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    Houston tour

    Test Drive: Chevy Volt is nearly purrrrr-fect

    Clifford Pugh
    Oct 25, 2010 | 11:19 am
    • The new Chevrolet Volt was the center of attraction at Cammie Moise's blockparty
      Photo by Clifford Pugh
    • The colorful Volt dashboard
    • Hard to tell it's an electric car from the exterior
      Photo by Clifford Pugh

    There was a lot of commotion Sunday night in Cammie Moise's west Houston neighborhood. Moise, who got to know Chevrolet officials after test driving a Chevy Malibu for a month and blogging about it, threw a block party to introduce neighbors to the new Chevy Volt.

    Although the electric car won't be available for sale for a few months (in Austin at the end of the year; in the rest of Texas March 2011), Chevrolet is so excited about it that a team is taking several models around the nation on a 12-city, six-week tour. They stopped in Houston over the weekend to show off the car and offer test drives. There will also be a test drive session open to the public at Rice University (West Lot 1, off of University Boulevard and Stockton) this afternoon from 3:30-5 p.m. Then, the Volt heads to Miami.

    At Moise's block party, neighbors gathered around two of the sleek cars, taking turns taking them on a spin around the neighborhood, under the watchful eye of Chevy engineers who were along for the ride.

    Chevy controls design engineer Scott Skelton says the car gets around 40 miles on an electric charge and then the gasoline engine kicks in to extend the range to 300 miles. When plugged into a regular home outlet , it takes 10 hours to charge the battery. With a quick charger device, the battery can be up to speed in four hours.

    "Everyone has been ecstatic about how smooth it drives," Skelton said. "And the steering is really responsive."

    I drove it around the neighborhood for about five minutes — and while that's not much time to assess a new car — my first impressions were favorable. It has a lot of get-up-and-go, the ride is incredibly smooth, even on Houston's bumpy roads, and it's easy to maneuver. It's also really quiet, so the carmaker provided a second horn that makes a gentle honking sound — not too loud to startle the neighbors but loud enough to let them know you're coming their way.

    I was also mesmerized by a small green ball on the LED dashboard screen that jumped when I accelerated too quickly. It's designed to maximize mileage — as long as the ball doesn't jump around you're saving electricity (and gasoline once it kicks in) — so I quickly began to play a video game of "keep the ball from moving."

    Another LED screen shows a drawing of the car with the electric volts cascading through the chassis as you drive. It was a little disconcerting, but mesmerizing nonetheless.

    The base price for the four-door car, which seats four people comfortably and is made in Detroit, is $41,000. But a federal tax credit can bring the price down to around $33,500.

    I'll admit I haven't had any desire to drive a Chevy product for years, but, if I were in the market for a new car, I would seriously consider the Volt. Chevy could have a winner here — and a big boost for the carmaker's battered reputation.

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    news/city-life

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    Preservationists stage last-ditch attempt to save historic Houston theatre

    Emily Cotton
    Feb 17, 2026 | 3:30 pm
    Garden Oaks Theatre protest
    Courtesy of Arthouse Houston
    Community members rally to preserve the Garden Oaks Theatre.

    Houstonians residing in the Heights, Garden Oaks, and far beyond were thrown into a tizzy last week by the abrupt news that the Garden Oaks Theater had been purchased by commercial developers in a $7.1 million, off-market deal.

    Within a matter of days, demolition permits were granted, sewer lines disconnected from the city, and — as of Monday night — construction fencing was placed around the property. Both Preservation Houston and Arthouse Houston, an offshoot of the Friends of River Oaks Theatre, have voiced concerns over the apparent plans to raze the Art Deco building before the community has had time to react to the news.

    Built in 1947, the Garden Oaks Theater is one of several post-war Houston theaters designed for the Interstate Circuit by H.F. Pettigrew and John A. Worley of the Dallas firm Pettigrew & Worley, alongside its sister cinema, the River Oaks Theatre. It is a classic example of streamlined Art Deco design — an architectural gem that connects Houston’s everyday streetscape to its cinematic past.

    Arthouse Houston has been sitting on preservation plans for the theater for years, waiting for it to be sold by the church that had owned and utilized the building since the 1990s. The 700-plus seat theater, along with its stage, has retained its original architectural details and features throughout the years, save for a short stage extension project carried out by the church.

    Developers have not responded to proposals by Arthouse Houston to either buy or lease the movie theater to return it to its original use while simultaneously operating as a community arts center and much needed “third place.”

    According to State of Texas records, parties involved include the Heights Equity Trust, Sage Equity Partners, and Heights Investment Fund, LLC. None of these entities have responded to CultureMap’s request for comment about their plans for the property.

    Jim Parsons, programs and communications director for Preservation Houston, issued this statement to CultureMap:

    “The Garden Oaks Theater and buildings like it give the city a sense of identity. People don't just recognize these places, they remember them. Houston is always changing, but when we treat historic architecture as disposable, we risk losing the landmarks that anchor neighborhoods and give them character.”

    Maureen McNamara, Arthouse Houston’s co-founder and director, is hoping that developers took note of the “save the theater” rally that took place at the theater on Sunday, February 15, and may have a change of heart. Coverage of the rally by ABC13 was widely circulated on social media, so it’s unlikely that the developers are unaware of the public outcry to save the theater — and is what likely led to fencing going up only a day later.

    “We feel like we’re pretty well poised to step in and help investors to incorporate the theater into a larger project, and the first step is to make sure that we win them over,” McNamara tells CultureMap. “Part of winning them over is making sure they know how much the community cares, and seeing how beautiful and dynamic restoring our historical buildings and theaters can be.”

    The restoration of River Oaks Theatre and the attention that project has brought to the area is something McNamara is confident she can replicate.

    “There are nonprofit organizations all over the US saving and running historic theaters as community arts centers, and arts and film centers — there are models for this. Austin just did a big push with the Paramount Theatre,” says McNamara. “I’d like for it [Garden Oaks Theater] to exist for its original purpose — at least in part, as a movie theater — with some live theater components as well.”

    A petition on change.org has already garnered more than 1,000 signatures. In addition, Arthouse Houston will attend a Houston City Council meeting on Wednesday, February 18, at 9 am to discuss what there is to be done about this situation. McNamara encourages people to join them.

    “We would love any help we can get getting people there, signing up to speak if possible — it would be great to have a crowd there.”

    Garden Oaks Theatre protest

    Courtesy of Arthouse Houston

    Community members rally to preserve the Garden Oaks Theatre.

    preservationpreservation houstongarden oaks
    news/city-life

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