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    Blimey! 135 phenomenal hours of streaming British television to keep you rightentertained

    Garland Grey
    Jan 22, 2012 | 7:00 pm

    The conventional wisdom used to be that Americans wouldn’t watch British television. The jokes weren’t relatable, the drama was too stiff and formal and none of the actors looked like runway models. Then, The Office premiered in 2001 and America awarded the UK with one of our highest cultural honors — the remake.

    In the years since, our friends across the pond have been enjoying a golden era of television, with shows like Misfits and Downton Abbey drawing international acclaim and fan bases. So in this midseason television drought, I bring to you an oasis of phenomenal storytelling: seven British television shows currently streaming on Netflix that will keep you glued to the couch for days.

    1. Doctor Who: 53 hours

    This series follows the exploits of The Doctor, a 900-year-old Time Lord who flies through time and space in a blue police box, saving creatures across the Universe from monsters and tyrants.

    If you look past the occasionally cheesy special effects and the constant use of Deus ex Machina, you’ll find a show that draws you in with its fascinating storylines and courageous characters.

    And don’t worry about going back to the original series’ 1963 debut to catch up — the 2005 reboot is a perfect place to start your life as a “Whovian.”

    2. Downton Abbey: 5.5 hours

    Who could have guessed that the breakout BBC hit of 2011 would be a period drama about an English household before the First World War? Downton Abbey manages to establish and develop a large cast of distinct and interesting characters without sacrificing the flow or quality of the story, keeping you invested in so many different relationships.

    The first time someone tried to screen it for me I pretended to be asleep, so they’d get the hint that Masterpiece Theatre was too stale and boring for my time — within 20 minutes, I was yelling at the screen and mooning over the costumes and set design. Season Two is airing on PBS; I’ve seen it and it is breathtaking.

    3. Black Books: 7 hours

    A few weeks ago, I trapped three friends in my apartment for hours simply by starting the pilot to Black Books. They had plans for the day, errands to run, places to be, but all that evaporated once they got an eyeful of Dylan Moran’s hilarious misanthrope, Bernard Black.

    Moran is a brilliant stand-up comic aided by two great supporting characters; you find yourself watching some episodes over and over again, laughing at the same jokes and catching new ones. If you like this clip of Dylan Moran’s stand-up, you’ll adore Black Books.

    4. Shameless: 39 hours

    Frank Gallagher is an unemployed lush raising six children on government assistance, and it would be charitable to say he does his best.

    The Gallaghers don’t have a lot of money or resources and, left to their own devices, they get up to some hijinx that might shock and scandalize certain viewers. But when they are working together to get one of their own out of a jam (or throwing a fake wedding for their neighbors) it truly is heartwarming, and makes you see how little they have to be ashamed of.

    5. The IT Crowd: 9 hours

    Moss and Roy are two computer geeks who find themselves with a new boss, Jen, who doesn’t know anything about computers. As they teach her about technology, she teaches them how to interact with the world. The high point of the series is definitely Richard Ayoade’s deadpan delivery and stoic demeanor:

    In the second episode, a small fire starts in the office; after the fire extinguisher catches on fire, he sets it down, saying: “I’ll just put this over here with the rest of the fire,” and sits down to write an email to the fire department. You can watch the scene online and find out how quickly nine hours can fly by.

    6. Sherlock: 4.5 hours

    Just returned from service in Afghanistan, Doctor John Watson agrees to room with Sherlock Holmes of 221-B Baker Street. It isn’t an easy partnership: Sherlock keeps body parts in the fridge to test decomposition rates, shoots at the wall when he’s bored, and alienates everyone around him with his arrogance and cruelty.

    There is no shortage of shows on these days about eccentric, anti-social geniuses who solve mysteries and don’t bother being polite about it, but this is best of them all. The only drawback? Each episode is an hour and a half, there are only three episodes per season, and the new season isn’t airing in America yet.

    7. Peep Show: 17 hours

    Each episode of Peep Show is a long, slow train wreck brought about because the main characters, Mark and Jeremy, make terrible decisions and have very little self awareness.

    Fans of It's Always Sunny In Philadelphia will love their reprehensible behavior and their non-existent crisis management skills, with the added bonus of being able to hear the characters' internal monologues. Watch Peep Show with a friend or a group of friends; mortified embarrassment and uncontrollable laughter is best shared with those you love.

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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