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    The CultureMap Interview

    Deborah Norville reveals secrets of Inside Edition and what Joan Rivers taught her

    Clifford Pugh
    Jan 18, 2015 | 3:26 pm

    Deborah Norville is a TV survivor. In March, she will celebrate her 20th anniversary of hosting Inside Edition and recently extended her contract for another two years.

    In Houston a few months ago to tout a change to a more desirable time slot on Channel 13 (the show airs at 3:30 p.m. weekdays), Norville met with CultureMap for a breakfast interview at the Four Seasons Hotel, where she covered topics ranging from why the show has a following among randy young men to what she learned from Joan Rivers.

    In person, Norville has the same down-home conversational style she exhibits on the syndicated newsmagazine show, along with impeccable Southern manners (she periodically thanks the waiter) honed from growing up in Georgia. The 56-year-old news veteran co-hosted the Today show, hosted a radio show and was a CBS News correspondent before replacing Bill O’Reilly as host of Inside Edition in 1995.

    CultureMap: What have you discovered on this Texas tour to promote Inside Edition?

    Deborah Norville: When I come to Texas it’s a lot like being at home, because I’m from north Georgia. And I think Texans and Georgians are very similar. We share the same views on guns. Living in New York you can’t really talk about it very loudly. It’s the same friendliness. For me it’s very cozy. It’s just like being in a big giant hug because people in Texas they just can’t do enough for you.

    "Texans and Georgians are very similar. We share the same views on guns. Living in New York you can’t really talk about it very loudly."

    My niece lives here, so last night we picked up some takeout. The thing about Houston is there’s such a good food culture here. My biggest beef is I'm not here long enough to really enjoy it.

    CM: Why has the show been successful?

    DN: You have to recognize that if you don’t evolve you become extinct. It's like a dinosaur. If you look at the shows on the air when I came on board, A Current Affair was still on TV, Hard Copy, American Journal. These shows are all gone now. One of the reasons we're still here is we've evolved in a way that we think the audience has evolved.

    When I first came in they did a lot of these very tabloid — I call them, "Beach Blanket Bingo" stories. There wasn’t a spring break they didn’t cover and they'd zoom in on the cleavage and the drunken children on the beach. We know that happens, but how is my life being enhanced or my knowledge base being increased by this? And it just wasn’t. It was gratuitous and it was kind of stupid. The audience might have been interested in that at the beginning but they had their fill of it.

    And so we moved beyond that. What we tell people now is you can get the highlights of what the celebrities are doing by watching Inside Edition because we will give you just a little tidbit of what that is. But what you’ll get from us is stories that make you laugh, that touch the heartstrings, a lot more lifestyle stories.

    "One of the reasons we're still here is we've evolved in a way that we think the audience has evolved."

    CM: But some people still think of Inside Edition as a tabloid show. What do you tell advertisers?

    DN: We tell them we're the best vehicle to get to clients you want to reach — women. And we do very well with men 18-34. That's a tough demo to reach.

    CM: Why do young men watch the show?

    DN: I've been told I'm a MILF. I think it's the MILF factor. My son is 19; he says that's what he hears from his friends. It's disgusting but I'll take it. And we do enough jazzy stories that appeal to a lot of demographics.

    We're very strong with women 25-54 that advertisers want to reach. We do stories that touch your heart and have some sort of deeper meaning that you will have for your life.

    And we almost always end the show with some stupid animal moment. Whether it's a roller skating squirrel or Skeeter the Narcoleptic Dog — every time he got excited he would conk out. Skeeter had a very timely end. He was crossing the street and got excited and feel asleep and got hit by a car. I don't think we put that on TV but that was actually what happened.

    "I think it's the MILF factor. My son is 19; he says that's what he hears from his friends. It's disgusting but I'll take it."

    CM: I didn't realize you were such close friends with Joan Rivers until I learned you gave one of the eulogies at her funeral. The outpouring of affection for her was amazing.

    DN: Joan would have been blown away by this. I don't think she had any idea of the depth of that affection. Joan Rivers was one of the biggest celebrities in the world and yet there was something about Joan, about her honesty, about her candor, the ups and downs of her life that everyone could relate to, even though they'll never be at Buckingham Palace with Prince Charles.

    CM: Prince Charles liked her so much.

    DM: She is so honest. She doesn't care if you are prince. She said all kinds of terrible stuff in front of him and he just laughed. In fact I will show you a picture. (She locates a photo on her cell phone of her and husband Carl with Prince Charles and Camilla.) I wanted to have something close. We were at Clarence House and she was saying something ridiculous. Carl and I are falling over laughing and the Prince is thinking this is the funniest thing in the world.

    CM: When was it taken?

    DM: Maybe 7 or 8 years ago. It was several faces ago. She used to joke when (grandson) Cooper was little he called her "Nana Newface."

    People saw Joan struggle and they saw their own struggles in Joan and they saw how she rebuilt herself. And she wouldn't take any crap from anybody. She lived life according to her own terms. I think we would all like to do that.

    CM: What did you learn from her?

    DN: More than anything else, Joan was a teacher. She taught us how to live life fearlessly. She taught us how to live life by our rules. She taught us how to dust ourselves off and pick ourselves up and keep on going again.

    But she also taught us to make sure that at the end — whenever that end should be — that there will be no question about what you want. Joan was very specific about what she considered a quality of life. And she gave a great deal of thought to it and she made sure that many people knew what she considered a better quality of life. And if it was clear (to daughter Melissa) there was no question that this is what mom wants. And that is a gift that family members can get. And now I've learned that from Joan.

    Deborah Norville was close with Joan Rivers, left.

    Deborah Norville and Joan Rivers
    Photo courtesy of InsideEdition.com
    Deborah Norville was close with Joan Rivers, left.
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    Movie Review

    Sheriff Bob Odenkirk is back in over-the-top new action movie 'Normal'

    Alex Bentley
    Apr 17, 2026 | 2:30 pm
    Bob Odenkirk in Normal
    Photo courtesy of Magnolia Pictures
    Bob Odenkirk in Normal.

    Screenwriter Derek Kolstad, who wrote the first three John Wick movies, has essentially had a blank check to do what he wants in the movie landscape since 2014. In recent years that has meant writing the action series Nobody for Bob Odenkirk, who has turned from a comedian into an unlikely action star in his sixties. Kolstad and Odenkirk are teaming up again in Normal.

    A film that tries to evoke Fargo in multiple ways, Normal finds Ulysses Richardson (Odenkirk) serving as a temporary sheriff for the small town of Normal, Minnesota after the previous sheriff died. Knowing he’s just a steward until a new sheriff is elected, Ulysses takes a live-and-let-live approach to the job, letting the deputies (Ryan Allen and Billy MacLellan) do the grunt work and trying to stay out of everyone’s way, including Mayor Kibner (Henry Winkler).

    A bank robbery attempt by two non-citizens upsets his best-laid plans in more ways than he can imagine. Not only is he forced to confront a crime not often seen in a town like Normal, but the robbery uncovers secrets that turn the film into an all-out bloodbath. Soon, almost everyone in town becomes involved in what comes to resemble a war, along with — you guessed it — Yakuza henchmen from Japan.

    Directed by Ben Wheatley and written by Kolstad, the film is a slight twist on the everyman-turned-hero character Odenkirk played in the two Nobody films. While Ulysses is in law enforcement, he prefers to use words instead of weapons, and it’s only when he’s pushed to the brink that he crosses that line. Naturally, his skills are beyond what anyone would expect of him, allowing him to match up well with people half his age.

    The film is not a comedy in the traditional sense, but instead aims for laughs by catching the audience off-guard with its ultraviolence. Some characters are dispatched in shockingly unexpected ways, with one of the only natural reactions to the jarring nature of their deaths being laughter. That’s not necessarily the case for other killings, which range from blasé to sadistic, and the only reason they count as entertainment is because the filmmakers have primed the audience to accept them as such.

    After a relatively solid setup, where Wheatley and Kolstad seem to take their time getting to know the main characters, the second half of the film is pure action that dispenses with good storytelling. Like many action movies, there are double crosses, surprise revelations, and more, but the filmmakers don’t seem to care about making sense of any character arcs. All they care about is delivering mayhem, and they succeed on that front.

    Odenkirk has perfected the mild-yet-intimidating nature of his action characters, and it is satisfying to see him get the better of those who have done him wrong. He doesn’t run or jump like fellow 63-year-old Tom Cruise, but — with the help of fast-paced editing — he still makes for a credible action hero. The only other actors of any note in the film are Winkler, who’s a nice presence with his sardonic personality, and Lena Headey, whose small role doesn't match up with her experience.

    You have to have a certain mindset to enjoy a film like Normal, but if you can abide its over-the-top bloodiness, it’s a serviceable action film. Few would have expected Odenkirk to take on these kinds of roles at this late stage of his career, but he’s making the most of his opportunities.

    ---

    Normal opens in theaters on April 17.

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