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    and the award goes to...

    Chadwick Boseman shines in Houston Film Critics Society's nominations for best in film

    Craig Lindsey
    Jan 15, 2021 | 1:48 pm
    Chadwick Boseman in Ma Rainey's Black Bottom
    The late Chadwick Boseman is a double nominee.
    Photo by David Lee/Netflix

    In all, 2020 was a very unusual year for movies. The pandemic forced a lot of highly anticipated movies to either postpone their release dates or premiere on a streaming service (or, in the case of Christopher Nolan’s Tenet, hit the theaters anyway and die an embarrassing death at the box office).

    Nevertheless, many smaller, independent films found their way out there on streaming platforms and on-demand services, and those films will be celebrated at this year’s 14th annual Houston Film Critics’ Awards, nominated and voted by the Houston Film Critics Society (HFCS).

    High atop the list is Minari, director Lee Isaac Chung’s study of a family from Korea starting a farm in Arkansas. The film is nominated for seven honors, including the Best Picture of 2020.

    In addition to Best Picture, Minari is nominated for Best Director, Best Actor (Steve Yeun), Best Supporting Actress (Youn Yuh-jung), Best Screenplay, Best Cinematography, and a Cinematic Achievement honor for seven-year-old actor Alan S. Kim.

    Following the film in overall nominations is Sound of Metal with six nods, including Best Picture, while three films — Nomadland, One Night in Miami and The Trial of the Chicago 7 – received five nominations each, also including Best Picture. Other contenders for this top award are Da 5 Bloods, The Father, Never Rarely Sometimes Always, Promising Young Woman, and Soul, which is also a nominee for Best Animated Feature.

    “From a year that most of us would love to forget, comes an impressive collection of movies we will always remember,” HFCS president Doug Harris said in a statement. “For the film industry, 2020 will be recalled just as much for works which nourished our souls, as for the ways that world events changed movie habits. The impact of the artistic expression from this year’s nominees reminds us that the size of a screen, or where we view it, matters less than the quality of what we see.”

    The late Chadwick Boseman is a double nominee for Leading Actor for Ma Rainey’s Black Bottom and Best Supporting Actor for Da 5 Bloods. His performance in the lead category joins Yeun, Riz Ahmed (Sound of Metal), Anthony Hopkins (The Father), and Delroy Lindo (Da 5 Bloods). Sacha Baron Cohen (The Trial of the Chicago 7), Bill Murray (On the Rocks), Leslie Odom, Jr. (One Night in Miami), and Paul Raci (Sound of Metal) are also nominated for supporting honors.

    Competing for the 2020 award for Leading Actress are Viola Davis, Ma Rainey’s Black Bottom; Sidney Flanigan, Never Rarely Sometimes Always; Vanessa Kirby, Pieces of a Woman; Frances McDormand, Nomadland; and Carey Mulligan, Promising Young Woman. Along with Yuh-jung, nominees for the Supporting Actress honor are Maria Bakalova, Borat Subsequent Moviefilm; Ellen Burstyn, Pieces of a Woman; Olivia Colman, The Father; and Amanda Seyfried, Mank.

    Three female filmmakers — Chloé Zhao (Nomadland), Regina King (One Night in Miami) and Emerald Fennell (Promising Young Woman) – are also nominees for Best Director.

    Some 18 categories of film excellence will be recognized by the prestigious body of film journalists and announced on January 18. The winning films, along with nominees and winners in the Society’s Texas Independent Film Awards, will be spotlighted in the Society’s first televised awards programming on January 31 at 4 pm on Houston’s KUBE-TV.

    Houston Film Critics Society nominations

    (Outstanding Cinematic Achievement, Best Movie Poster Art and the Society’s Lifetime Achievement Award winners are to be subsequently announced)

    Best Picture

    Da 5 Bloods

    The Father

    Minari

    Never Rarely Sometimes Always

    Nomadland

    One Night in Miami

    Promising Young Woman

    Soul

    Sound of Metal

    The Trial of the Chicago 7

    Best Director

    Lee Isaac Chung, Minari

    Chloé Zhao, Nomadland

    Regina King, One Night in Miami

    Emerald Fennell, Promising Young Woman

    Darius Marder, Sound of Metal

    Aaron Sorkin, The Trial of the Chicago 7

    Best Performance by an Actor in a Leading Role

    Riz Ahmed, Sound of Metal

    Chadwick Boseman, Ma Rainey's Black Bottom

    Anthony Hopkins, The Father

    Delroy Lindo, Da 5 Bloods

    Steven Yeun, Minari

    Best Performance by an Actress in a Leading Role

    Viola Davis, Ma Rainey's Black Bottom

    Sidney Flanigan, Never Rarely Sometimes Always

    Vanessa Kirby, Pieces of a Woman

    Frances McDormand, Nomadland

    Carey Mulligan, Promising Young Woman

    Best Performance by an Actor in a Supporting Role

    Chadwick Boseman, Da 5 Bloods

    Sacha Baron Cohen, The Trial of the Chicago 7

    Bill Murray, On the Rocks

    Leslie Odom Jr., One Night in Miami

    Paul Raci, Sound of Metal

    Best Performance by an Actress in a Supporting Role

    Maria Bakalova, Borat Subsequent Moviefilm

    Ellen Burstyn, Pieces of a Woman

    Olivia Colman, The Father

    Amanda Seyfried, Mank

    Youn Yuhjung, Minari

    Best Screenplay

    Minari

    Nomadland

    One Night in Miami

    Promising Young Woman

    Sound of Metal

    The Trial of the Chicago 7

    Best Animated Feature

    The Croods: A New Age

    Onward

    Over the Moon

    Soul

    Wolfwalkers

    Best Cinematography

    Mank

    Minari

    News of the World

    Nomadland

    Tenet

    Best Documentary Feature

    Boys State

    Collective

    Dick Johnson is Dead

    My Octopus Teacher

    Time

    Best Foreign Language Feature

    Another Round (Denmark)

    Bacurau (Brazil/France)

    Beanpole (Russia)

    La Llorona (Guatemala)

    A Sun (Taiwan)

    Best Original Score

    Mank

    The Midnight Sky

    News of the World

    Soul

    Tenet

    Best Original Song

    “Turntables” from All In: The Fight for Democracy

    “Lo Si” from Life Ahead

    “Speak Now” from One Night in Miami

    “Rocket to the Moon” from Over the Moon

    “Wear Your Crown” from The Prom

    Best Visual Effects

    Tenet

    The Invisible Man

    The Midnight Sky

    Best Stunt Coordination Team

    Birds of Prey

    Mulan

    The Old Guard

    Tenet

    Wonder Woman 1984

    Texas Independent Film Award

    Boys State

    Miss Juneteenth

    Ready or Not

    The Vast of Night

    Yellow Rose

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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