Longtime Texas singer-songwriter Steven Fromholz died of an accidental gunshot wound he suffered while hunting on a ranch near El Dorado. He was 68.
According to the Associated Press, the gun was accidentally discharged when being transferred between two cars. Fromholz was shot and later died in an area hospital.
Fromholz was born in Temple, Texas, and attended North Texas State University. While a student, he belonged to the Folk Music Club along with singer-songwriter Michael Martin Murphey and Eddie Wilson. The latter would go on to found the Armadillo World Headquarters in Austin.
After a stint in the Navy, Fromholz returned to folk music, writing, recording and playing live. He eventually moved to Austin, where he had an integral role in what became known as the Texas Outlaw music movement. He was also a community activist.
For more than 40 years, he saw great international success as a songwriter, recording artist and performer. He also became a river-rafting and riding-trail guide in West Texas, where he owned the ranch that he lived on for the remainder of his life.
Fromholz was inducted into the Texas Music Hall of Fame in 2003 and was named Texas Poet Laureate in 2007.
Jason Segel and Samara Weaving on Over Your Dead Body.
When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.
Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.
His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.
Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.
It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.
The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.
The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.
The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.
