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    The Arthropologist

    SYTYCD star Neil Haskell talks stuntin' in advance of Bring it On: The Musical'sHobby Center run

    Nancy Wozny
    Jan 22, 2012 | 5:30 pm
    • Cheerleading rules in Bring It On: The Musical
      Photo by Michael Lamont
    • Taylor Louderman and company performing in Bring It On: The Musical
      Photo by Craig Schwartz
    • Neil Haskell, from left, Kate Rockwell, Taylor Louderman and Janet Krupin inBring It On: The Musical
      Photo by Michael Lamont
    • A scene from Bring It On: The Musical
      Photo by Craig Schwartz
    • Adrienne Warren and artists in "Do Your Own Thing" from Bring It On: The Musical
      Photo by Craig Schwartz

    Yes, it's true, I was a back-up cheerleader in sixth grade for the girls' junior varsity field hockey team. It doesn't get any worse than that. I never even got to shake the pompoms.

    But the humiliation left me with an odd fascination for all things "Ra Ra": cheerleading, drill team, color guards, marching bands and the like. There's a tremendous amount of creativity happening on the nation's football fields. It's America's national folk form.

    Lucky for me, I landed in Texas, land of high-level cheerleading and birthplace of the drill team. Lucky for you, Theater Under the Stars is presenting Bring it On: The Musical, chock full of cheer candy, at The Hobby Center, Jan. 24 through Feb. 5.

    The creative team includes Jeff Whitty (Avenue Q), Lin-Manuel Miranda (In the Heights), Pulitzer Prize and Tony Award-winning Tom Kitt (Next to Normal) and Andy Blankenbueler (In the Heights). It's an A-list Broadway team if I've ever seen one.

    Haskell has carved a successful post-SYTYCD career for himself, performing in 9 to 5 on Broadway, Alter Boyz off-Broadway, the national tour of West Side Story and two films.

    Sure, there's some crossover between cheerleading and dance, however some serious acrobatic skills are required for this show and any decent cheerleading squad. That's where So You Think You Can Dance (SYTYCD) Season 3 second-runner-up and All-Star Alum Neil Haskell comes in.

    Haskell, my buffalo brother, was a competitive gymnast before turning to dance. High bar was his specialty. You can bet that upper body strength is coming in pretty handy in his role as Steven in Bring it On, where he gets to throw women in the air. Oh, he catches them too.

    "Steven dates the head cheerleader, but then jumps to the next hottest girl, that kind of guy," says Haskell over the phone from Denver, where the show is drawing raves. "He just might get a girl at the end. You will have to come and see."

    I first spied Haskell on Broadway in Twyla Tharp's acro-heavy The Times They are A-Changin', where Haskell's comfort flying in the air was in full view. The show bombed, but Haskell went on to TV heartthrob fame.

    Week after week, he stunned audiences with his polished technique and effortless back flips. With his princely good looks and the fact that the costume department could never seem to find a shirt for the young lad, he became a dance idol.

    Unlike his SYTYCD peers, Haskell has actually carved a post-SYTYCD career for himself, performing in 9 to 5 on Broadway, Alter Boyz off-Broadway, the national tour of West Side Story and two films. "It's such a joy to be on stage," he says. "I enjoy teaching, but I want to perform as long as I can."

    Although Haskell has kept his flips in check, Bring it On takes a whole new set of chops.

    "Stunting [fancy word for cheer tricks] is completely different than partnering in dance," he says. "The hand holds, the way you lift a girl and the way you catch a girl flying through the air, it was all new to me. I had to learn how to balance someone else in the air. They brought in a cheer consultant for us new to stunting. There are several national champion cheerleaders in the cast. It's a great mix of dancers and cheerleaders."

    "It's definitely a physically demanding show," Haskell says. "There's some scary moments, but anytime you seeing a girl falling, there's a guy falling underneath her."

    Although audiences may gasp at the height of the flying cheerleaders in the show, Haskell says it's all very safe. "We do a stunt call right before each show and go over all the hand holds," he says. "Each show is unique, and I find ways to push myself. It's definitely a physically demanding show. There's some scary moments, but anytime you seeing a girl falling, there's a guy falling underneath her."

    Plus, Haskell gets to show off his regular old dance skills, of which there are many. "There's some great hip hop choreography in the show, too," he adds.

    Bring it On: The Musical shares the same cheerleading vibe as the movie, but the similarities stop there. "It's really a separate entity," he says. "The music is awesome, and the whole creative team is so talented."

    And now, he sings, too. "I sang in the choir when I was growing up. But I got a vocal coach while I was in New York."

    The reaction to the show has been enthusiastic. "In Denver, we had whole cheerleading squads show up. They loved the show. If you love dance, you will love this show. We are flipping girls 25 feet in the air."

    As for the "what's next" question, Haskell is not ready to think beyond this show. "It's our hope and our goal to take Bring it On to New York."

    Go Team Bring it On!

    Let shirtless Neil and America's current favorite dancer Melanie Moore melt your heart:

    unspecified
    news/entertainment

    lizzo concert review

    Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

    Craig Hlavaty
    Mar 7, 2026 | 12:24 am
    Lizzo RodeoHouston
    Courtesy of Houston Livestock Show and Rodeo
    Lizzo entered the rodeo in a tricked out SLAB.

    Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

    The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

    Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

    Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

    At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

    Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.


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    A post shared by RODEOHOUSTON (@rodeohouston)


    “This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

    She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

    Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

    Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

    Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

    Wait, is that? Yes, by God, that’s Houston’s national anthem.

    Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

    “At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

    The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

    Setlist

    With Texas Southern University’s Ocean Of Soul

    About Damn Time
    Juice
    2 Be Loved (Am I Ready)
    Soulmate
    Cuz I Love You

    With The Walls Group

    Lift Every Voice And Sing
    Special > Total Praise
    Rumors > What’s Up

    Tempo > Wobble
    Boys (with Ocean Of Soul)
    Mo City Don (Z-Ro Cover)
    Yitty On Yo Tittys
    Screwed (with Ocean Of Soul)
    Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
    Truth Hurts
    Good As Hell (with Ocean Of Soul)

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