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    The Big Texas Party

    Texas country star promises a honky tonk good time at Super Bowl party

    Clifford Pugh
    Jan 10, 2017 | 3:49 pm
    Bart Crow
    Bart Crow and his band will headline The Big Texas Party.
    Courtesy photo

    Anyone who's heard Bart Crow perform knows that when the "road-toughened troubador" and his band show up, there's going to be a good time in store. Crow, who Rolling Stone magazine singled out as one of 10 New Country Artists You Need to Know, plays more than 130 dates a year in front of loyal, rowdy audiences in honky tonks and concert halls all across Texas, the Southwest and beyond.

    Now, the Austin-based Texas country star is coming to Houston as the headliner at The Big Texas Party.

    Crow's brand of music fits right in with theme of the Texas-sized soiree, which highlights barbecue from 10 top Houston pitmasters, beer, bourbon and the hospitality that Houston — and all of the Lone Star State — is known for. In a sign that we all can get along, former Dallas Cowboys stars Ed "Too Tall" Jones and Randy White will team up with former Houston Oilers greats Mike Barber, Gregg Bingham, and Cris Dishman to host the party at Silver Street Studios on February 2, a few days before Super Bowl LI kicks off.

    Other sports stars expected to attend the party, sponsored by CultureMap, ESPN Radio, and SB Nation, include Jamaal Charles, T.J. Glover, Elvin Hayes, Travis Johnson, Ryan Leaf, Keenan McCardell, Gerome Sapp, Damion Square, Henry Thomas, Eric Warfield, Ricky Williams, and Roy Williams.

    Crow has had six No. 1 singles on the Texas Music Chart, including "Wear My Ring," which has been viewed 3.9 million times on YouTube, and “Life Comes At You Fast.” Other hits include "Run With The Devil," "Little Bit of Luck," and "Dandelion." Crow, whose hometown is tiny Maypearl, Texas (population 934), realized his dream in 2015 when he debuted at the Grand Ole Opry in Nashville.

    Tickets for The Big Texas Party range from $125 to $1,250 for a VIP entry that includes a seat in a private VIP suite, a four-course meal from El Burro + The Bull, and bottle service. For more information or to purchase tickets, visit The Big Texas Party website.

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    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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