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    Fashion & Award Highlights

    Winners & Losers at the Golden Globes

    Clifford Pugh
    Jan 17, 2010 | 5:37 pm
    • Ricky Gervais was not your typical Golden Globe host
    • Meryl Streep won best actress in a musical or comedy for channeling Julia Childin Julia & Julie. She gave a moving acceptance speech.
    • "\Mad Men won best TV drama.
      Photo by Frank Ockenfels 3
    • Mo'Nique won best supporting actress for Precious, and gave the best acceptancespeech of the night.
    • "Big Love's Chloe Sevigny, seated right, won best supporting actress in atelevision drama.
    • Sandra Bullock won best actress in a drama for The Blind Side.
      Courtesy photo

    There was something different about this year's Golden Globes: Not much time was spent on the red carpet. Normally sunny southern California was gray and rainy, so umbrellas filled the walkway into the Beverly Hilton Hotel and more than a few hairstyles were limp and frizzy. But it takes more than a little rain to put a damper on one of the season's cheesiest awards shows.

    The Golden Globes show is always fun to watch because you never know what will happen. It mixes TV and movie stars under one roof, offers copious amounts of alcohol and food in a supper club atmosphere, and maintains a formal dress code, so there are lots of opportunities for expert and at-home critics to wonder what some of the stars — and their stylists — were thinking. In recent years, the fashion choices have been mostly bland because stars know the blogosphere will crucify them if they're too far out there. Even so, there's always hope. Here are our up-to-the-moment winners and losers of the evening, both on the red carpet and inside the ballroom.

    Best accessory: The PUH. Because of the rain, nearly every star had a personal umbrella handler, who tried to shield them from the inclement weather. But Penelope Cruz, in a black strapless gown, said she didn't have a PUH. "I'm not like Puff Daddy," she told E!'s Ryan Seacrest. "I hold my own umbrella."

    Best first arrival: Usually only B-list stars arrive early at awards shows, which never makes much sense to me. But a few years ago, Desperate Housewives Eva Longoria Parker and Teri Hatcher figured if you show up early, you get more media attention. Sadly, they weren't here this year, because their show wasn't nominated, but House's Lisa Edelstein (whose family lives in Houston) took up some of the slack. She wore a silver Georges Chakras gown with a plunging neckline and a ribbon on her purse that signified support for the relief effort in Haiti.

    Messiest hair: A tie between Sandra Bullock, Emily Blunt (the star of Young Queen Victoria) and Adrian Grenier of Entourage.

    Oddest tuxedo: Director Quentin Tarantino wore an odd all-black "hybrid tuxedo" that combined a loose-fitting Japanese jacket and tailored American slacks.

    Oddest head dress: Mad Men star January Jones wore a black ribbon headband, with her blond hair pulled back and swooped up. But she pulled off the look.

    Most fashion-forward: Julianna Marguiles in a Narciso Rodriguez sequined gown with cutouts along the back and bodice. Marguiles is a close friend of Rodriguez and often is in the front row of his New York shows.

    Best candidate for prom queen: Tina Fey in a silver-and-black basket weave gown with a full skirt that was a little too '50s looking for the 21st century.

    Sure to be on everyone's Worst Dressed List: Mariah Carey in a Herve Leger black gown with odd shoulders and a plunging neckline that showed way too much of her breasts (she said the gown accentuated her "globes.") And the damped-down hairdo looked as if she got caught in the rain.

    Best imitation of Grizzly Adams: Jon Hamm, known for his impeccable style in Mad Men, showed up with an unkempt beard. Why? "Because I'm utterly lazy. I haven't worked in a month and a half, so I'm quite shaggy."

    Sure to be on everyone's Best Dressed List: Kate Hudson, in an elegant white gown — I'm guessing Dior — with waves of fabric. (I've been told it's Marchesa.)

    Worst imitation of a Golden Globe: True Blood's Anna Paquin in a heavily sequined gold gown by Stella McCartney that looked terribly heavy and certainly went against the trend of the evening. Almost everyone else wore light chiffon looking gowns in pastels, black or jewel-tone shades.

    Proof that Ricky Gervais isn't the usual awards show host: Within the first five minutes, Gervais made several penis jokes and dissed Angelina Jolie and NBC. "Let's get on with it before NBC replaces me with Jay Leno," he said. His best line came later, when he appeared with a pint of beer and said, "I like to drink as much as the next man unless the next man is...... Mel Gibson," he said, as Gibson came out to present the next award and the audience gasped.

    Best acceptance speech (and the show wasn't 10 minutes old): Mo'Nique, winner of best supporting actress in a motion picture for her role as an abusive mother in Precious, thanked her husband, director and co-stars before dedicating the award to victims of abuse.

    Another great acceptance speech: Meryl Streep, who won best actress in a comedy or musical motion picture for her portrayal of Julia Child in Julie & Julia, always gives the best awards show acceptance speeches. Her heartfelt tribute to her mother that rang true. "I've played so many extraordinary women, I'm getting mistaken for one," Streep said.

    Worst acceptance speech: "I'm not very good at this," said Drew Barrymore, winner of best actress in a mini-series or movie for her role in Grey Gardens. Her rambling speech was heartfelt but didn't make much sense.

    Worst dye job: Paul McCartney's two-toned red hair looks like it may glow in the dark.

    Second worst dye job: Harrison Ford.

    Best duo: Cher, in an "S&M-meets-couture" gown, and a much shorter Christina Aguilera.

    Best proof it ain't the Oscars: James Cameron, who won best director for Avatar, said he was going to keep his speech short because, "frankly, I have to pee."

    Funniest acceptance speech: Robert Downey Jr. won for Sherlock Holmes and listed the people he didn't want to thank, including his wife — without her, he said, "I could be bussing tables" — and the Hollywood Foreign Press Association. "They are a strange bunch and I am one of them."

    Other assorted winners: Michael C. Hall, best actor in a television drama, Dexter. For those wondering, he was wearing a stocking cap because he is receiving treatment for Hodgkin's lymphoma. Juliana Marguiles, best actress in a television drama, The Good Wife. She thanked CBS officials for "believing in the 10 o'clock drama." Kevin Bacon, best actor in a mini-series or TV movie, Taking Chances. Alec Baldwin, best actor in a comedy, 30 Rock. Chloe Sevigny, best supporting actress in a television series, Big Love. Sandra Bullock, best actress in a drama, The Blind Side. Jeff Bridges, best actor in a drama, Crazy Heart

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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