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    The CultureMap Interview

    Deborah Norville reveals secrets of Inside Edition and what Joan Rivers taught her

    Clifford Pugh
    Jan 18, 2015 | 3:26 pm

    Deborah Norville is a TV survivor. In March, she will celebrate her 20th anniversary of hosting Inside Edition and recently extended her contract for another two years.

    In Houston a few months ago to tout a change to a more desirable time slot on Channel 13 (the show airs at 3:30 p.m. weekdays), Norville met with CultureMap for a breakfast interview at the Four Seasons Hotel, where she covered topics ranging from why the show has a following among randy young men to what she learned from Joan Rivers.

    In person, Norville has the same down-home conversational style she exhibits on the syndicated newsmagazine show, along with impeccable Southern manners (she periodically thanks the waiter) honed from growing up in Georgia. The 56-year-old news veteran co-hosted the Today show, hosted a radio show and was a CBS News correspondent before replacing Bill O’Reilly as host of Inside Edition in 1995.

    CultureMap: What have you discovered on this Texas tour to promote Inside Edition?

    Deborah Norville: When I come to Texas it’s a lot like being at home, because I’m from north Georgia. And I think Texans and Georgians are very similar. We share the same views on guns. Living in New York you can’t really talk about it very loudly. It’s the same friendliness. For me it’s very cozy. It’s just like being in a big giant hug because people in Texas they just can’t do enough for you.

    "Texans and Georgians are very similar. We share the same views on guns. Living in New York you can’t really talk about it very loudly."

    My niece lives here, so last night we picked up some takeout. The thing about Houston is there’s such a good food culture here. My biggest beef is I'm not here long enough to really enjoy it.

    CM: Why has the show been successful?

    DN: You have to recognize that if you don’t evolve you become extinct. It's like a dinosaur. If you look at the shows on the air when I came on board, A Current Affair was still on TV, Hard Copy, American Journal. These shows are all gone now. One of the reasons we're still here is we've evolved in a way that we think the audience has evolved.

    When I first came in they did a lot of these very tabloid — I call them, "Beach Blanket Bingo" stories. There wasn’t a spring break they didn’t cover and they'd zoom in on the cleavage and the drunken children on the beach. We know that happens, but how is my life being enhanced or my knowledge base being increased by this? And it just wasn’t. It was gratuitous and it was kind of stupid. The audience might have been interested in that at the beginning but they had their fill of it.

    And so we moved beyond that. What we tell people now is you can get the highlights of what the celebrities are doing by watching Inside Edition because we will give you just a little tidbit of what that is. But what you’ll get from us is stories that make you laugh, that touch the heartstrings, a lot more lifestyle stories.

    "One of the reasons we're still here is we've evolved in a way that we think the audience has evolved."

    CM: But some people still think of Inside Edition as a tabloid show. What do you tell advertisers?

    DN: We tell them we're the best vehicle to get to clients you want to reach — women. And we do very well with men 18-34. That's a tough demo to reach.

    CM: Why do young men watch the show?

    DN: I've been told I'm a MILF. I think it's the MILF factor. My son is 19; he says that's what he hears from his friends. It's disgusting but I'll take it. And we do enough jazzy stories that appeal to a lot of demographics.

    We're very strong with women 25-54 that advertisers want to reach. We do stories that touch your heart and have some sort of deeper meaning that you will have for your life.

    And we almost always end the show with some stupid animal moment. Whether it's a roller skating squirrel or Skeeter the Narcoleptic Dog — every time he got excited he would conk out. Skeeter had a very timely end. He was crossing the street and got excited and feel asleep and got hit by a car. I don't think we put that on TV but that was actually what happened.

    "I think it's the MILF factor. My son is 19; he says that's what he hears from his friends. It's disgusting but I'll take it."

    CM: I didn't realize you were such close friends with Joan Rivers until I learned you gave one of the eulogies at her funeral. The outpouring of affection for her was amazing.

    DN: Joan would have been blown away by this. I don't think she had any idea of the depth of that affection. Joan Rivers was one of the biggest celebrities in the world and yet there was something about Joan, about her honesty, about her candor, the ups and downs of her life that everyone could relate to, even though they'll never be at Buckingham Palace with Prince Charles.

    CM: Prince Charles liked her so much.

    DM: She is so honest. She doesn't care if you are prince. She said all kinds of terrible stuff in front of him and he just laughed. In fact I will show you a picture. (She locates a photo on her cell phone of her and husband Carl with Prince Charles and Camilla.) I wanted to have something close. We were at Clarence House and she was saying something ridiculous. Carl and I are falling over laughing and the Prince is thinking this is the funniest thing in the world.

    CM: When was it taken?

    DM: Maybe 7 or 8 years ago. It was several faces ago. She used to joke when (grandson) Cooper was little he called her "Nana Newface."

    People saw Joan struggle and they saw their own struggles in Joan and they saw how she rebuilt herself. And she wouldn't take any crap from anybody. She lived life according to her own terms. I think we would all like to do that.

    CM: What did you learn from her?

    DN: More than anything else, Joan was a teacher. She taught us how to live life fearlessly. She taught us how to live life by our rules. She taught us how to dust ourselves off and pick ourselves up and keep on going again.

    But she also taught us to make sure that at the end — whenever that end should be — that there will be no question about what you want. Joan was very specific about what she considered a quality of life. And she gave a great deal of thought to it and she made sure that many people knew what she considered a better quality of life. And if it was clear (to daughter Melissa) there was no question that this is what mom wants. And that is a gift that family members can get. And now I've learned that from Joan.

    Deborah Norville was close with Joan Rivers, left.

    Deborah Norville and Joan Rivers
    Photo courtesy of InsideEdition.com
    Deborah Norville was close with Joan Rivers, left.
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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