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    Blimey! 135 phenomenal hours of streaming British television to keep you rightentertained

    Garland Grey
    Jan 22, 2012 | 7:00 pm

    The conventional wisdom used to be that Americans wouldn’t watch British television. The jokes weren’t relatable, the drama was too stiff and formal and none of the actors looked like runway models. Then, The Office premiered in 2001 and America awarded the UK with one of our highest cultural honors — the remake.

    In the years since, our friends across the pond have been enjoying a golden era of television, with shows like Misfits and Downton Abbey drawing international acclaim and fan bases. So in this midseason television drought, I bring to you an oasis of phenomenal storytelling: seven British television shows currently streaming on Netflix that will keep you glued to the couch for days.

    1. Doctor Who: 53 hours

    This series follows the exploits of The Doctor, a 900-year-old Time Lord who flies through time and space in a blue police box, saving creatures across the Universe from monsters and tyrants.

    If you look past the occasionally cheesy special effects and the constant use of Deus ex Machina, you’ll find a show that draws you in with its fascinating storylines and courageous characters.

    And don’t worry about going back to the original series’ 1963 debut to catch up — the 2005 reboot is a perfect place to start your life as a “Whovian.”

    2. Downton Abbey: 5.5 hours

    Who could have guessed that the breakout BBC hit of 2011 would be a period drama about an English household before the First World War? Downton Abbey manages to establish and develop a large cast of distinct and interesting characters without sacrificing the flow or quality of the story, keeping you invested in so many different relationships.

    The first time someone tried to screen it for me I pretended to be asleep, so they’d get the hint that Masterpiece Theatre was too stale and boring for my time — within 20 minutes, I was yelling at the screen and mooning over the costumes and set design. Season Two is airing on PBS; I’ve seen it and it is breathtaking.

    3. Black Books: 7 hours

    A few weeks ago, I trapped three friends in my apartment for hours simply by starting the pilot to Black Books. They had plans for the day, errands to run, places to be, but all that evaporated once they got an eyeful of Dylan Moran’s hilarious misanthrope, Bernard Black.

    Moran is a brilliant stand-up comic aided by two great supporting characters; you find yourself watching some episodes over and over again, laughing at the same jokes and catching new ones. If you like this clip of Dylan Moran’s stand-up, you’ll adore Black Books.

    4. Shameless: 39 hours

    Frank Gallagher is an unemployed lush raising six children on government assistance, and it would be charitable to say he does his best.

    The Gallaghers don’t have a lot of money or resources and, left to their own devices, they get up to some hijinx that might shock and scandalize certain viewers. But when they are working together to get one of their own out of a jam (or throwing a fake wedding for their neighbors) it truly is heartwarming, and makes you see how little they have to be ashamed of.

    5. The IT Crowd: 9 hours

    Moss and Roy are two computer geeks who find themselves with a new boss, Jen, who doesn’t know anything about computers. As they teach her about technology, she teaches them how to interact with the world. The high point of the series is definitely Richard Ayoade’s deadpan delivery and stoic demeanor:

    In the second episode, a small fire starts in the office; after the fire extinguisher catches on fire, he sets it down, saying: “I’ll just put this over here with the rest of the fire,” and sits down to write an email to the fire department. You can watch the scene online and find out how quickly nine hours can fly by.

    6. Sherlock: 4.5 hours

    Just returned from service in Afghanistan, Doctor John Watson agrees to room with Sherlock Holmes of 221-B Baker Street. It isn’t an easy partnership: Sherlock keeps body parts in the fridge to test decomposition rates, shoots at the wall when he’s bored, and alienates everyone around him with his arrogance and cruelty.

    There is no shortage of shows on these days about eccentric, anti-social geniuses who solve mysteries and don’t bother being polite about it, but this is best of them all. The only drawback? Each episode is an hour and a half, there are only three episodes per season, and the new season isn’t airing in America yet.

    7. Peep Show: 17 hours

    Each episode of Peep Show is a long, slow train wreck brought about because the main characters, Mark and Jeremy, make terrible decisions and have very little self awareness.

    Fans of It's Always Sunny In Philadelphia will love their reprehensible behavior and their non-existent crisis management skills, with the added bonus of being able to hear the characters' internal monologues. Watch Peep Show with a friend or a group of friends; mortified embarrassment and uncontrollable laughter is best shared with those you love.

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    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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