes beyond the ears, to the soul. It was that kind of performance.

After playing several pieces by composers including Korngold and Falla, Smith and Chen must have surprised smiles out of more than a few listeners when they switched to a more recent, bluesy favorite: George and Ira Gershwin’s “It Ain’t Necessarily So,” arranged by Jascha Heifetz. Following their performance, Smith and Chen answered questions posed by TFR host St. John Flynn.

As I wasn’t able to ask the question myself, I was glad to hear Flynn ask Smith and Chen what it’s like to live, rehearse and perform with another musician. Smith thoughtfully responded that the couple, who met while training at the Juilliard School, had learned over the years that they could “trust each other’s ears.”

Chen picked up that line of thought, commenting that they had come to understand each other so well, on so many levels, that they could practically read each other’s minds in anticipation during their musical performances. The duo summed up with the statement that they had “learned to listen to one another.” What a concept! Say, world -- maybe this couple is onto something!

All told, the recital, presenting two instruments with their own unique voices, should have quite a lot to say tonight when Smith and Chen perform selected songs without words. I’ll be listening.

unspecified
news/entertainment

Movie Review

An all-star cast delivers clever laughs in new comedy The Invite

Alex Bentley
Jul 10, 2026 | 2:30 pm
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
Photo courtesy of A24
Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film — which is different from the raunchy, R-rated comedies of the 21st century — has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples — the loud sex Hawk and Piña have on an almost nightly basis — turns the film on its head with an unexpected invitation.

Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

While The Invite will likely play better to those who have experience with long term relationships, its insights — and occasional bawdiness — make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

---

The Invite is now playing in theaters.

movies film
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