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    RodeoHouston 2022

    RodeoHouston saddles up with George Strait, Gwen Stefani, Bun B, and more for 2022

    Johnston Farrow
    Johnston Farrow
    Jan 5, 2022 | 8:47 pm

    RodeoHouston is finally back.

    After a one-year hiatus due to COVID-19, officials unveiled the 90th anniversary line-up at a media event at Pat Green's downtown honky-tonk venue, The Rustic, and it will not disappoint rodeo purists and casual music fans alike. Similar to the last couple of years, it represents a diverse set of performers set on a bedrock of country acts that comprise 14 nights of the 21-night event.

    Just as CultureMap predicted, many of the performers that missed out on playing the 2020 edition shuttered abruptly due to the coronavirus will get a second chance to play the star-shaped stage this year. Call the 2022 edition the 2020 redux.

    "The goal was to bring back as many of the stars [that were set to play] as possible, given the schedules, because this year got really tight particularly with the venues available and with many acts getting back on the road," said Jason Kane, managing director of entertainment for the Houston Livestock Show and Rodeo. "In that sense, I feel like we really succeeded in doing that. Like previous years, we wanted to keep a mix of genres that really tap into the overall make up of Houston."

    Country acts set to return from the 2020 calendar include rising East Texas country act Cody Johnson opening proceedings on February 28 with his fourth official appearance; Aussie wunderkind Keith Urban for the eighth time on March 1; superstar Tim McGraw on March 2, up-and-coming solo act Jon Pardi in his rodeo debut on March 5; The Voice judge Luke Bryan on March 7, back for the ninth time; Maren Morris on March 8 for her first official RodeoHouston appearance; Dierks Bentley for the seventh time on March 13; Chris Stapleton on March 17 for the fourth go; and Brad Paisley on March 19.

    Outside of the country genre, returning performers include pop queen Gwen Stefani also making her debut on March 15 (look for a Blake Shelton cameo); R&B sensation Khalid on March 16 for the first time in the dirt and dust; and the living EDM emoji Marshmello on March 18. Major disappointment came with the realization that Houston-native Lizzo would not return, but not for lack of trying. Kane said they worked extremely hard to book her but schedules could not line up, but promised that as a hometown hero, "Lizzo can perform at RodeoHouston anytime she wants."

    Fresh acts announced included the very first contemporary Christian act, for King & Country on March 3; Latin powerhouse Ricky Martin on March 4, fresh off a co-headlining Toyota Center gig with Enrique Iglesias; Norteño band Los Tucanes de Tijuana on March 6; classic rock band Journey on March 10; and singer-songwriter Sam Hunt on March 14.

    Most excitingly, Houston hip-hop gets it’s very first showcase with Bun B's H-Town Takeover headlining Black Heritage Night on March. The chopped and screwed champ let the announcement crowd know that he’ll be joined by Slim Thug, Lil' Keke, and other special, surprise guests that will surely get rumors going over the next few months.

    They will join previously announced performers, including Parker McCollum on March 12 and highlighted by country icon George Strait and special guest Ashley McBryde closing out the season on Sunday, March 20. He will look to beat his record setting NRG stadium audience numbers.

    It was impossible to ignore the omicron elephant in the room, with COVID transmission numbers at near-historic levels in the Lone Star State. RodeoHouston officials pointed to major sports events across the U.S. that people are willing to attend major entertainment gatherings.

    "We want everyone to follow CDC guidelines, we encourage folks to get vaccinated, and to wear a mask if that's what makes them most comfortable," Kane said.

    If the pandemic decides to take a backseat to the largest annual event in the Bayou City, it will serve as a reset from the last two, ill-fated seasons, a return to relative normalcy. Whatever the case, all who attended the announcement ceremony on Wednesday night could agree that it was good to have RodeoHouston back.

    Country legend George Strait will attempt to break his RodeoHouston audience record on Sunday, March 20.

    George Strait RodeoHouston 2019
    Photo courtesy of RodeoHouston
    Country legend George Strait will attempt to break his RodeoHouston audience record on Sunday, March 20.
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    Movie Review

    Cookie Queens goes behind the scenes of Girl Scout Cookie season

    Alex Bentley
    Aug 7, 2026 | 4:30 pm
    Cookie Queens
    Photo courtesy of Roadside Attractions
    Girl Scouts in Cookie Queens.

    Few people are strong enough to resist the lure of Girl Scout cookie season every year, with the cookies’ limited availability and unique flavors a strong incentive to indulge. But only the girls and their families who have sold the cookies know the joys and stresses of trying to get people to buy them, a process that is detailed in the new documentary, Cookie Queens.

    The film by documentarian Alysa Nahmias uses the stories of four different girls to represent the nationwide ritual for the Girl Scouts. They include 12-year-old Olive in Charlotte, North Carolina, a longtime top seller; 8-year-old Shannon Elizabeth in El Paso, Texas, who wants to earn the reward of going to camp; 5-year-old Ara in San Diego, California, whose goal is modest compared to most other girls; and 9-year-old Nikki in Chino, California, who has to compete with her older sisters in the cookie-selling bonanza.

    The girls represent a cross-section of both ages and backgrounds, with some girls coming from wealthy families and some girls dealing with more limited means. And how much money your family has makes a big difference, as not only does someone richer have more freedom with their time and supplies, but all scouts are required to reimburse the organization for every box they take in, regardless of whether they’re able to sell it or not.

    That caveat makes the journeys of the four featured girls feel wildly different. It’s clear from the start that Olive and Nikki’s families don’t give a second thought to the personal economics of selling cookies, with each girl taking in thousands of boxes at the beginning of the six-week selling season. With both Olive and Nikki rightfully confident that they’ll have no problem offloading their supply, their stories turn to how selling is personally affecting them, with each trying to reconcile the fun of doing it with the pressure they feel from their family members.

    Shannon Elizabeth’s story is more harrowing, as her parents feel a strong desire to help her accomplish her lofty goal, but worry that the cost might literally be too high for the family as a whole. More than once, the parents are shown fretting that they won’t have the money to pay back what they owe should they fall significantly short in their sales. Their selling approach, which includes walking through an empty swap meet and standing outside a chain restaurant at night, only adds to their stress.

    The most fun story to watch is that of Ara, whose innocence is matched by her confidence. Her parents teach her how much money they’ll owe with her small goal of 55 boxes, but right away she takes on more responsibility than expected. She’s shown making sales pitches and tallying the total number of boxes she’s sold with little-to-no help from either her mom or dad. With her high voice, glasses, and a monitor on her arm to manage her diabetes, she becomes the cute and sympathetic part of the film.

    There are times that the film starts to feel more than a little manipulative, however. While many of the moments documented come off as organic, some of them seem like Nahmias is actively guiding the participants in order to get a better story. This is especially evident with Shannon Elizabeth and her family, whose early struggles turn into a miraculous feel-good story by the end, a turnaround that seems implausible at best. Everything with them might have been aboveboard, but Nahmias and her team edit the family’s journey in a way that pushes a bit too hard for emotion.

    Cookie Queens, which was produced by a company owned by Prince Harry and Meghan Markle, helps to give insight into the business of selling Girl Scout cookies for those who’ve only been on the purchasing end of the transaction. The dedication of each girl toward selling their allotted supply proves fun and interesting, even if the filmmaker tries to gild the lily on occasion.

    ---

    Cookie Queens is now playing in theaters,

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