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    boxing paintings

    A budding art gallery moves into 4411 Montrose, says goodbye to old space with acontroversial bang

    Tyler Rudick
    Jan 7, 2013 | 9:23 am
    • After three years in Midtown, gallery owner Zoya Tommy has located to thebustling 4411 Montrose building.
      Photo by Tyler Rudick
    • Tommy with James Ciosek's Green Texas from 2012.
      Photo by Tyler Rudick
    • While the original Milam space had plenty of vintage details, Tommy's gallery atMontrose will allow for more sculptural works and video pieces.
      Photo by Tyler Rudick
    • Ushio Shinohara, untitled "Boxing Painting," 2012
    • Devon Britt-Darby, Trust Exercises
    • Ushio Shinohara at his New York studio with Oiran on a Motorcycle (2012, papermache, wire metal and colored paint)

    In just three short years, artist-slash-gallerist Zoya Tommy has found herself a sort of rising star in the Houston art market.

    In addition to a recent strong showing at the Houston Fine Art Fair, her PG Contemporary Gallery has mounted a string of well-received exhibitions, featuring work from local stalwarts like Tierney Malone and Sharon Engelstein to modern masters like Kiki Smith and Gerhard Richter.

    But with success has come more art and more people . . . and by fall of 2012, the walls of her original space at 3227 Milam felt like they were moving in closer and closer by the day.

    "That Mediterranean-style building in Midtown where I started was beautiful, but my spot there was always just a little too narrow."

    When the Peel Gallery closed its doors this past fall at the 4411 Montrose building, she said she knew it was time to act. By early December, Tommy was working along side the likes of Wade Wilson, Anya Tish and Barbara Davis at one of the city's most bustling art hubs.

    "The Mediterranean-style building in Midtown where I started was beautiful, but my spot there was always just a little too narrow," Tommy says from the front desk at her new Montrose space, which she now calls the Zoya Tommy Gallery.

    "Here, I should be able to do more focused shows that concentrate on a much fuller range of works from a single artist. With more of an open space, I can show more sculptural works as well as film and video pieces."

    While only slightly larger than the Midtown gallery, the wider layout offers more opportunities from an exhibition standpoint. And the regular foot traffic at the building, especially during open night receptions, should provide a reliable audience for Tommy's often challenging shows.

    For its Friday opener, the new Montrose gallery is offering an expanded look at Japanese neo-dadaist Ushio Shinohara, who drew crowds to PG Contemporary this fall as he made some of his famous "boxing paintings," splatter works created by punching ink onto a canvas with a pair of boxing gloves. (Side note: Shinohara's work graces the January cover of ARTnews.)

    Starting Saturday, Tommy will close out her original Milam location in style with a solo show for Devon Britt-Darby, the Houston artist-writer who made waves in late 2011 with his Art Gay Marries a Woman performance staged in opposition to the controversial Art Guys Marry a Plant piece.

    Ushio Shinohara starts at 4411 Montrose with an opening reception Friday from 6 to 8 p.m. Devon Britt-Darby: Keepsakes from Several Occasions opens Saturday at 3227 Milam with a reception, also from 6 to 8 pm. Visit the gallery website for further details.

    unspecified
    news/entertainment

    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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