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    Pick Five (Plus)

    Your weekly guide to Houston: Rothko Chapel turns 40 and a major film festivalscreens

    Joel Luks
    Jan 11, 2011 | 6:45 pm
    • Divergence Vocal Theater juxtaposes different artistic genres to tease all thesenses.
    • Rothko Chapel turns 40 this year.
      Hickey Robertson
    • Take a beautiful hike with vino through the gorgeous trails of the HoustonArboretum.

    I survived my first week at CultureMap without any major blunders, mishaps or embarrassing moments. I managed to show up on time, produce a healthy amount of content allowing myself time to partake in some cool events this past week.

    All and all, I have to say my colleagues make the days quite entertaining.

    Last week had a lot to offer — there was no easing into January. It arrived, unapologetically, giving Houstonians a myriad of things to do.

    Where were you?

    The River Oaks Chamber Orchestra presented a riveting account of Amahl and the Night Visitors. I even cried at “I walk mother,” when the protagonist's selfless act of giving away a prized possession turned into a miracle healing. Anyone else have “thank you, thank you, thank you kindly, thank you” stuck in their heads?

    It’s perhaps the asymmetry in the meter that makes this short but repetitive riff addicting.

    Red Bull brought to Discovery Green Illume, a curated exhibition of the best action and adventure sports photography. After receiving 22,764 submissions from 4,773 photographers in 112 countries, 250 semi-finalists were weaned down to 50 finalist, 10 category winners (energy, close-up, experimental, illumination, culture, new creativity, playground, sequence, spirit and wings) and one overall winner.

    Illume is on view from 6 - 10 p.m. every evening through Monday.

    CultureMap’s own Joe Leydon gave an entertaining introduction to Lena Dunham’s Tiny Furniture, revealing the idiosyncrasies of trying to date after posing nude in your own movies. Moral of the story? Don’t do it.

    So, what is on the schedule for this week? As the days go by, it will be more and more difficult to only feature five events. From time to time, I will enlist the help of my savant group of editors to give their insights as they gallivant their way through Houston happenings.

    Lecture and Book Signing: James D. Wolfensohn, former president of the World Bank
    A rare opportunity to hear an influential man with a global economic view, Wolfensohn served as president of the World Bank through the good, the bad and the ugly. As chairman emeritus of Carnegie Hall and the John F. Kennedy Center for the Performing Arts, he brings an interesting perspective.

    For overachievers, read his latest book, A Global Life: My Journey Among Rich and Poor, from Sydney to Wall Street to the World Bank. Wednesday at 6 p.m.

    Concert: Texas Noise and Ambient Environment
    Anything at the Contemporary Arts Museum Houston is thought provoking. If you have ever wondered where music ends and noise begins, this presentation, inspired by Benjamin Patterson: Born in the Statue of FLUX/us, challenges and experiments with music improv through acoustic instruments, auxiliary percussion, electronics and devices. Thursday at 6:30 p.m.

    Celebrating the Life and Legacy of Dr. Martin Luther King, Jr.: Rothko Chapel’s 40th Anniversary Kickoff
    Time flies when you are either having fun or not paying attention. Either way, the Rothko Chapel turns 40 this year.

    With remarks by The Reverend Forbes and music by New Orleans Hustlers Brass Band, Barnett Newman’s Broken Obelisk will be dedicated to the human rights leader. Saturday at 11 a.m.

    Divergence Vocal Theater’s “Voix et Harpe”
    Doesn’t everyone need a little Frenchiness in their lives? Misha Penton, artistic director, knows how to program music in a way that’s captivating and thought-provoking. Fusing with other artistic genres, “Voix et Harpe” is inspired by Belle Époque barefoot icon Isadora Duncan. Saturday at 2:30 p.m.

    48th Annual Ann Arbor Film Festival
    Doesn’t it seem like Aurora Picture Show is behind a lot of cool happenings in Houston? In collaboration with MFAH, the longest running independent film festival in North American, the Ann Arbor Film Festival presents avant-garde works in high quality format. Saturday at 7 p.m.

    And what does the rest of the CultureMap team think?

    Managing editor Chris Baldwin's Pick: Oklahoma City Thunder & Kevin Durant at the Houston Rockets
    Chris says: "With the Rockets fading in the standings, their big games are becoming about star power. Opposing star power. And few bring more of that than former University of Texas star Kevin Durant."

    "The NBA's leading scorer is arguably now the biggest must-see in pro basketball outside of the Miami Heat. Sorry Kobe." Wednesday at 7:30 p.m.

    Indie music guru Jennifer Patterson's Pick: No Age at Fitzgerald’s
    Jennifer says: “I admit that I first got into them at an especially tipsy SXSW ’09 because I thought the singer was a babe."

    "There’s more to this duo than eye candy though. What started out as a fiery explosion of noise has been tamed down to a steady rumble, which isn’t to hate on their first album. They stay true to their roots with an added layer of sophistication.” Wednesday at 8p.m.

    Arts lover Nancy Wozny’s Pick: Broadway Across America’s West Side Story
    Nancy says: "Something's coming, and it's going to be good. West Side Story changed the course of musical theater. Combine a classic story, (Romeo and Juliet), a gorgeous score by Bernstein and Sondheim, street savvy choreograph by Jerome Robbins, and you get one timeless musical."

    "Musical theater dance doesn't get much better than this." Opens Wednesday at 7:30 p.m. and runs through January 23.

    Assistant editor Caroline Gallay’s Pick: Girl Talk
    Caroline says: “I'm pumped about Girl Talk at the House of Blues. Although I'll have to miss him this year due to traveling (I caught him this summer at Free Press SummerFest) his concerts are always a great time. I saw him once in college when he just stripped naked and hopped around — not a lot to do onstage when you're a mash-up artist."

    "Don't forget the glowsticks!” Thursday at 8 p.m.

    Social media editor Fayza Elmostehi’s Pick: Wine and Cheese Night Hike at the Houston Arboretum
    Fayza says: “What goes together better than coagulated milk protein and the great outdoors? Nothing, that's what. And adding a little vino to the mix is icing on the cake."

    "So pick up your phone. It's the Arboretum calling.” Friday at 6:30 p.m.

    Assistant editor Steven Thomson's Pick: Opening of Chicago 7
    Steven says: “This group exhibition features artists with ties to the School of the Art Institute of Chicago, most of whom have lived or worked in Texas. An opening reception for the artists, including Jonathan Leach, Fatima Haider and Jesse Avina, will be held from 6 - 9 p.m. The exhibition, which has been curated by Joshua Reames, is on view through Feb. 26. Friday at 6:00 p.m.

    Your plans?

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    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

    moviesfilm
    news/entertainment

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