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    Cirque du Soleil splashes into Houston with new high-flying show

    Tarra Gaines
    Jan 10, 2019 | 10:10 am

    The high-flying Cirque du Soleil always makes a big splash when it sets up the tent at Sam Houston Race Park, but with its latest show, Luzia, real rainstorms and liquid pools become intrinsic parts of the performances. Inspired by the landscapes and culture of Mexico, Luzia is the first Cirque du Soleil big top touring show to incorporate water throughout the production.

    Taking audiences into a dream world of ancient architecture, the golden age of Mexican cinema, spirit animals, dance salons, soccer fields, and liquid cascades, Luzia will also give surrealist and watery twists to many of the acrobatic wonders Houston Cirque fans come every year to see. The performances explore various themes related to Mexican culture and mythology including speed, rain, nature, and a poetic vision of reality in may forms.

    The show begins with parachutist falling into his own memories and then takes the audience through a magical journey into Mexican landscapes from myth and imagination. Along the way expect hoop-diving on treadmills, hand-balancing 20 feet above the stage, and a football (aka soccer) dance. Later in the show, look for a revolving Russian swing act, sending performers tumbling 33 feet into the air; mast and pole acrobatics; a high-swinging lucha libre wrestler taking to the air; juggling; clowns scuba diving, and a uproarious fiesta finale.

    Several of the high-flying performances plunge these gravity-defying kinetic magicians into watery depths or shower them with rain. Cyr wheel artists spin across the stage and a trapeze aerialist twirls and dances in midair all the while drenched in a resplendent downpour.

    In another section of the show, an artist representing a demigod of rain performs an aerial strap act, after emerging from a pool created to resemble the naturally occurring sinkholes the Mayans believed were gateways to the afterlife. Continuing his aerial dancing in the straps, he interacts with the life-sized puppet of a jaguar.

    While audiences might marvel at this vibrant dreamscape onstage, another type of engineering artistry backstage (and under-stage) happens to create such spectacle. For example, according to the Luzia technical information, the stage floor has 94,657 holes through which the water drains into a 3,500-litre basin hidden underneath. The water must be filtered and disinfected everyday. Kept at a constant 82 degrees for the the artists health, all 1,585 gallons used during any performance will be recycled for the entire duration of this Houston run. 


    And though the overall vision might celebrate Mexico, an international cast and crew from 25 countries including, of course, Mexico, come together to create this Luzia surrealist world filled with vivid storms of color, music, comedy, and dance on earth and midair.

    ---

    Cirque Du Soleil's Luzia runs at Sam Houston Race Park January 10-February 24. Visit the official site for tickets and showtimes.

    A gravity defying balancing act is inspired by the golden age of Mexican cinema.

    Cirque du Soleil: Luzia, Canes
    Photo by Matt Beard
    A gravity defying balancing act is inspired by the golden age of Mexican cinema.
    theatermusicdancecomedy
    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

    moviesfilm
    news/entertainment
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