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    Hello, 2013

    New art for the New Year: Houston galleries offer a wave of strong exhibits inweekend openings

    Tyler Rudick
    Jan 11, 2013 | 8:17 am
    • Ian Hamilton Finlay, Neoclassicism Needs You, 1983, Hiram Butler Gallery
      Photo courtesy of Hiram Butler Gallery
    • Marci Crawford Harnden, Temporal Hour, oil on canvas, 30 by 36 inches, D.M.Allison Art
      Photo courtesy of D.M. Allison Art
    • Mie Olise at Barbara Davis Gallery, Loading House, 2012, acrylic and water fromGowanus Canal, 91 by 77 inches
      Photo courtesy of Barbara Davis Gallery
    • At Art Palace Gallery, The Bridge Club, Tenants at Will IV, 2012, archivaldigital print ed of three, 60 by 40 inches, from the performance Tenants atWill, Knoxville, Tenn., 2009
      Photo courtesy of Art Palace
    • Sigrid Sandström, Untitled, 2012, acrylic on panel, 48 by 60 inches
      Photo courtesy of the artist and Inman Gallery
    • Helen Altman, installation view, 2012, hand-woven wire birds with Manzanita woodbranches, dimensions variable, at Moody Gallery
      Photo courtesy of Moody Gallery
    • Devon Britt-Darby, from Keepsakes from Several Occasions, Philomena GabrielContemporary
    • Ted Kincaid, Nocturnal Landscape 108, at Devin Borden Gallery
      Photo courtesy of Devin Borden Gallery

    With 2012 officially behind us — along with its Cadillac Ranch sex scandals and Picasso spray-painting — the Houston gallery scene ushers in the new year with a barrage of openings Friday and Saturday.

    Judging from the fliers and e-blasts circulating the past month, this weekend marks the start of some strong exhibits, with new paintings by Scandinavian artists Mie Olise and Sigrid Sandström at Barbara Davis and Inman, respectively, as well as vintage prints from late Scottish artist Ian Hamilton Finlay at Hiram Butler.

     

    See Scandinavian artists Mie Olise and Sigrid Sandström at Barbara Davis and Inman, respectively, and prints  by Scottish artist Ian Michael Finlay at Hiram Butler.

    Other highlights include a new solo show from Devon Britt-Darby, the Houston art critic who made waves with his 2011 performance piece opposing the Art Guys' tree marriage. The two-week exhibit sure to make a splash when it opens Saturday evening at PG Contemporary, which closes at the end of the month as gallerist Zoya Tommy relocates to 4411 Montrose building.

    To help all you gallery-hoppers through this maze of openings, here's a full rundown of the weekend's event. Feel free to add anything we missed in the comments below.

     FRIDAY

    Starting at 6 p.m., the Isabella Court galleries on Main will host photographer Ted Kincaid at Devin Borden, performance artists The Bridge Club at Art Palace and the aforementioned Sandström at Inman. The David Shelton Gallery offers Common Objects, a three-artist show exploring various aspects of daily life.

    Also starting at 6 p.m., 4411 Montrose galleries welcome Houston-based installationist Adela Andea at Anya Tish, Mie Olise at Barbara Davis and a show for Japanese neo-dadaist Ushio Shinohara at the new Zoya Tommy Gallery. Wade Wilson will launch a show of abstract works from Mark Williams, Todd Williamson and the legendary Robert Ryman.

     SATURDAY

    Start the day at Hiram Butler with a brunch-time opening for Ian Michael Finlay . . . breakfast tacos and margaritas will be provided by Armando's food truck from 11 to 1 p.m.

    Later in the day, the Colquitt galleries kick off a slew of fresh exhibits Saturday with openings for painter Marci Crawford Harnden at d.m. allison from 6 to 9 p.m. and a Moody Gallery group show from 4 to 6 p.m. With receptions from 6 to 8 p.m., McMurtrey opens shows for painters Robert Kinsell and Howard Sherman while Catherine Courtier launches new work from trippy fine art photographer Maggie Taylor.

    On the east side, Box 13 opens the third installment of it juried show Disturbance of Distance from 7:30 to 9 p.m. while Hardy & Nance Studios starts its apocalypse-themed exhibit We're All Dead Now with a St. Arnold-sponsored reception from 6 p.m.

    In the Museum District, Contemporary Arts Museum Houston has a performance piece by Clifford Owens at 2 p.m. Then at 3 p.m., the Asia Society presents a talk by artist Kip Fulbeck for his current show part asian, 100% hapa. Judging from Fulbeck's short film included in the exhibit, the presentation should be pretty entertaining.

    After catching Devon Britt-Darby at PG Contemporary in Midtown from 6 to 8 p.m., swing up to the Heights to UP Art Studio's pop-up street art show in honor of Martin Luther King, Jr.

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    Movie Review

    'I Know What You Did Last Summer' reboot lacks energy or thrills

    Alex Bentley
    Jul 17, 2025 | 2:00 pm
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer
    Photo by Brook Rushton
    Sarah Pidgeon, Madelyn Cline and Chase Sui Wonders in I Know What You Did Last Summer.

    When the original I Know What You Did Last Summer came out in 1997, it was riding the coattails of Scream, which came out in 1996. Like that film, it featured hot young actors of the time, albeit with a story that was much more standard than the inventive Scream. Still, it made enough of an impact for some studio executive to think it was worth reviving nearly 30 years later with its own legacy-quel.

    In the new I Know What You Did Last Summer, a group of five high school friends — Danica (Madelyn Cline), Ava (Chase Sui Wonders), Milo (Jonah Hauer-King), Teddy (Tyriq Withers), and Stevie (Sarah Pidgeon) — have reunited at the engagement party for Danica and Teddy on the 4th of July. While on an impromptu trip to watch fireworks on a twisty road in the nearby hills, Teddy goofs off in the middle of the road, causing a truck to swerve and drive off the cliff.

    A year later, having sworn to each other to not speak of the accident to anybody, they start getting stalked by a mysterious person in a fisherman’s slicker carrying a hook. With Teddy’s rich father, Grant (Billy Campbell), actively trying to cover up what his son did (as well as the fallout), it’s up to the group to figure out who is coming after them and how to stop that person.

    Written and directed by Jennifer Kaytin Robinson, and co-written by Sam Lansky, the film doesn’t try to reinvent the wheel; in fact, it barely builds something that can roll. It might just be the laziest and most incompetent attempt to capitalize on an existing piece of intellectual property. There is almost zero effort put into establishing a connection between the members of the friend group, making them feel like strangers for the entire film.

    It doesn’t help that the young male actors in the film — which grows to include Wyatt (Joshua Orpin), a new fiance for Danica — serve no purpose other than to be generically good-looking. The most impactful of the men in the film is the returning Freddie Prinze, Jr., who — along with Jennifer Love Hewitt — has his old character from the first two films shoehorned into the new story. The filmmakers undercut any good feelings from their return by giving them hardly anything to do and then having Hewitt deliver the line, “Nostalgia is overrated.”

    The film as a whole never has a sense of momentum. The inciting incident is so tame — they even attempt to save the driver before the truck goes off the cliff — that the guilt they feel and the anger of the person going after them doesn’t feel warranted. Once the attacks start, it is shocking at how low-energy the sequences are, providing no sense of suspense or thrills. The filmmakers resort to the lamest of horror movie tropes, turning the film into a paint-by-numbers affair.

    Cline (one of the stars of Netflix’s Outer Banks) and Wonders (The Studio on Apple TV+, Bodies Bodies Bodies) are the clear stars of the film, but their characters are made into inert scream queens, negating any acting talent they possess. Hauer-King, Withers, and Pidgeon don’t bring anything interesting to their characters, existing merely to have someone else for the killer to go after.

    Even the worst films can have some kind of redeeming value if you look hard enough, but the only thing I Know What You Did Last Summer has to offer is that it becomes so comically bad by the end that you can’t help but laugh at its ineptitude. Both fans of the original and fans of horror movies in general will feel cheated by the experience.

    ---

    I Know What You Did Last Summer opens in theaters on July 18.

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