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Blimey! 135 phenomenal hours of streaming British television to keep you rightentertained

The conventional wisdom used to be that Americans wouldn’t watch British television. The jokes weren’t relatable, the drama was too stiff and formal and none of the actors looked like runway models. Then, The Office premiered in 2001 and America awarded the UK with one of our highest cultural honors — the remake.

In the years since, our friends across the pond have been enjoying a golden era of television, with shows like Misfits and Downton Abbey drawing international acclaim and fan bases. So in this midseason television drought, I bring to you an oasis of phenomenal storytelling: seven British television shows currently streaming on Netflix that will keep you glued to the couch for days.

1. Doctor Who: 53 hours

This series follows the exploits of The Doctor, a 900-year-old Time Lord who flies through time and space in a blue police box, saving creatures across the Universe from monsters and tyrants.

If you look past the occasionally cheesy special effects and the constant use of Deus ex Machina, you’ll find a show that draws you in with its fascinating storylines and courageous characters.

And don’t worry about going back to the original series’ 1963 debut to catch up — the 2005 reboot is a perfect place to start your life as a “Whovian.”

2. Downton Abbey: 5.5 hours

Who could have guessed that the breakout BBC hit of 2011 would be a period drama about an English household before the First World War? Downton Abbey manages to establish and develop a large cast of distinct and interesting characters without sacrificing the flow or quality of the story, keeping you invested in so many different relationships.

The first time someone tried to screen it for me I pretended to be asleep, so they’d get the hint that Masterpiece Theatre was too stale and boring for my time — within 20 minutes, I was yelling at the screen and mooning over the costumes and set design. Season Two is airing on PBS; I’ve seen it and it is breathtaking.

3. Black Books: 7 hours

A few weeks ago, I trapped three friends in my apartment for hours simply by starting the pilot to Black Books. They had plans for the day, errands to run, places to be, but all that evaporated once they got an eyeful of Dylan Moran’s hilarious misanthrope, Bernard Black.

Moran is a brilliant stand-up comic aided by two great supporting characters; you find yourself watching some episodes over and over again, laughing at the same jokes and catching new ones. If you like this clip of Dylan Moran’s stand-up, you’ll adore Black Books.

4. Shameless: 39 hours

Frank Gallagher is an unemployed lush raising six children on government assistance, and it would be charitable to say he does his best.

The Gallaghers don’t have a lot of money or resources and, left to their own devices, they get up to some hijinx that might shock and scandalize certain viewers. But when they are working together to get one of their own out of a jam (or throwing a fake wedding for their neighbors) it truly is heartwarming, and makes you see how little they have to be ashamed of.

5. The IT Crowd: 9 hours

Moss and Roy are two computer geeks who find themselves with a new boss, Jen, who doesn’t know anything about computers. As they teach her about technology, she teaches them how to interact with the world. The high point of the series is definitely Richard Ayoade’s deadpan delivery and stoic demeanor:

In the second episode, a small fire starts in the office; after the fire extinguisher catches on fire, he sets it down, saying: “I’ll just put this over here with the rest of the fire,” and sits down to write an email to the fire department. You can watch the scene online and find out how quickly nine hours can fly by.

6. Sherlock: 4.5 hours

Just returned from service in Afghanistan, Doctor John Watson agrees to room with Sherlock Holmes of 221-B Baker Street. It isn’t an easy partnership: Sherlock keeps body parts in the fridge to test decomposition rates, shoots at the wall when he’s bored, and alienates everyone around him with his arrogance and cruelty.

There is no shortage of shows on these days about eccentric, anti-social geniuses who solve mysteries and don’t bother being polite about it, but this is best of them all. The only drawback? Each episode is an hour and a half, there are only three episodes per season, and the new season isn’t airing in America yet.

7. Peep Show: 17 hours

Each episode of Peep Show is a long, slow train wreck brought about because the main characters, Mark and Jeremy, make terrible decisions and have very little self awareness.

Fans of It's Always Sunny In Philadelphia will love their reprehensible behavior and their non-existent crisis management skills, with the added bonus of being able to hear the characters' internal monologues. Watch Peep Show with a friend or a group of friends; mortified embarrassment and uncontrollable laughter is best shared with those you love.

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Movie Review

Fawning Michael Jackson biopic Michael ignores the singer's complexities

Photo by Glen Wilson

Jaafar Jackson in Michael.

Michael Jackson remains among the most complicated figures in pop culture history. On one hand, he’s responsible for some of the most enduring music of all time, thrilling generations with his voice and dance moves. But his later years were marred by accusations of child sexual abuse and erratic behavior, including his premature death at the age of 50.

So the new biopic Michael is a tough one to judge from a critical standpoint, not least because director Antoine Fuqua and writer John Logan have elided — perhaps temporarily — the thornier parts of Michael’s history. Instead, this film focuses on the 20-year period in which Michael (played as an adult by Michael’s nephew Jaafar Jackson) goes from the prepubescent lead singer of the Jackson 5 to one of the biggest music superstars of all time.

That choice puts an overly sympathetic tint to Michael’s story, as he spends most of that time under the thumb of his domineering father, Joseph (Colman Domingo). Joseph has a vision for Michael and his brothers, and he pushes them hard in a quest to become rich and famous. Even when they achieve that goal, though, Joseph refuses to let up, holding onto Michael even when it’s clear he should go out on his own.

As a reminder of the enormous impact Michael Jackson had on the music industry and world at large, the film is successful. Fuqua and Logan include plenty of music, naturally, but they seem to be most interested in depicting Michael as a human being. They lay it on thick, whether it’s showing him spending time among his family members away from the stage, hanging out with bodyguard Bill Bray (KeiLyn Durrel Jones), or visiting sick kids in hospitals. The message that Michael is a harmless, good person couldn’t be clearer.

The film hints at but doesn’t really explore Michael’s oddities. His obsession with kids literature and movies, especially Peter Pan, are seen as inoffensive quirks, as is his menagerie of animals, including a creepy CGI version of Bubbles the chimp. His arrested development seems to be partially blamed on his parents treating him like a child well into his adulthood, and the resulting fallout is not (yet) addressed.

Many viewers will be most interested in the music sequences, and — save for some repetitive shots of fans fainting at the mere presence of Michael — they are handled well. Whether it’s at home, in the studio, on the set of the “Thriller” video, or at live performances, the film manages to fully get across just what a phenomenon Michael was at his peak. The staging and editing of each scene is dynamic, complementing Michael’s other-worldly abilities well.

If there is one reason to see the film, it is the performance of Jaafar Jackson. Whether he’s capable of doing any other kind of role is undetermined, but his portrayal of his uncle is compelling, as he demonstrates singing, dancing, and acting skills in equal measure. He’s aided by an equally great performance by Domingo, who — with the help of facial prosthetics — overcomes the trope of the bad father. Nia Long and Larenz Tate are also good in smaller roles, but Miles Teller is an odd presence as Michael’s manager.

There are reports that legal complications prevented the filmmakers from using previously-shot scenes delving into accusations against Michael, and there are rumors that a second film will be made about the last 20 years of his life. But that speculation can’t absolve Michael of showing all the positive aspects of Michael Jackson’s life and not even touching any of the negative ones.

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Michael opens in theaters on April 24.

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